Diese Komposition schreibt das Thema "Pulse Of Steel" fort, welches sehr rhythmusbetonte, kraftvolle Elektronikmusik darstellt, die zum Teil Techno-Passagen enthält oder Ausflüge ins Progressive unternimmt. Part V enthält in den abschließenden Schlagzeugpassagen sowie in der sich auf- und abwärtsbewegenden Melodie eine bewusste Anleihe an das ursprüngliche erste Stück, welches auch schon auf dem Album "Neverending" erschien, wo es die Vertonung eines Bildmotives darstellt. Part V ist Teil des gerade erschienenen neuen Albums "Dancing Pulse", welches die Themen "Dancing Spirits" und "Pulse Of Steel" vereint. Ihr findet es auf Spotify und Bandcamp.

This composition continues the theme "Pulse Of Steel", which is very rhythmic, powerful electronic music, some of which contains techno passages or ventures into progressive. Part V contains, in the final drum passages and in the up and down moving melody, a conscious borrowing from the original first piece, which also appeared on the album "Neverending", where it sets an image motif to music. Part V is part of the newly released new album "Dancing Pulse", which combines the themes "Dancing Spirits" and "Pulse Of Steel". You can find it on Spotify and Bandcamp.

Pulse Of Steel Part V - Neverending Flow

Heidi-Marie Arapa, known online as #ARAPAMusic, has cultivated her creative world on Soundcloud since discovering the platform in 2012. This space serves as the outlet for her diverse musical talents, where she composes, plays, and produces a wide spectrum of genres. Proficient in piano accordion, piano, and two synthesizers, Heidi-Marie orchestrates her sonic visions using Logic Pro X DAW. While her journey on Soundcloud unexpectedly led her into electronic music production, she also enjoys lending her voice to a touch of jazz. Since 2012, she has dedicated herself to music composition, production, and sound, undertaking orchestration and global collaborative projects. Heidi-Marie shares her creations openly, appreciating any resonance her music finds, and understanding when it doesn't.

New Album Released 29 August 2024

https://heidimariearapa.bandcamp.com/album/classical-compositions-2024

Album "Greetings From Australia" with my dear friend Wiesenberg 
https://open.spotify.com/playlist/31YvZRb2A16PoZBUmx5y0s?si=0c13ba6b19494de0

https://vimeo.com/846466472

I also feature my talented friends whose profiles I occasionally rotate on my profile since joining the Soundcloud Community, they have encouraged & supported  musicianship & creativity.  I cannot thank them enough #greatfriends #trust #respect

https://spotify.link/1e82g87w3Db
https://open.spotify.com/playlist/6L1qFzNenl1bRHGtDkK6gW?si=4ba561ca84df41a1

https://www.instagram.com/arapa_music/

https://linktr.ee/ArapaMusic

My parents listened to Franz Liszt - I still have the original record so I ended up a fan.  My music teacher was the late: Anatoly Miroshnyk (born August 19, 1923 - died July 14, 2011) was a Ukrainian composer, pianist, teacher, musician and public figure.
https://musical-world.com.ua/en/artists/miroshnik-anatoly-mikhailovich/

We often think of talented musicians as folks who start young and advance their skills via the finest education available to them. While this is certainly true in some cases, there are plenty who realised many of their artistic capacities without the aid of specialised instruction or a degree in music. 
#patience #perseverance #persistence #perspiration #nevergiveup

Thank you for visiting my profile. 

https://www.abc.net.au/triplejunearthed/artist/heidi-marie-arapa/
https://youtube.com/@ARAPAMUSICPRODUCER

Where words leave off, music begins.. Not everyone has the ability to compose music I also sing Jazz & Blues with musicians on Wikiloops a truly amazing community.

 I've always been passionate about music composition and fortunately the internet & technology made it possible to build a community in the clouds.

