Four new slabs of ZillaMusik heading in all possible demonic directions–hell’s bells chiming for an eternal assassin with teeth for eyes (“The Corinthian”); slow-mo sleigh rides through the night with frequent Girls Chat Room collaborator Babystar (“Yes She Dub”); an acid ode to a girl who never quite was (“Dora”); and a computer club call to arms for Nonexistence as lifestyle (“How I Became Invisible”). AND: Three remixes from freakish fellow travelers Flore, Lo Kindre, and Sara Dziri extending the Zilla sound into all possible moods, speeds, WAYS OF BEING.

Tracklist :
The Corinthian
Yes She Dub (feat. Babystar)
How I Became Invisible
Dora
The Corinthian (Flore Remix)
Dora (Lo Kindre Remix)
How I Became Invisible (Sara Dziri Remix)

releases July 29, 2022

Artwork by Basile Fournier
Mastering by The Wall Studio
Additional remixes by Flore, Sara Dziri & Lo Kindre
Songs 1-4 mixed by Justin Geller
All music written and produced by Zillas On Acid

BUY HERE

Yes She Dub (feat Babystar)

out on nein
https://neinrecords.bandcamp.com/album/levitate

MAN2.0 - Oumuamua

https://soundcloud.com/ivesbarcelomusic
https://soundcloud.com/bonkersrecs
🛒 https://bonkersrecs.bandcamp.com/album/m-quina-eterna
🔊 https://youtu.be/7OM8QQf34QM

Paul Ives Barceló Cruz, an upcoming artist from Salina Cruz, Oaxaca and based In Cholula, Puebla, brings us his debut and most expected Ep «Máquina Eterna». Ives makes an interesting approach in his home label with a total different sound in each one of his tracks. This work is a result of an uncertain confinement time. The content of this material have two original tracks and two intense remixes with the very own Undefined Pattern's style.

The sounds which compose «Máquina Eterna» range among what could be Electro-Industrial, defining feelings of desperation and inquisitiveness that consumed Ives' will throughout pandemic days.
This work is composed by a variety of influences, such as Death metal, outstanding fast and distorted sounds, making a raw and heavy perception in each track's ambiance.

The first track is the Ep's homonymous which develops in a sequence of industrial metallic and deep sounds, drilling synths with a psychedelic fine touch.
Titled as "Toma De Poder" the second track is influenced by the sinister outlook of resistance and conflict in today's Mexico society. Adding a vocal with a sense of political speech and a bass line that blends into a dark atmosphere of desolation throughout the whole track.

Are we destined to prevail united man and machine? «Máquina Eterna» is reborn in two different versions by producer Fernando V. a.k.a Undefined Pattern preserving the harshness and darkness that the original track precedes, the first remix giving us a more raw, dystopian version, with a resonant bassline, always keeping the same melodic line. Six minutes of a journey into the look of the technological future.

For the second remix things speed up and take a rougher turn. Dissonant and distorted drums, changing melodies and sound textures are part of the ingredients of the dub mix. Ideal for late peak nights… 

Tracklist:

1.Ives Barceló - Máquina Eterna (Original Mix)
2. Ives Barceló - Toma De Poder (Original Mix)
3. Ives Barceló - Máquina Eterna (Undefined Pattern Remix)
4. Ives Barceló - Máquina Eterna (Undefined Pattern Dub Mix)

PREMIERE: Ives Barceló - Máquina Eterna [Bonkers Records]

LYO is back and ready to take your breath away with the third volume of their compilation series «Driving Blind». They follow up on their second exquisite offering with a selection of 23 tracks from captivating artists from all over the globe. Selected with care and love, it will bring you on an electronic journey pushing boundaries of style featuring only fresh new original music!
credits

Driving Blind (Vol​​​.​​​3)

PREMIERE: Younger Than Me & Skelesys - We Are Massive One Massive [LES YEUX ORANGE]

Fabio Me Llaman Soltero kicks off 2023 with a release that condenses his sound and gives way to what will be his new stage name "Riveiby" with a more aggressive and raw sound (always with champagne and suntan lotion on the side), native Colombian vocals, lowered percussion, use of Guatemalan and Mexican indigenous instruments, lots of Moog and grey humour. Includes 4 tracks and two remixes by masters Balam from Argentina and Ukrainian Id Ua. An Ep with a special dedication to his trip to Mexico and Colombia in the recently finished 2022.

BUY on BANDCAMP

PREMIERE : Fabio Me Llaman Soltero - Tlacoyo De La Escandón

https://soundcloud.com/danielegasmaffei
https://soundcloud.com/notalkingrecords
🛒 https://www.beatport.com/release/il-clienta/3988528
🔊 https://youtu.be/7Ja9Cq1VPF8

Daniele Gas is an italian dj and self-taught pianist composer.

He started his career as a DJ/ producer of music
progressive/trance/dream house, has worked with many big
labels,Positiva, Urban, DBX, Subway, Metrotraxx.

In 1998 he achieved a great success in the UK charts with the
single "Sky Plus" with the project Nylon Moon.

Currently collaborated with the label Ivreatronic and produced
techno, chill out, and downtempo music with his own label
NOTALKINGRecords.

