Welcome Otologic to BSRMIX 109!

Not sure why it’s taken this long to have the lordz Otologic (Tom Moore / Nick Murray) join the mix series but it's definitely been worth the wait. We were lucky to have the two chaps of Animals Dancing / Mercat fame play at the 10 Years of Butter Sessions party at Sub Club, Melbourne on 23 April 2021, this is the recording.

Bouncing from dark acid to chicago house to dubwise vibes and a whole lot more, the set is reminiscent of their legendary marathon DJ sessions at the equally legendary Mercat basement but condensed into 3 hours. Enjoy!

BSRMIX #109 - Otologic

Layer #100 with a guest mix by Andrew Weatherall, which starts at 01:00:00. First hour is by Serial Experiments.
__________________________________________
1:  Serial Experiments - 'The Key' mix

2: Andrew Weatherall mix:
@andrew-weatherall (@rotters_golf_club) - Andrew Weatherall’s extraordinary twenty-five year career in music has been characterised by a series of unique partnerships, with twenty albums, thirty or so EPs and singles plus more than two hundred and fifty remixes under his belt. Bastion of the underground, Andrew has set up record labels, remixed in collaboration with artists including Paul Oakenfold on Happy Monday's Hallelujah and has brought a distinctive flavour to hundreds of other artists. Remixes led to a smattering of production duties.  Andrew only rarely wears the producer hat but on each occasion, from Primal Scream’s 1991 Screamadelica to 2009’s Tarot Sport by Fuck Buttons, the results are outstanding.  This year he released one album as The Woodleigh Research Facility (with Nina Walsh) and one under his own name, titled 'Convenanza' after the festival he curates each September in Carcassonne.  A remix album of the tracks from Convenanza will follow in October.

http://www.rottersgolfclub.com  
http://www.convenanzafestival.com
_____________

WHYPEOPLEDANCE:
facebook.com/whypeopledance
soundcloud.com/whypeopledance/

SERIAL EXPERIMENTS: 
http://experimentsserial.tumblr.com/
facebook.com/ExperimentsSerial
mixcloud.com/SerialExperiments/
___

TRACKLIST this week at:
http://experimentsserial.tumblr.com/
https://mixcloud.com/SerialExperiments

LAYERS

LAYER #100 | Serial Experiments + ANDREW WEATHERALL

The Parisian vinyl aficionado dug deep into his treasure trove of jazz, folk and soul for this smooth session.

RA Live - 21.03.17 Jeremy Underground at Brilliant Corners

A live recording from A Love From Outer Space's "AllNightLong" gig at Zukunft on January 20th 2018.

soundcloud.com/andrew-weatherall
soundcloud.com/hardwaybros

A Love From Outer Space (Andrew Weatherall & Sean Johnston) at Zukunft 200118 Part 1

DJ- Set from Freerotation 2018
Sunday afternoon at the dome...

Move D @ Freerotation Dome 2018

Andrew Weatherall performing Rituals in Brighton on May 3 2019.
Enjoy!
DJ Bookings: caroline@blackdooragency.net

RITUALS 3 MAY - Andrew Weatherall

my last allnighter at moog. thanks to everyone that came for another fun night full of friends and heavy dancing.

John Talabot - Allnighter @ Moog (Barcelona, 21-08-19)

Norway's Prins Thomas is a giant of an artist whose influence looms large over the whole of the Scandi-scene.  The space-disco king has a sound that draws on electro, krautrock, psychedelia and prog in melodically majestic ways and has given rise to a wealth of fully realised studio albums and classy dance floor singles, mostly on Smalltown Supersound. His latest record, 2019's Ambitions, is one of his best: it found him strip things back and reinvent himself once more over the course of plenty of gently absorbing grooves and mindful moods.

As a DJ he is just as well equipped to take you on real dance floor odysseys built on ever present grooves, but coloured with melodies from the celestial realms. And that is the case on his 90 minute podcast for us, which journeys through frosty northern tundras as well as twinkling night skies with equal elan. The ups and downs along the way are subtle ones, but together they create something perfectly escapist and somehow very suited to this time of year.

Dekmantel Podcast

Dekmantel Podcast 262 - Prins Thomas

RIP Andrew Weatherall. Thanks for the good times.

