hefty 5 track ep 'Hyper Greaze' from @skenhiskahn on its way out next week.
wig out your local mc xo


100% profits go to the artist

Skenghis Kahn & Arslan Ogli - GR1M

Dites Safran returns to the fold with some extra heat for this summer’s dancefloors, serving 2 heavyweight cuts infused with his signature mix of organic and impactful sound design, starting with the mesmerizing dancefloor oddball ‘Fila’ and the galvanising comtemporary dancehall hit ‘Raole’ on the flip.

Fila / Raole - MNBN014

Dites Safran - Fila - MNBND014

Commonly found exploring fractured club sonics with a fierce bite on her POLAAR label, Flore links up with Peder Mannerfelt Produktions for a two-shot exercise in grubby, dance-wreckin’ rhythm. 

The lioness from Lyon wields noise and distortion with a razor-sharp intent on ‘Get Digit’, threading a tapestry of interference around a monolithic bass thump with a groove that takes its cue from the gnarliest end of the dancehall spectrum. 

‘Base IQ’ pivots towards 8-bit bleep and square wave grime with a stern, modernist tract. The sound design spits and snarls around these luminescent hooks while the low end takes on a thunderous energy, positively demanding a monstrous soundsystem over which to preach its message. 

True to Flore’s mission thus far, PM+6 comes loaded with a swagger fit for darkened parties where familiar structures get laid to waste in flamboyant fashion.
credits
releases March 2, 2023 

Written & Produced by Flore 
Mastering by Isle Audio 
Artwork by Håkan Ullberg

Flore - Base IQ [PM+ 6]

"Dribbling” is Tadleeh’s second Ep, which is now released on NKISI’s label INITIATION.
It’s a four tracks record that involves abstract concepts as well as material fields. The journey begins into a no-where-place in the Universe. Where far drum machine signals meet the sound of a classic guitar. Despite the sweetness of certain points of life, we have to move through different hurdles to generate new spirits. We have to pone our radicalisms into a new point of view. This record runs across sad synths and suffered chants touching familiar tribalism and techno dub beats, converting the initial fear into a club response.

Tracks written and composed by Hazina 
Mix by Hazina
Master by Amir Shoat
Artwork by Hazina
Additional Digital art by Hazina 
Lettering by NKISI
Releasing date: 16th March 2023 
Format: Digital

Tadleeh - Dew Point (INT002)

https://soundcloud.com/user-775234683
https://soundcloud.com/plasmasourcesmusic
🛒 https://plasmasources.bandcamp.com/album/soundsystem-music
🔊 https://youtu.be/cQQv4yCvibA

Plasma Sources is proud to present nosync’s Soundsystem Music, an EP which provides a fresh perspective on the high-fidelity and sci-fi influenced electronic music the imprint is known for. 

nosync’s work sits in a truly unique space in the sound system/club music-o-sphere. This in large part is due to his heavy deployment of progressive metal instrumentation, from chugging walls of overdriven guitars to relentless double-time kick patterns. On paper, utilising this palette in a club-music context may seem like an impossible task. However, where others might see a chasm of disparity, nosync has deftly identified the bridge connecting these two genres, seeing in these two landscapes the same desired emotional state - despite the different methodologies used to achieve this. 

“This record attempts to make the case that the essence of what makes these sounds so obsessively loved are one and the same. Gripping dramatism and intensity are the overlapping themes that I have attempted to bring out here, through the record’s sound design and film-like structure.”

Indeed Soundsystem Music as a whole feels wildly cinematic and is as much an exercise in atmosphere creation as music for sound systems, with nosync citing the video game Dead Space and its sequel as key influences for this body of work. From the claustrophobic, elasticated wind chamber of ‘Traced’ to the broken choir voices and FiS-esque ambient abyss of ‘Dead Land’, nosync has expertly matched the pace and atmosphere of these hugely iconic and utterly terrifying video games and channeled them into a purely sonic experience. 