PREMIERE: Daniele Gas - Il Clienta [NoTalking Records]

https://soundcloud.com/afteraltamont
https://soundcloud.com/insideoutrec
🛒 https://afteraltamont.bandcamp.com/album/elektriki-rembetologia
🔊 https://youtu.be/PCzc1ODJ_v0

After Altamont, the mysterious live band alias of Stavros Potamitis and Constantinos Parisinos, return to Inside Out Records with a truly collaborative EP, “Elektriki Rembetologia”. Rebetiko briefly can be described as the urban popular song of the Greeks, especially the poorest, from the late 19th century to the 1950s, outlawed and driven underground during the Ottoman Empire. Rebetiko grew out of particular urban circumstances. Often its lyrics reflect the harsher realities of a marginalized subculture's lifestyle. Thus one finds themes such as crime, drink, drugs, poverty, prostitution and violence, but also a multitude of themes of relevance to Greek people of any social stratum: death, eroticism, exile, exoticism, disease, love, marriage, matchmaking, the mother figure, work, war.
After Altamont set a psychedelic, theatrical, hypnotic journey throughout the album. They fuse slow hypnotic grooves, analog electronics and traditional Greek musical instruments for their interpretation of the known Mpournovalia and Tha Spasw Koupes, featuring original vocals by the incredibly talented Dunja Botic. The third track Aspra Xwmata is an original song which includes a virtuoso original Greek bouzouki improvised solo and spoken vocals by Anna Maria Harokopou, a very influential music personality in the Athenian Electronic Music Scene. The albums psychedelic journey is strengthened by beautiful remixes from Lamusa II, Steve Pepe, METAMAN (WonTon Records) and Anna Disclaim.
Artwork by Marius Houschyar.

Tracklist:

1. Tha Spasw Koupes ft. Dunja Botic
2. Mpournovalia ft. Dunja Botic
3. Aspra Xwmata ft. Anna Maria Harokopou (written by Stevie R, Parisinos)
4. Tha Spasw Koupes ft. Dunja Botic (Lamusa II Remix)
5. Tha Spasw Koupes ft. Dunja Botic (Anna Disclaim Remix)
6. Mpournovalia ft. Dunja Botic (METAMAN Remix)
7. Aspra Xwmata (written by Stevie R, Parisinos) (Steve Pepe Remix)

ACCENTVA007 - Various Artists 007

Tha Spasw Koupes

PREMIERE:  After Altamont - Tha Spasw Koupes ft. Dunja Botic [Inside Out Records]

out on nein
https://neinrecords.bandcamp.com/album/saturate

JOBE - Saturate

https://soundcloud.com/daniel-sol-s-3
https://soundcloud.com/anastasiazems
https://soundcloud.com/bonkersmsc
🛒 https://bonkers.bandcamp.com/album/santero
🔊 https://youtu.be/dVuknHIwkPk

Daniel Solís aka Second Gate delivers his debut EP straight from the heart of Mexico, bringing his genre-bending approach to the label through 3 tracks inspired by the Latin American culture developed around mysticism and black magic. It includes three unique and delightful remixes by Bonnie Spacey, Anastasia Zems and Ives Barceló.

Starting with Santero, presenting a powerful analog bass serves as a foundation for tribal drums, mysterious chants and glitched vocals. Everything is wrapped up by the dark atmospheres that will launch listeners into a trip through an eerie and mysterious jungle. 

Followed by the remixes, French and Marseille based Dj & Producer, Bonnie Spacey, also head of Critical Monday is in charge of adding some lightness to the Ep, landing some Italo/Synthwave vibes plus an exquisite vocal. 

Adding more female power to the label, we have the honor to have Anastasia Zems, with releases on Whypeopledance, Les Yeux Orange and Human Endeavour debuting as well on the label, bringing an unique feel to the release, trippy, clubby and hypnotic, just perfect for a peak time hour.

Ives Barceló strikes back with an enigmatic mix, inspired by the magic lands of Veracruz, México, bringing to you a joyful journey to the deep jungle of Catemaco, somehow you will witness some eerie voices from the witches calling you for an introspective trip. 

For Black Magic, it has a powerful bass followed by modular synthesizers take us onto a trip through a dark landscape full of polyrhythms, granular synths and every weird technique that came to Daniels mind while he delivers his mysterious and hypnotic style to this Indie Dance with Electro influences track.   

Closing with Twisted Man, fusing Indie Dance and Dub music, its rumbly bass and dub chords will push any dancefloor into psychedelic frenzy. The weird atmospheres and drones slowly creep through the track, ready to be replaced by mind melting leads and techno drums when the track comes to its highest point.

Tracklist:

Second Gate - Santero 
Second Gate - Santero (Bonnie Spacey Remix)
Second Gate - Santero (Anastasia Zems Remix)
Second Gate - Santero (Ives Barceló "Catemaco" Remix)
Second Gate - Black Magic (Original Mix)

Santero

PREMIERE: Second Gate - Santero (Anastasia Zems Remix) [Bonkers Records]

The Clocks Ticking

[Verse]
Well
My father was a fisherman
And my mother was a fisherman's friend
And I was born in the boredom and the chowder
So when I reached my prime
I left my home in the Maritimes
Headed down the turnpike for New England
Sweet New England

[Chorus]
Holes in my confidence
Holes in the knees of my jeans
I was left without a penny in my pocket
Oo-wee
I was about destitute
As a kid could be
And I wished I wore a ring
So I could hock it
I'd like to hock it

[Bridge]
A young girl in a parking lot
Was preaching to a crowd
Singing sacred songs and reading from the Bible
Well
I told her I was lost
And she told

Tall Tower in London

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.