Long time pal and driving force behind Invisible City it's Gary Abugan (@invisible-city) from Canada serving up the 29th mix in the series. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Gary. How's life in Toronto today? Did you manage to do some more gardening? :)

IC: We have a really nice garden in front of the shop and also at home in my backyard, both get some nice sun and shade and are where I spend all my time. So yes, gardening everyday ;)

MFM: (Before the pandemic hit) You've seen quite a few bits of the world by now while touring. How would you describe Toronto as a city if you had to promote it to the readers who haven't been there yet? 

IC: It’s summer here now in Toronto and we’re in the middle of a heatwave. We’re lucky to have an island with nice beaches as a nearby getaway via ferry. Toronto is a very large sprawling city compared to most European cities. Our multiculturalism definitely sets us apart. We have heaps of reggae and island music here along with lots of record shops, and the variety of food here can’t really be beat. I miss giving guided Invisible City tours of the city to any traveling DJs passing through.

MFM: Would you say it's a good place for an artist to be, whether being a young upcoming talent or professional and all in between?  

IC: Sure you can make it here if you’re skilled/talented and not overbearing, the problem is that there isn’t that many music venues to play. Between the crazy expensive visa you need to play the USA and the costs of flights to Europe, we are kind of isolated musically. Rent is crazy expensive here and most artists have another job, but I’m not sure if Toronto makes it specifically harder or easier compared to other cities. 

MFM: People may know you as the driving force behind Invisible City, the record store and label. How much time do you spend with the one compared to the other? 

IC: I would say pre-Covid more focus was on the shop and getting that to a sustainable level and stocking the store. We didn’t even have a sign for years until recently. During Covid, when the shop was closed for about a year and a half, a lot of focus was on development and signing artists paying advances and getting back into production. I learned alot about Music Publishing too… Laura helps me a lot with organizing everything, label and shop, I would be lost without her.

MFM: Looking back on running a record store and label for over 10 years now, what would you say are some key changes that took place over time?

Back then there were not that many reissue labels and it wasn’t as competitive or extensive, now everyone has a reissue label. I only wanted to put out records that I was strongly connected to or somehow found on a whim. If someone showed me a record, I would ask them if they were planning on reissuing it, now people just go ahead. It’s crazy how many reissues there are so it’s challenging now as a label to dig even deeper. The record shop also was really niche and specialized in the past and now there’s just more in each genre. It’s still pretty curated, but I am finding that I didn’t know a lot of good common records, so we like having “high end cheapos”. I like that most people can just come off the street and buy records now, although we still have some niche stuff too. It feels overall more balanced and varied and for the people.

MFM: The label seems to run at a nice and slow pace. Is it on purpose to not have a heavy and steady output? 

IC: I like to only do a couple records a year, it’s only me and Laura who do it all and it takes me ages to figure out artwork, I’m very picky. The shop, DJing, and occasionally throwing parties also takes up a lot of our time. We always have a lot on the go. I also like to focus on one or two artists at a time, but also it costs a lot of money to make a record! Now things are totally slowed down and our plant says I can’t get pressings out till next March!

MFM Mix 029: Invisible City

Trushmix 195 presents Melbournes own Myles Mac! 
The man behind the now longs running mix page Melbourne Deepcast, check it out for a lot of fun interviews and mixes from a great variation of DJ's.

For this mix Myles serves us a three hour mix exploring house related music from the late eighties to mid nineties. Slower mellow house sounds, street soul, hip-house, balearic infused tunes, and much more. This a perfect mid summer mix to feel the vibe!

Enjoy music from the top!

Trushmix.com

Trushmix 195 - Myles Mac

https://soundcloud.com/twitch
https://soundcloud.com/optimo-music
Artwork: https://soundcloud.com/greta-motif
🔊 https://youtu.be/POMQe3EZzwQ

JD Twitch began his journey into music and djing in 1987, just in time for the arrival of Acid House and Rave. He started two legendary Scottish clubs - Pure and Optimo, the latter a duo with Jonnie Wilkes which recently celebrated 25 years of global touring, outrageous parties, and communitarian activism. He produces, remixes, promotes, presents radio shows, music supervises for films and runs the hard to pigeonhole Optimo Music label.

