voodoocast 41 - Isadoser

https://soundcloud.com/thomash_voodoohop
https://soundcloud.com/g-a-t-s
https://soundcloud.com/invisible-inc
🛒 https://invisible-inc.bandcamp.com/album/mondo-ritmo
🔊 https://youtu.be/HP8C_NXNPZg

Following on from last years's "Mondo Organico" compilation, the latest Invisible Inc mini-compilation "Mondo Ritmo", as its title suggests, sets its sights firmly on rhythm and percussion.
Featuring a global array of artists hailing from Argentina to Senegal and everywhere inbetween, the influences and styles on display include latin, afro, dub, dancehall, experimental, acid and more...although it's safe to say none of the tracks are just one of these labels and some of them so impossible to categorise they are genuinely unique.
Initially this EP was intended to be Dancefloor Detonators Vol. 3 but the tempos and vibes of the music that found their way to Invisible HQ were so varied that the whole concept shifted in another direction entirely.
However, lacking in dancefloor killers this EP most certainly is not. Proven and tested dancefloor bombs are Mytron & Balam's opening track "Cabasa Loca" which label boss GK Machine has been spinning at his Wrong Party nights and elsewhere for the last 6 months or so, resulting in track ID requests on several occasions...and the house/dancehall hybrid floor filler "Wicked Can't Run" by LA producer Tom Chasteen (Exist Dance/Dub Club) featuring legendary Jamaican DJ and toaster U Brown, and mixed by equally legendary producer/keyboardist David Harrow who first came to our attention through his regular keyboard contributions to all things On-U Sound related in the 1980s.
The rest of the tracks may not be peak time bangers but they are sure to please the more esoteric and adventurous dancefloors out there....it's an honour to have on board Calypso Records head honcho Thomass Jackson, Thomash (Voodoohop) and Gats (Suçuarana / Curuba) who together as Changa Boys bring in Senegalese drummer Ndiaxo dal Jaam, and finally the little-known Machine and percussionist Congo Caveman.

Tracklist: 

A1 Mytron & Balam - Cabasa Loca (Poland/Argentina)
A2 Caveman & The Machine - Grasslands Dance (Scotland/Germany)
AA1 Natural Numbers feat U Brown - Wicked Can't Run (US/Jamaica)
AA2 Thomass Jackson - Numeris Vienas (Argentina/Mexico)
AA3 Changa Boys feat Ndiaxo dal Jaam - Jaar Jaar Dub (Germany/Brasil/Senegal)

PREMIERE: Changa Boys feat Ndiaxo dal Jaam - Jaar Jaar Dub [Invisible Inc]

Tropical Twista Records IX Anos

Ah Doah

Kurup - Ah Doah

Da Iguana - Agua KT

"Under A Masonic Moon" is a genre-bending space shanty that blurs the line between 'real' life and allegory, using music as a vessel to explore the unexplored. The lyrics unfold like a cryptic confession, weaving together distorted radio transmissions, cinematic references, and cryptic whispers of hidden truth. At its core, the song posits that Stanley Kubrick, the visionary director, orchestrated the Apollo moon landing’s infamous deception—his meticulous eye for detail transforming a barren soundstage into the greatest masquerade in human history - to prevent war.

The verses dance between speculation and certainty, suggesting that Kubrick's 2001: A Space Odyssey was a rehearsal, a technological proof of concept for NASA.

Lush orchestration and swirling FX give way to a creeping sense of unease, as the chorus repeats: "Where symbols dance and plans advance." The bridge, steeped in psychedelic dissonance, embodies Kubrick’s supposed torment—an artist trapped in a cosmic lie too grand to escape.

Yet, the song isn’t just about the speculation; it is about the power of music to describe the indescribable. Through layered harmonies and eerie, otherworldly synths, it transforms skepticism into melody, paranoia into rhythm. The very act of writing a song about a faked moon landing becomes an exercise in creative license, demonstrating how artistic expression can manufacture reality as convincingly as a Hollywood set.

In its final notes, "Under A Masonic Moon" is a meditation on the power of music to conjure the impossible. Just as a film can fabricate reality, a song too can blur truth and myth, proving that a melody can be as persuasive as a photograph, and a lyric as deceptive as a doctored reel of film.

In the end, the music fades, leaving only a question. How phat does this sound on a big rig?

M.RUX takes the spacey folk original and expands the premise creating lush tropical terraformations illuminating the dark side of the moon. With sophisticated rhythms and lo-fi pad-stabs this inventive version induces both the familiar and the strange. A perfect take on the supposed landing itself.

Under A Masonic Moon

Under A Masonic Moon (M.RUX Re-orbit)

Ríos Voladores:
Vocals by Mowes
Guitar, piano, synths and production by Joaquín Cornejo


Pedalai:
Double bass by Felipe Cornejo
Percussion by Emil Klein 
Piano and production by Joaquín Cornejo 

Tulsi:
Vocals by One Kind Eye
Double bass by Felipe Cornejo
Production by Howdu & Joaquín Cornejo

Cabuya:
Guitars and production by Joaquín Cornejo

Nai:
Guitars and vocals by Mowes
Production by Joaquín Cornejo 

Wei:
Keys and strings by Hermanito
Flute by Pete Beardsworth 
Double bass by Felipe Cornejo
Piano by Joaquín Cornejo 
Production by Hermanito & Joaquín Cornejo

Joaquín Cornejo - Nai (feat. Mowes)

Shika Shika is delighted to welcome once again Joaquín Cornejo, after his EP Barro (2009).

“Cabuya” is the new EP that Joaquín brings us from Ecuador, a sonic journey that explores sensitive and enveloping landscapes. Inspired by spiritual jazz and the nuances of ambient jazz, Cornejo weaves a musical universe where each track is a thread that connects deep emotions and atmospheric textures. Through organic rhythms and ethereal harmonies, the artist invites us to immerse ourselves in an introspective and captivating journey.

Tulsi:
Vocals by One Kind Eye
Double bass by Felipe Cornejo
Production by Howdu & Joaquín Cornejo

Cabuya

Download

Joaquín Cornejo - Tulsi (feat. Howdu, One Kind Eye & Felipe Cornejo)

Joaquín Cornejo - Cabuya

A set of seven demo instrumentals from earlier this year (2025 at time of release)

Rhinestone Luxury

прости,-родная,

"Hero Returns" is a cinematic instrumental inspired by the anime Kingdom, particularly the powerful scenes surrounding the civil war and the emotional rallying of troops by the main character.
After watching the first two episodes of Season 6, I felt instantly inspired to create something bold and epic to reflect that energy.

The violin, which has been one of my favorite instruments since childhood, takes the lead in this track, supported by orchestral layers and powerful drums to bring the feeling of battle, honor, and rising courage to life.

I hope this track resonates with you the way it did with me while creating it.

As always, it's free to use for your own content, just a simple credit is all I ask.
A name mention and a link to this page or my YouTube channel (YanoOfficialMusic) is more than enough.
Thank you for listening!

- Yano

Yano - Hero Returns

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.