UK techno 8 (août 2022)

IDM drops

Brighton-based producer @Tamlinspeaks brings his Bitter Fruit EP to Scuffed Recordings, showing his broad approach to production across four varied tracks.

Although the EP is Tamlin’s debut on Scuffed under this alias, he has previously appeared as part of the duo Heritage, whose releases have included some of the most defining tracks on the label. In comparison to the high-energy breaks and bass-led production of Heritage, the Tamlin alias shows a more introspective sound - spanning melodic electronics, broken techno, hybrid dancehall, and soaring breakbeats.

Opener ‘Bitter Fruit’ - focussed around a hypnotic marimba melody - was debuted by label owners Wager and Ian DPM on Rinse FM back in 2020 and has been the subject of countless track ID requests since.

Next up is ‘Diazemax’, which comes across like a sequel to some of Heritage’s earlier work such as ‘What U Wearing’ - all at once heavy, percussive, and floatingly melodic, while third track ‘Flutter in Blue’ slows the tempo to 100bpm for a weighty, dancehall-influenced roller.

To close out the EP, Tamlin recruits fellow Brighton producer Parry on ‘Rush’, the most intricately-produced track of the release - with reflective pads swirling around winding percussion.

Buy:
https://scuffedrecs.bandcamp.com/album/bitter-fruit-ep

Tamlin - Bitter Fruit EP (Previews)

Cocktail Party Effect - Fixing the Roof EP
Release Date: February 10th
Cat: NHD007

Tracklist: 
1. Fixing the Roof
2. Safety Button
3. 767
4. Gecko Slide
5. The Police Took My Garden Away

https://cocktailpartyeffectmusic.bandcamp.com/album/fixing-the-roof-ep

Cocktail Party Effect starts 2023 with his debut release on Nervous Horizon: ‘Fixing The Roof EP’.

The South London via Berlin artist known for his jaw dropping releases on Tectonic Recordings delivers 5 solid cuts all with their unique style. Made with a bunch of battered vintage hardware: in particular 90s samplers, synths, filters and distortion units paired with the latest computer software, this project really pushes the sound palette beyond conventional club music. 

The opening track Fixing The Roof feels like a classic Nervous Horizon track from the time the label first started gaining traction. Safety Button is the bass heavy - dance floor pounder of the lot, a must in every set! 767 enters the “jungle experimentation” realm reminiscent of early Paradox (DnB producer Dev Pandya). Gecko Slide & The Police Took My Garden Away present copious amounts of analog distortion and explosive drum patterns that are really at the heart of the Cocktail Party Effect modus operandi.

Cocktail Party Effect - Fixing The Roof

Written & produced by Verraco
Mastered by Rashad Becker 
Distributed by Rubadub 
Artwork & design by Atact

Released: 15/09/23

https://voam.bandcamp.com/album/esc-ndaloo

b1 - Verraco - jajaja - CLIP

https://soundcloud.com/user-775234683
https://soundcloud.com/plasmasourcesmusic
🛒 https://plasmasources.bandcamp.com/album/soundsystem-music
🔊 https://youtu.be/cQQv4yCvibA

Plasma Sources is proud to present nosync’s Soundsystem Music, an EP which provides a fresh perspective on the high-fidelity and sci-fi influenced electronic music the imprint is known for. 

nosync’s work sits in a truly unique space in the sound system/club music-o-sphere. This in large part is due to his heavy deployment of progressive metal instrumentation, from chugging walls of overdriven guitars to relentless double-time kick patterns. On paper, utilising this palette in a club-music context may seem like an impossible task. However, where others might see a chasm of disparity, nosync has deftly identified the bridge connecting these two genres, seeing in these two landscapes the same desired emotional state - despite the different methodologies used to achieve this. 

“This record attempts to make the case that the essence of what makes these sounds so obsessively loved are one and the same. Gripping dramatism and intensity are the overlapping themes that I have attempted to bring out here, through the record’s sound design and film-like structure.”

Indeed Soundsystem Music as a whole feels wildly cinematic and is as much an exercise in atmosphere creation as music for sound systems, with nosync citing the video game Dead Space and its sequel as key influences for this body of work. From the claustrophobic, elasticated wind chamber of ‘Traced’ to the broken choir voices and FiS-esque ambient abyss of ‘Dead Land’, nosync has expertly matched the pace and atmosphere of these hugely iconic and utterly terrifying video games and channeled them into a purely sonic experience. 