Play on YouTube

LAYER #335 | JD Twitch (Optimo Music)

The 9th instalment of the ONOMIX series is brought to you by Montana & DJ Earl Grey, long time great pals and favourites of ONO HQ. Recorded live in Boorloo, their 5 hour (!) all night session has been trimmed down to 3 for you, the listener!

Kindred spirits in music Montana and DJ Earl Grey weave through everything smooth and soulful in a way that only they can.

Enjoy! X

Artwork By Jack Hewitt

ONOMIX 009: Montana & DJ Earl Grey Live

To come ‘Full Circle’ is to travel the path and arrive back at the point you think you left from.

Full Circle, also known as Alexis Le-Tan (Wonders Ovze World) and Joakim (Tigersushi, Crowdspacer), a long term project with close friends Le-Tan and Joakim music project and “concept band born from loving ears that want to re-process our electronic past.”

They’ve delivered some amazing edits of obscure Goa tracks and remixed the likes of Die Orangen, 10Lec6, and Tapan and released on Good Morning Tapes and Vladimir Ivkovic’s Offen.

“To complete a journey is to learn and to slow down and re-imagine is to enrich – Full Circle hears the hedonistic sound of the 90’s in a light that reflects a different space for our current time and beyond. Always bridging the gap between the past and present: they are and continue to go Full Circle.”
 

You got that? Good… then let’s get our ears round their first recorded mix action and dig into their minds a bit more.

Listen and read the interview below:
https://www.theransomnote.com/music/shine-a-light-on-mix-full-circle-alexis-le-tan-joakim/

@alexisletan @joakimbouaziz

INTERVIEW

Shine A Light On Mix... Full Circle (Alexis Le-Tan & Joakim)

Richard Sen’s contribution to dance music is huge – and varied.  He designed the iconic sleeve to Sabres of Paradise’s ‘Smokebelch’ single, among many others, compiled a number of key compilations and, of course, made his own music as Bronx Dogs, Padded Cell and now under his own name.  Here he celebrates the recent arrival of his new LP - India Man – with a mix for Juno Daily.

Tracklist:
1 Hooson & Johnson - Ambient Juice
2 Rheinzand & Pete Blaker - Love Games
3 Popsneon - Come Back Alive
4 musclecars - Hello (Maurice Fulton Remix)
5 Seckou Keita & Gareth Whitehead - Na Bori (Werner Niedermeier's Tokio Disse Remix)
6 Saturn - Titan Express (Shaman Breaks Version)
7 Mike Hulme - Salt Lake
8 Psychemagik - Tequila
9 Duncan Gray - Shark Bumps
10 Ken Gill - Love Moon
11 Sano - No Seas Loca
12 Hidden Spheres - Step to Me
13 Saint Guel - Caught Up (Philippines)
14 Hidden Spheres feat Private Joy - Hold On Me
15 Rico Puestel - Aellox
16 M.E.M.O./Thimble - Forgether (extended version)
17 Jamie Stevens - Rivers
18 Auntie Flo - Praise Him (Piano Version)
19 Charles Levine & Martin Buttrich - Festival Queen
20 Sascha Funke - Puzzle
21 Falko Brocksieper - Frantic Formula
22 Roe Deers - Milkyway (Edit)
23 Batida ft. Mayra Andrade - Bom Bom (Ikonika Instrumental Remix)
24 Batida ft. Mayra Andrade - Bom Bom (Ikonika Vocal Remix)
25 BAILE, Nuage - Randomizer
26 Infinity Plus One - Utopia
27 Aroop Roy - Mama Mwana
28 Flight Mode & Joel Brittain - Burn This
29 Radio Slave - The Lunatics (A Clinic Full Of Cynics Dub)
30 Omar S - Can't Get (Vocal Mix)

https://www.juno.co.uk/artists/Richard+Sen/?utm_source=soundcloud&utm_medium=premiere&utm_campaign=soundcloud

In the Mix: Richard Sen

3+ hours of Earth Beat captured live from their set in the Tavern at Glen Falls House for their Earth Beat Weekender on August 10th, 2024 as part of our Summer Of Joy series.