(06/05/2017) SOUP presents: Andrew Weatherall @ Tunnels, Aberdeen

Andrew Weatherall Mix from Tunnels 06.05.2017

I'm going to upload a series of 'mixes' over the coming weeks of music that I find particularly calming. I will try to make these one hour sessions filled with beautiful music that is helpful and calming to listen to while we get through this extraordinarily hard time. The music here definitely helps me feel less anxious. I have just segued it together so the credit is really all due to the wonderful souls who made the tracks I used. It is also available as a 320 download. Tracklisting -

Takashi Kokubo - A Dream Sails Out To Sea part 1
Mkwaju Ensemble - Lemore
Hiroshi Yoshimura - 小川にそって
Yumiko Morioko - Rainbow Gate 
Haruomi Hosono - Fujitsubo
Inoyoama Land - Glass Chaim
Inoyama Land - Pokala (remix)
Popol Vuh - Ah!
Justus Köhncke and Fred Heimermann - Albatros
Nuno Canavarro - Blu Terra
Erik Satie - Gnossienne No. 1
World Standard - Rozo, Du Pecoj
Testpattern - Souvenir Glacé

JD Twitch - Tranquility Mix 1

Celebrating the 25th mix with a special 2 hours long "ambient / electronica journey" from the man that has been running Neroli since over 20 years. Welcome Volcov (@neroli). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Ciao Enrico, congratulations with your 50th release, such a milestone and with a beautiful compilation too that is. 20 years deep in running Neroli, how do you look back to it now? 

V: Thank you! In 2000 I started Neroli on my own and since then that has been my baby. Apart from the music itself, I think a great relationship with your distributor is essential to make things work, and I’ve been lucky during all these years [mostly Goya, RH and Syncrophone along the way and now Mother Tongue]. I always liked the role of ‘curator’ and I was always fascinated by certain collectable labels like ART/OPart, Retroactive, B12 so to start mine was the next step.. There were a lot of different moments and phases but I think the main thing is that is essential to stay true to your own story! I have to say that the making of The First Circle was a real pleasure and, although it might have been unexpected by some people, for the ones who know me well it really describes my musical journey.

MFM: While Neroli mainly focuses on the deeper and soulful side of electronic music, you were a drum 'n bass head before that, right?

V: Not really, I was always a so called ‘house head’ since I started buying Trax, Alleviated, Lil Louis, Nu Groove and so on in the late 80s/early 90s. Across the 90s, like many, I got also interested in other styles and sounds as long as they were exciting wether it was Mo Wax, Plaid, Reinforced or Photek. The thing with drum n bass was that I did my first productions in that style and I got booked to play dnb gigs on the back of that in ‘97/98. But in ’99 I started an Archive night at this amazing squat club called Pergola and that was an eclectic affair with guests like Dego, Phil Asher, Ian O’Brien, etc.

MFM: The catalogue looks very much like a close family of artists, lots of them having a long history in music and with only a few newer faces. How come is that?

V: The catalogue is a mix of releases by some longtime friends like Dego [who always had an essential role on Neroli], Just One/Kemetic Just or Alex Attias as well as some artists we met along the way and ended up releasing several records with us [Trinidadian Deep, Ricardo Miranda, Lee Pearson jr for example] or younger producer whom I really believed in like Skymark, Marcello Napoletano, Deenamic. I think its especially the continuity along the years with certain artists that can be a bit unusual compared to other labels. We have just released now the Theo Parrish reinterpretations of Patrick Gibin/Kaidi Tatham/Josh Milan ‘Love to the World’ but in April we’ll have an EP by another artist never been on the label before.

MFM: You're quite at ease with doing mixes, without a crowd, right? Is there a certain way to how you approach recording?

V: Well, as much I am at ease recording these type of mixes at home as much I find almost impossible to do some with dance material. Most of my ‘dance’ mixes online are live from clubs. Usually when I approach ambient/jazz/electronica radio shows and podcasts I have accumulated a little pile of records in a corner that I think should be included in the next one, stuff that comes to mind almost on a daily bases. So then I just need to go through them and try to make them ‘talk to each other’.

MFM: Your mixes tend to have a really strong story telling kinda vibe. This one's no exception. Did you have a specific narrative in mind?

V: Since MFM asked, and you guys just released the excellent ‘Virtual Dreams’ album, I imagined to somehow do an ambient / electronica selection since I had fond memories of those times, buying records at Fat Cat, playing chill out rooms in the 90s and so on…. I thought of certain songs that I wanted to include and tried to create a little journey with them…

MFM Mix 025: Volcov

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

LAYER #100 | Serial Experiments + ANDREW WEATHERALL

whypeopledance

Recent comments

Humaira

Niall McKenna

Хенаро Х

<🔮> Zeoreading

Related tracks