This EP from German duo @not-even-noticed is a music production lover’s dream. Honestly, the sound design and production levels are just beyond belief in my opinion. Needless to say, they have been on heavy rotation since I first received the demos and they aren’t anywhere close to getting old yet.

They somehow straddle the line between beautiful soundscapes and absolute face melting, eyes rolling back, grabbing the person next to yours’s shoulders heat. Does that even make sense? Well I think you get what I mean.

The EP is out next Friday the 21st. 

Absolutely boomin!

HHANDS024 - not even noticed - Don't You Dare EP (Clips)

Elusive techno silhouette Yaleesa Hall drops three new ones for their very own Dutch label Will & Ink. High-tempo techno and electro with the occasional sprinkling of EBM essence, this trio of tunes are as jackhammery as they are dreamy, with 'Newman' providing the gloomy foretaste; 'Shanks' the dreamy, electrified meat-on-the-bone; and 'Williams' the rapturous coda. Forever pushing the envelope, Hall hits with rapid fire, synth heavy techno to glitching, low-end electro and atmospheric electronica.

Newman

Yaleesa Hall - Shanks (WNK016)

Just Another Bootleg

London’s @soundsofluxe rounds out the new EP from @bigmizglasgow with a slippery breaks revamp of title track, ‘Where I Belong’ (via @homagenewyork)

More info: https://djmag.com/listen/premiere-big-miz-where-i-belong-luxe-remix

Where I Belong (LUXE Remix)

Premiere: Big Miz ‘Where I Belong (LUXE Remix)’

bandcamp

Baalti - Staying In Touch (Tom VR Sunrise Mix)

From the Pulse Modulation EP on Livity Sound. Out 6th October 2023.

Pev swiftly follows up the Pulse EP with another four tracks of sprightly club gear that continue to shape out his current areas of exploration in the studio. As ever, there are no fixed concepts or approaches - just an instinct for energising, inventive tracks taking in a range of tempos and rhythms.  

The first half of Pulse Modulation EP is marked out by linear rhythms which showcase the most techno aspects of Pev’s sound. ‘Pulse V’ is charged with the kind of alien synth lines which could only come from his studio, but also draw a line to the hi-tech soul of foundational Detroit techno. ‘Pulse VI’ has a starker, bleep-led sound pitched towards tougher dancefloors. 

’Pulse VII’ strips things back in comparison, leaning in on a blanket of bass and keeping the drums sparse and to the point - a study in soundsystem pressure.  Widening the spectrum of the record, ‘Pulse VIII’ sees Pev make a rare push up into 160+ territory - something normally reserved for his DJ sets. Swerving obvious break edits, his take on jungle is lean and crisp, delivering a fresh slant on the sound while maintaining the sharp focus of his current output.

Pulse Modulation EP

Peverelist - Pulse V

Pre-order: https://ryanclover.bandcamp.com/album/my-light-my-world

'My Light, My World' is a gorgeously slammin’ four-track release by Brooklyn-based @ryanclover on Eris Drew’s @ecstatic_editions_23 imprint. The label fell in love with Ryan’s music after wearing out the grooves on his killer 12 inch for ARTS. The tracks featured on 'My Light, My World' are a perfect fit for Ecstatic Editions because, much like Eris’s sets, the tracks are beautiful musically and genuinely emotional, but they also seriously slap and translate powerfully on large sound systems. It is hard to find Big Room records with so much heart, so the label jumped to sign the tracks and prepare the project for release.

More exclusive music

Premiere: Ryan Clover 'My Light, My World'

Pre-order: https://guava.ffm.to/outofnowhere.OPR

Producer, DJ and multi-instrumentalist @guavanoise returns with a brand new single, ‘M Presence’, from his debut album ‘Out of Nowhere’ landing this month on Guava Noise.

'M Presence' is the most club-leaning track on the record, inspired by '90s breakbeat and early XL & Warp releases. "The message is about eternal love," Guava says on the track. "I love the idea of people dancing & hearing something that could spark romance or care amongst friends."

Premiere: Guava 'M Presence'

https://soundcloud.com/kassiansound
https://soundcloud.com/fauxpoly
🛒 https://kassiansound.bandcamp.com/album/intimate-empty-club-room
🔊 https://youtu.be/LQGV4VIIfXI

Continuing the vein of transforming their creative process, label bosses Kassian release their 4th EP on their imprint Faux Poly. ‘Intimate Empty Club Room’ delivers rich layered soundscapes full of experimental harmonics and an unwillingness to be tied down to any specific club genre.

The EP explores different senses of space, tone and reverberation, which are characterised in the name of each track; Shimmer, Hollow & Fade. The names themselves reflect the aesthetic of the rooms that the tracks were designed for.

FP007 - Reverberation inside intimate empty club rooms.

Tracklist: 

1. Shimmer
2. Fade
3. Hollow

PREMIERE: Kassian - Shimmer [Faux Poly]

Four track release of sound system ready 130 club weapons, teetering between the realms of broken techno, garage, funky, and dubstep; showcasing a mastery of low-end, complex but functional rhythmic percussion and interesting melodic tones and textures

A1. Youth: Acid style square lazer bass zaps combine in fine style with a broken beat style drums, providing a polished dance floor weapon that’s both sinister and fun.

A2. Claus: Dark pads and lunar aesthetics transcend into a peak time dubstep influenced wobble, with a coalescence of garage and techno drum-work keeping things rolling.

B1. Want to Get: Detroit style pads and dubby fx, meet arps, a chest rattling bassline that develops throughout the track and Jersey Club style meets UK techno drum patterns. The track achieves the fine balance between musicality, grit and bass weight that makes it an ideal candidate for the dance.

B2. Cobalt Driver: Smoked out, moody yet melodic, the release ends with a subbed out, stripped back roller, perfect for those late night, contemplative club moments.

SPD Artist Statement: Fundamentally dubstep was the thing that caught my ear and is the reason why I got into making and playing music, so I think everything I do has a reference back to that. I feel that's authentically me and there is something about the 'genre' (as an umbrella) rising, flourishing and then progressing in so many different wonderful guises and offshoots that really made sense to me. I liked the fact that 140 provided a template that people then oscillated around but you could still pull all of these different things together. I think that is why I generally try to make stuff consistently around 130- feel it's important to be able to thread sounds together and that gives you so much flex.

https://stoneground.bandcamp.com/album/sss005-spd-youth

https://soundcloud.com/spdukg
https://soundcloud.com/stonegrounduk

PREMIERE: SPD - Want To Get [Stongeround Records]

Psyducks (demo)

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

PREMIERE: Kassian - Shimmer [Faux Poly]

whypeopledance

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