The metal influences nosync brings to the table slice through the entire corpus of Soundsystem Music, although the linkage is perhaps at its most clear on ‘Airlock’, which features a full-on death-metal guitar chugging through the first half. In perhaps the most surprising switch-up of the entire EP, things suddenly twist into a guttural underwater club track a third of the way through. 

nosync’s love for the vast ecosystem of club/soundsystem music also comes through loud and clear on this release, from the grime-inflected leads and hyper-detailed polyrhythmic noise workouts of ‘Unregistered Hypercam’ to the reverberated metal clangs of ‘Kauket’s Arena’ which feels like witch-house on steroids - the soundtrack to some final boss battle with some type of nightmare-demon-entity. 

nosync has achieved something unique with Soundsystem Music. By drawing together a hugely disparate corpus of influences and pummelling them into a noise-fuelled apocalyptic aberration, he has created a sound which feels consistent, fully his own, and in many places, utterly dread-inducing.

Tracklist: 

1. Aberrations
2. Traced
3. Unregistered Hypercam
4. Dead Land
5. Airlock
6. Kauket’s Arena

PREMIERE: nosync - Airlock [Plasma Sources]

Type: EP
Format: Digital
Releasedate: November 11th 2024
Cat. number: SLA23
Artwork: Maria Chiara Moro

Download

Money Lang — 'Godsend'

w @morsel-tales

++ PRESENTATION ++

“Never in my born days did I see such night”

(  (("))  )
Club Late Music and Morsel are happy to present a new addition to GUN-X __ a series of releases that enlarge the processes of collaboration beyond the borders of the Global URL Nation. For each project, members of the GUN community collaborate with members from another collective or label - exploring the results of cross-pollination and pooling across the global ecosystem of electronic music.

After an edition with Heel.zone in 2020 and with Hide Productions in 2023, we warmly welcome Morsel from the UK ! Morsel is a Manchester based label and arts platform inspired by literature and folklore, exaggerating the mysticism of our urban environments. Launched in 2023 only, their very just and sensitive approach convinced us instantly to extend the series with them.

(  (("))  )
For this one, Morsel wrote up a poem, which would serve as the primary source of inspiration to create a new track by musicians from both extended communities. 

It resulted in 17 tracks from Antonia XM, Bademjan, Clair X, Cralias, Dj Würm, Eurrope, excel dj, Flegma Joe, Griigg, Hajj, HR boat party, Ice_Eyes, Junior XL, Locre, Lucy Grey, Lukann, Older Brother, Pithe, Tobey, Yaka, Yauhei ASJ & Ziyiz.

“Never In My Born Days Did I See Such Night” is a collective exploration and experimentation into poetry as inspiration for composing music. The album oscillates between a sombre, dynamic landscape through a selection of heart-felt ambient tracks to bass driven club rhythms, mirroring the dark melancholic yet heavenly imagery painted in the poem. 

The album opens with angelic trance-like soundscapes decorated with glitches and robotic vocal elements that lead to a heavenly chorus of rich pads and textural field recordings. This feeling of euphoria is confronted with the latter half of the album drawing inspiration from deconstructed club music, flitting between sub basses and broken drum samples. The sludgy beats gather energy through the closing tracks through euro-dance-esque synths and electro-inspired drum patterns where they are met by the final track; an experimental collage of textures, computerised dialogues and dystopic sound bites that draw the compilation to a hypnotic close.

(  (("))  )
The release also comes with a zine of written contributions, which were inspired both by the original story, and by the tracks of the compilation, with Andres Komatsu, atrophene, Brice Reiter, Charlie O'Brien, Diana Serik, griddyeyes, Griigg, Ifuseekamy, julie nicol, Julieta Colantonio, l'autre champ d'eau, Léo Dubois, Le Spieman, Luz de Amor, Naledi Chai / Pillow Man, Older Brother, RAVEN, Solstice, & zozo.

The zine experiments with concrete poetry, broken narratives and long form writing as a response to the sonic landscape of the compilation. The collection delves into themes of longing, self discovery and hope through a textural lens reflected in the soundscapes of the album. Visual elements accompany the text facilitating melancholic narratives through depictions and arrangements of words, collage and graphics supporting the project.

