https://soundcloud.com/robertoauser
https://soundcloud.com/dalmata-daniel
Buy Release: https://dalmatadaniel.bandcamp.com/album/second-sun
YouTube: https://youtu.be/_qFec883Cd4

As an opening act for its LP series, Dalmata Daniel presents the new album by Dutch West Coast mid-veteran Roberto Auser.

Auser has been into cinematic (or b-videomatic) electro for more than a decade now, with releases on Viewlexx, Pinkman, Gooiland Electro/Enfant Terrible and more, ranging from atmospheric and hypnotic to tight and grim, but always loaded with a vision of a storyteller. In a Dutch way, for sure. Though Second Sun is, again, an audiovisual trip, that's not the primary concept here – it's probably the purest album-like experience of Robert Auser so far, presenting most of his characteristics and sounds, and also new elements, still, all are coherent and organic parts of Auser projective language of electronics.

Second Sun starts off with a rather sinister way: a noise and industrial beat driven mood frames a subtle main theme in the background (Silent Spring), then it transforms into the highway arpeggio of the title track, just to find itself soon in the middle of tense electro by the third one. Auser unfolds some new shades here: the melancholic echoes and vocals of new school American industrial wave (Fabric of Time), the voice of cold despair returns throughout the album (Gentrified), it even embraces some vocoder pop in the mid tempo electro of Place With No Name.

Auser keeps the distance from techno in an elegant way, yet at some points touches the core of it. Passes through some well-crafted rhythmic noise with Edge of Reason (echoes of Container there) to reach an acidic club climax with the old school electro of Third Place and the ebm-techno of Entangled. Roberto Auser's post-industrial-cyber-beat-soundscapes, in the end, dissolve into three minutes of contemplative electronica: it gives us the time and space, and that's the moment when the Second Sun finally comes

Roberto Auser - Second Sun [DDLP01]

Place With No Name

PREMIERE: Roberto Auser - Place With No Name [Dalmata Daniel]

Elektron Libre, E.B.M. Industrial Artist
User of Electricity , Analog Synthesizers ...

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

𝕯𝖆𝖗𝖐𝖘𝖎𝖉𝖊 - 𝕬𝖒𝖇𝖎𝖊𝖓𝖙 - 𝕱.𝕰𝖆𝖗𝖘 
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𝕬𝖇𝖆𝖓𝖉𝖔𝖓 𝖙𝖍𝖞 𝖘𝖆𝖈𝖗𝖊𝖉 𝖗𝖎𝖙𝖊𝖘,
𝖔𝖗 𝖕𝖗𝖔𝖈𝖊𝖘𝖘𝖎𝖔𝖓 𝖔𝖋 𝖉𝖊𝖆𝖙𝖍,
𝖙𝖍𝖆𝖙 𝖋𝖗𝖊𝖊𝖉𝖔𝖒'𝖘 𝖇𝖆𝖓𝖓𝖊𝖗 𝖒𝖆𝖞 𝖞𝖊𝖙 𝖜𝖆𝖛𝖊.
𝕬𝖑𝖆𝖘, 𝖜𝖊 𝖕𝖆𝖞 𝖍𝖔𝖒𝖆𝖌𝖊 𝖙𝖔 𝖆 𝖛𝖆𝖈𝖆𝖓𝖙 𝖘𝖊𝖆𝖙,
𝖊𝖓𝖙𝖍𝖗𝖔𝖓𝖊𝖉 𝖚𝖕𝖔𝖓 𝖆 𝖍𝖎𝖑𝖑 𝖔𝖋 𝖘𝖐𝖚𝖑𝖑𝖘,
𝖜𝖍𝖊𝖗𝖊 𝖙𝖍𝖊 𝖜𝖍𝖎𝖘𝖕𝖊𝖗𝖘 𝖔𝖋 𝖙𝖍𝖊 𝖋𝖆𝖑𝖑𝖊𝖓 𝖉𝖔 𝖊𝖈𝖍𝖔 𝖙𝖍𝖗𝖔𝖚𝖌𝖍 𝖙𝖍𝖊 𝖆𝖌𝖊𝖘.
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07/11/2023

...born 1980 in Hamburg, Germany. in 1996 i discovered the world of hard electronic music...
 and immediately fell in love with it... i never heard music with that extreme energy and passion behind it before...
 in 1997 i decided to create music myself... my style back then was mostly experimental hardcore, breakcore and speedcore...
 in 2000 i had my first release then, my 12" on Blut recordings.
 later that year, Betty Bombshell and me started a show on the terrestrial radio station "FSK" in Hamburg.
 the idea of the show was to broadcast music from the experimental and hard music scenes to an audience that might have not much contact with that kind of sound before. Betty left the show in 2001. 

 there was still a need for that kind of thing in Hamburg; Sampler19 and me teamed up, and we created the "Hamburg Hardcore Radio" show.
 apart from playing old and new records and tracks from the hard scenes on air, we also did many all-night shows, featuring a lot of guest DJs. later, The Man Unknown and DJ Escada joined us, and we started a crew that did the radio shows together.

 in 2002 a 12" by me was released on Praxis, i was very happy about this release, but i do not want to hype myself here, so i won't say too much.
 later that year my 12" on Black Monolith came out, which was again a bit different than my earlier releases, because it was an Hardacid/Acidcore EP.
 2002 was also the year when me and Sampler19 started the "All-Out Demolition!" parties in Hamburg. later, DJ Escada and The Man Unknown joined our crew there, too.
 the idea of All-Out Demolition! was to create a party series for the extreme, interesting and experimental types of Hardcore and Breakcore - parties for that type of sound only happened very rarely in Hamburg back then.
 in 2003, an album by me was released on Widerstand records. but again, i do not want to hype myself too much. the sound was in the various "styles" i produced in so far... breakcore, noize, ambient...

today the styles of the music i produce include breakcore, acidcore, doomcore and dark ambient.


influences on my work include: william gibson, stanislaw lem, bruce sterling, franz kafka, max stirner

musical influences include krautrock, postpunk, new wave, detroit, rave, acid house, classical avantgarde, dark ambient, industrial, chiptunes, gabber, hardcore techno

This channel plays :
#NuDisco #IndieDance #EBM #ElectronicMusic #Electro #DarkAmbient #Ambient #DanceMusic #Techno #KPOP #JPOP #THAIPOP #CPOP #FilipinaMusic #Gothic #ColdWave #DarkWave #Industrial #ProgressiveHouse #CinematicSound #SynthWave #SynthPop #Shoegaze #TribalSound #PsyTrance #DarkDisco #HypnoticSound #PostPunk #Punk #AvantGarde #Vocaloid #Minimal #Independent #Indie #SpaceAmbient #Underground #Ethno #DeepTechno #Soundscapes #Idols #Sci-Fi etc.