Name: Oppenheimer by Why Theory
Duration: 1 h 21 min 28 s
Description: Ryan and Todd offer their interpretation of Christopher Nolan's most recent film Oppenheimer. They focus on the relationship between the form of the film and its content, while considering the political implications of its depiction of the hero. They think about the film in relationship to the rest of Nolan's filmography.

"the film"s too much in love w oppenheimer" - i think the point is that oppenheimer was in love with himself - i read it as an allegory for the smarmy liberal v gritty realist culture war in American politics - cf the Kennedy reference at the end

At 49:23 when Todd says, "Someone can not be within the field of representation and still dominate the mise en scene as an abscence"...  think - Rebecca

on the historical point of Heisenberg maybe or maybe not sabotaging the project, its pretty well established that he cooked that story up with his grad student while they were being held after being captured by the British.

if I was writing a narrative of Oppenheimer as opposed to a Biopic, then the quilting point would have been Einstein ripping him a new one for giving names to HUAC

Ryan and Todd begin a series of discussions about the classical Hollywood genres with the screwball comedy, a genre that centers on the sexual antagonism. They look at the film that kicks off the genre, It Happened One Night, as well as the high point of the genre, Bringing Up Baby, in addition to others. 


Ryan was recently a guest discussing graduate student conferences, which one can listen to here: https://soundcloud.com/lclcoralhistory

Screwball Comedy

Ryan and Todd discuss the diagnostic categories of psychoanalysis, beginning with neurosis. They analyze the three forms of neurosis--hysteria, obsession, and phobia--while also focusing on the different manifestations of these three forms in the contemporary political arena.

Neurosis

Ryan and Todd trace the history of how thinkers have dealt with the problem of love--the varying definitions of love, the view of love's role in society, and love's philosophical importance. They begin with Plato's Symposium, touch on the New Testament, explore the role of love in Hegel's thought, discuss Badiou's love event, and conclude with the psychoanalytic conception of love, as developed by Jacques Lacan and Mari Ruti.

Love

This is a special Why Theory episode that was recorded live at the Impakt Festival that took place in Utrecht, Netherlands. Ryan and Todd discuss the theme of the festival--"the curse of smooth operations"--in terms of our relationship to technology. They question how technology provides enjoyment for us. 

The introduction ends at 4:53, and the question and answer period starts at 57:48.

Technology

Ryan and Todd discuss Todd's latest book Enjoyment Right & Left, which examines the political divide in terms of the different forms that enjoyment takes. They engage with this divide across a variety of issues, from anti-trans violence to the controversy surrounding the World Cup.

Enjoyment Right & Left

Ryan and Todd explore the important ideas from Friedrich Nietzsche's Beyond Good and Evil, focusing especially on Nietzche's historical critique of morality, his perspectivalism, and his notion of the will to power. They situate Nietzsche's breakthrough in relation to Freud's.

Beyond Good and Evil

Ryan and Todd attempt to show why the term "poststructuralism" is inapt for describing any of the thinkers that it usually is thought to indicate. They go through the major theorists known under this moniker and reveal why poststructuralism doesn't exist.

Poststructuralism

Ryan and Todd interpret the film Barbie while responding to both leftist and rightist critiques of the film. They discuss the film's exploration of fantasy, its highlighting of contradiction, and its emphasis on the role of desire in politics.

Barbie

Ryan and Todd offer their interpretation of Christopher Nolan's most recent film Oppenheimer. They focus on the relationship between the form of the film and its content, while considering the political implications of its depiction of the hero. They think about the film in relationship to the rest of Nolan's filmography.

Oppenheimer

Ryan and Todd unpack Marx's concept of surplus value and explore its fundamental role in the interpretation of capitalist society. They discuss the relationship between surplus value and profit, while considering how we should think about the drive to amass surplus value.

Surplus Value

Ryan and Todd explore the idea of surplus enjoyment as the basis for a theory of capitalism. They consider the psychic hold that capitalism has in terms of the surplus enjoyment that it both promises and provides.

Surplus Enjoyment

Why Theory brings continental philosophy and psychoanalytic theory together to examine cultural phenomena.

Oppenheimer

Why Theory

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