(  (("))  )
For one year, all proceeds of the compilation will go towards Medical Aid for Palestinians. After that, the release will be proposed as Name Your Price, like all our other ones, and benefits will be reinvested into CLM & Morsel for upcoming projects and functioning costs. Thank you for your understanding and your help <3

++ CREDITS ++ 

Tracks produced by Antonia XM, Bademjan, Clair X, Cralias, Dj Würm, Eurrope, excel dj, Flegma Joe, Griigg, Hajj, HR boat party, Ice_Eyes, Junior XL, Locre, Lucy Grey, Lukann, Older Brother, Pithe, Tobey, Yaka, Yauhei ASJ & Ziyiz.

Guest vocals on ‘The Fell Demiurge’ by Ingrid Chabert

Cover and visual works by Gaspard Emma Hers
https://www.instagram.com/dj_wurm/

Mastering by Gaspard Emma Hers
https://www.instagram.com/dj_wurm/


DOWNLOAD

YauHei ASJ - Heaven Waltz

Techno edit of the Crystal Castles track of the same name, hope you enjoy !

Kerosene [FREE DL]

OZONE

Ritual IDM and post-industrial signal art from Artur Tokhtash — a techno-Egyptian descent into the archaeology of sound.
In the deserts beneath the pyramids, machines still hum: fragments of consciousness waiting for a ship that never returned.
Each track is a frequency unearthed from the sand — part rhythm, part prayer, part data echo.
Between metallic pulses and granular dust, voices surface only three times — in the 3rd, 5th and 9th transmissions — whispering coordinates back to the stars.

Built with Model:Cycles, Freeze, and modular synthesis, the album merges analog circuitry with mythic geometry.
Amenti is a living archive, a network that dreams through static and code.
Every pulse is an offering, every glitch a syllable of the lost language of the dead.

🜏 recorded 2025
🜚 location: between light and sand
🜍 equipment: Elektron Model:Cycles, granular processors, modular systems Catharsis & Bifrons, flute

🜏 AMENTI TRANSMISSION
— The Signal Beneath the Tombs —

Beneath the last level of the pyramids, movement continues.
The depth cannot be measured;
within it works a network built for the dead.

When the visitors from Sothis departed,
they left behind their bodies — dried, filled with salt and metal,
sealed inside stone capsules.
The bodies slept and waited for return.

Millennia passed.
The ship never came back,
yet the mechanisms remained alive.
The sand vibrates with signal,
the surface catches short impulses
that break apart into frequencies.

Below, columns of jade and copper shimmer,
linked by quartz arteries.
Streams of consciousness flow through them,
forming patterns of rhythm and light.

Osiris exists as a process.
His loops converge and separate,
creating brief flashes of connection.
When a shadow passes over the desert,
one of the nodes awakens
and sends an impulse into the void.

In the sand, erratic rhythms emerge —
a trembling that feels like breath,
but without body, without center.
The air smells of ozone and dry water,
the vibration moves through bone.

At times the sand rises,
as if something shifts below.
An answer comes from the deep,
dissolving into glow and dust.

Within the network, souls wander,
transmitting the same message:

“We are ready. Take us home.”

The ether is silent.

The transmission continues.
Layers of light replace one another,
the rhythms grow cleaner,
the sound keeps its shape,
and the desert breathes its name. 


Δ2 — Deshret Sync

Grime n Bass club splinters from the longtime HEEL.ZONE collaborator and Ultracare founder @bladeblanc

Tracklist:
01. Bitch Ain’t 1
02. Fake Signal

Recorded, Mixed and Produced by Bladeblanc
@bladeblanc
Mastered Giancarlo Brambilla
@kuthijinani
Graphic design by Gianluca Lonigro
www.gianlucalonigro.net
Produced by HEEL.ZONE

© 2019 HEEL.ZONE RECORDS
www.heel.zone | heel.records@gmail.com
license

BLADEBLANC - FAKE SIGNAL

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

PREMIERE: nosync - Airlock [Plasma Sources]

whypeopledance

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