The metal influences nosync brings to the table slice through the entire corpus of Soundsystem Music, although the linkage is perhaps at its most clear on ‘Airlock’, which features a full-on death-metal guitar chugging through the first half. In perhaps the most surprising switch-up of the entire EP, things suddenly twist into a guttural underwater club track a third of the way through. 

nosync’s love for the vast ecosystem of club/soundsystem music also comes through loud and clear on this release, from the grime-inflected leads and hyper-detailed polyrhythmic noise workouts of ‘Unregistered Hypercam’ to the reverberated metal clangs of ‘Kauket’s Arena’ which feels like witch-house on steroids - the soundtrack to some final boss battle with some type of nightmare-demon-entity. 

nosync has achieved something unique with Soundsystem Music. By drawing together a hugely disparate corpus of influences and pummelling them into a noise-fuelled apocalyptic aberration, he has created a sound which feels consistent, fully his own, and in many places, utterly dread-inducing.

Tracklist: 

1. Aberrations
2. Traced
3. Unregistered Hypercam
4. Dead Land
5. Airlock
6. Kauket’s Arena

PREMIERE: nosync - Airlock [Plasma Sources]

ANSWERS

Max Dahlhaus and Kronom team up for Unizone on “Trauma Tendrils” with remixes from Domizako and Ice_Eyes. “Trauma Tendrils” lands with all the diplomacy of blunt force trauma. Both veteran producers trawl the deepest and darkest recesses of their personal brands of dystopia, settling on a chaotic course of textured experimentalism and distorted broken rhythms. It’s industrial techno that has dissected and reorganized its molecular structure. Tracks that simulate the experience of emerging from the primordial cyber cocoon. Caked in dirt, drenched in acid, mouth full of gristle. All that’s left to do is tear the feeding tubes out of your stomach, punch a hole through the membrane of your prison, and rush the sentinels. What’s the worst that could happen?

tracks & mix @maxdahlhaus @kronombass
remixes @domizako @ice_eyes
mastering @ancestralvision
visuals IG @_nismo95
words @carnelecarne

Pre-order

KRONOM & MAX DAHLHAUS - LOSING GRIP

Produced, arranged and mixed by Atrice
Released by Les Points
Part of Speedparade Compilation Vol​.​3

Bandcamp

KebabtheK

Bait's 3rd VEP, Out of Step, looks into industrial, mechanical sounds, some of which almost don’t qualify as “dance” music anymore. ex.sses, lloydfears, Ōtone, VCR and gillielove take you on a march where you feel like you keep tripping up. The sound of glitchy, distorted things, being chopped up or smashed into pieces, this is what unites these 5 tracks in a various almost out of step with the rest of Bait’s releases.

Lloydfears
@lloydfears
www.instagram.com/lloydfears/

Bait
@baitlabel

Out Of Step VEP

Does This Resonate

Premiere: lloydfears - does this resonate | Bait

eHX42000 (feat. Morinine)

First Second Label drop their first 12' of the year from sub-tech stalwart and Woozy resident Sputnik One. Four tracks scaling intense percussive workouts and low end mutations. Early support from the likes of Ben UFO, re:ni, Peach & more.

Releases August 29, 2020

All tracks made in Dublin by Jim Richard
Artwork by Bentley Allison
Design by DC FSLMan

Kerosene EP

BUY NOW

FSL010 - Sputnik One - Kerosene (Clips)

Ripped from Mary Anne Hobbs' show on BBC 6 Music 06/11/20:
www.bbc.co.uk/programmes/m000p2m2

Forthcoming on Control Freak Recordings [WLFRK001] 04/12/20.

Kicking off our new white label series is Brighton-via-Bristol producer @Syzuk. Drawing on a diverse range of touchpoints from across the spectrum of UK club music, this trio of dancefloor destroyers encompass precision-engineered soundsystem techno, mutant 2-step and West Country bass.

Wrapping things up, Pressure Dome founder @Yushh returns to Control Freak with her own flip of title track Bunzunkunzun, bringing down the BPM for a menacing rework that’s punctuated by her signature wonky rhythms.

Strictly limited vinyl release for these essential DJ weapons - get them while they’re hot!

Syz - Circulate (Mary Anne Hobbs BBC 6 Music Radio Rip)

Taken from @svbkvlt new compilation Cache 02, out December 4, 2020.

Masterted by Raphael Valensi

Read: https://bit.ly/3kYcIgj
Pre-order: https://bit.ly/3984P5u 

Artwork by Kim Laughton
https://www.instagram.com/laughton_kim/

Released by SVBKVLT

Cache 02

Premiere: Tzusing & Hodge - LCD [SVBKVLT]

Rose Bonica - Disengage

ZULI — All Caps (UIQ0012)
12” + DL
Pre-Order — https://zulimusic.bandcamp.com/album/all-caps-uiq0012

Released 12th March 2021

Mastered by Rashad Becker
Insert Design — Dave Gaskarth

ZULI —  Keen Demag

RENT003: Another one from the (fairly recent) archives... Tight bass driven technoid steppas thing with a dash of swung UKG flavour >>>

Big weight on this one - soundsystem killer :)

134bpm

Buy on Bandcamp

From Ere Til Eternity [RENT003]

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.