Summer Of Joy Mix - Earth Beat - Live in The Tavern at @ Glen Falls House - 8.10.24

Summer Of Joy Mix - Earth Beat - Live in the Tavern at @ Glen Falls House - 8.10.24

Apiento, a.k.a Paul Byrne runs the invaluable Test Pressing blog and releases music on World Building, World Unknown and more. His show has that esoteric techno thing and whatever suits the mood…
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/test-pressing/episodes/test-pressing-19th-october-2024

Test Pressing 191024

Do you like this? FREE DOWNLOAD

Coming in from across the ocean it's our pal DJ D.Dee (@derekdee) with his 'Sounds From The Patio, For The Patio' mix. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Dee, great to have you on board! Living in Vancouver since 10+ years, could you name some of the city's most relevant cultural changes? 

DD: Happy to be here! Hmm, tough one. I’d say the biggest one for me has been the natural growth and progression of the underground scene. When I was first introduced to the scene here it was quite small and consisted of a dedicated core of like-minded individuals with a penchant for deeper music. Since then it’s grown and grown and there’s scenes within scenes and it feels like there’s more of a place for everybody to do their thing, which is nice. Then again, it may have always been this way and I just didn’t notice, scenes are so subjective and everyone here tends to live in their own little bubble. It can be quite an isolating place, especially in the winter months.

MFM: You've been running Pacific Rhythm since 7 years, did you expect/plan it to be where it is now?

DD: Honestly I’m still figuring it all out and learning along the way. When we started we only put out a record once a year and this year it’s looking like we’ll put out at least 6. I’m very grateful to have so many other friends who run labels now, when we first started I didn’t really have anyone to go to for advice that wasn’t also learning the ropes themselves. It’s a tricky industry to navigate, especially from Vancouver where you’re so far away from the manufacturing, distribution process, and frankly most of the places that actually stock your releases. People really aren’t buying records like they used to and honestly I feel like the whole process of creating them is a bit archaic and convoluted. Pacific Rhythm will always produce physical artifacts because I think that’s important but I could see us drifting away from producing vinyl in the long-term. The reality is there are so many better ways to share music in the modern world and we’re often all kind of just caught up in this nostalgic haze. 

MFM: What is it like being both a DJ and promotor, and could you share some of your highlights with us? 

DD: To be honest I think way more DJs in North America have to do both if they want to make a living in dance music. There’s way more of a club and festival infrastructure in Europe and in my experience most good events in North America are a lot more DIY and grass roots, especially in underground music. I started being a promoter because there weren’t really other people around that were interested in the kind of music I wanted to hear and I’ll likely continue being a promoter for that same reason until I inevitably age out of the scene and focus on something more daytime oriented. I just got home from touring Australia and that was really something special. They have such a well developed scene down there and a lot of really open minded dancers, very refreshing! Big love to Mike (Planet Trip) and Jamie (Crown Ruler). Most recently I’ve got my US visa and I’m looking forward to playing more there. I’m also planning on spending the bulk of the summer in Europe and have some interesting dates scheduled here. Truthfully though! Who knows. I think our scene is going to go through some major changes post Covid-19 and things may not normalize for quite some time.

MFM: What can you tell about the mix?

DD: I’ve been asked to self-quarantine for two weeks by the Canadian government and this mix was recorded smack dab in the middle of it. I’ve been pretty deep in the self-reflection zone and doing a whole lot of the “deep listening” thing. I wanted to record something to help people pass the time and share some new music from friends and toss in some percy’s to round it. The approach was very easy going, not so much mixing, more about trying to let the tracks breath and staying out of the way. 

Stay in mate, it feels great!

MFM Mix 013: DJ D.Dee

Broadcast on WNYU 89.1FM in New York City on January 19th, 2021.
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The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.