Find my global music journey since 2012 below:

https://linktr.ee/ArapaMusic

I've been tested by an examiner from the Australian Conservatorium of Music & apparently I have perfect pitch and blessed with the ability to accompany any musician, add hooks to any genre - as a singer I’m not great but who cares thats why most is spoken word.

I have my own style - either you like it or not -  always open for collaborations

🎤I have no fear of perfection - will never reach it 🎧   I don’t have the perfect voice nor am I aiming to be the best I'm only human with a passion for what I love music is in my heart.

Thank you to all who believe in me and MOST OF ALL my amazing Mentor thank you Sir for encouraging me to NEVER GIVE UP it all takes time and practice.

My mixing & mastering techniques have been learned from Youtube tutorials & experimenting with Logic Pro X.   I love the creativity and flexibility music production - a continual learning journey  of #passion #persistence #perspiration #patience
 
Having begun her musical journey at the young age of five with the piano accordion – an instrument initially more of an expectation than a choice, yet one for which she now holds deep gratitude – Heidi-Marie eventually transitioned into the captivating world of electronic music production a few years ago. This discovery led to the gentle retirement of her accordion, making space for her true passion: composing, producing, and sharing her sonic creations with the world. For Heidi-Marie, music is not just a pastime but a lifelong dedication, a constant until her final days.

Appreciate a like, repost or comment.  ❤️ 🌈🇦🇺

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
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During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: SUMMER SNOWFLAKES, a 25 minute long track and perhaps my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. Was hell of a lot work behind this, which started out as the "Conquerer" project already in 2017. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS. A track very dear to me, much of it written outdoors at the shores with my lovely dog with me. 

OCTOBER 6, 2023: SHAMBOLIC GUITARS.  Intensive recordings!

DECEMBER 7, 2024: TABOOOO released. (Oldfield Tribute)

SEPTEMBER 6, 2025: WATERFALL (part 1). Another part will follow in 2026!
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Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D. Svensson Sept. 2022

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All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.

Exploring a blend of improvisation, styles, minimal composing and maximal production.

ELECTRONIC MUSIC, AMBIENT, PROGELECTRO, PIANO and more ...
Artist contact via E-Mail: jens-hinrich@t-online.de

The instrument I learned first was the cello, later on the piano. In my childhood and youth I took part in several orchestras and choirs. At the age of 17 I started playing in rock bands; in 1989 me and my friend Daniel ("Vocebasso" and "Liedschmied", you find him here) founded the progressive rock band "The Lynx"
(my functions: keyboards, cello, backing vocals, songwriting and arrangement). In the early 90s I became more and more enthusiastic about electronic music and the German broadcast radio show "Schwingungen" with Winfrid Trenkler. With the help of my first synthesizers Kawai K1 and Korg T3 I started to compose tracks. After using the internal sequencers I discovered the possibilities of Cubase. 
Beside my activities in the cover rock band "Silent Sound", several projects I initiated in my function as a teacher for music in a secondary school and the singer- /songwriter project "WortSpiel" (https://www.facebook.com/DuoWortSpiel) I never stopped composing electronic music in the last 20 years. 
My music is most influenced by orchestral music (classic, soundtracks), progressive rock and pop music and - of course - by electronic music. I will never forget, when I was six years old and my brother put on the record "Oxygene IV" by Jean-Michel Jarre. Another track, which gave me magic moments, was "Force Majeure" by Tangerine Dream. The year 1990 meant the final electronic wake-up call, namely in the form of Ron Boots and his great record "Dreamscape". It's one of my favorites to this day.
The themes of my music are generally the nature, journeys and landscapes, personal relations and emotions and - within these associations - often the longing for inner and outer freedom, for the breakout of boundaries and fears. 
Wiesenberg: That's the maiden name of my mother (by trade a vocalist), which refers back to my roots and to the long way, my ancestors took from Salzburg (Austria) through Königsberg / Kaliningrad (Russia) to Rheda-Wiedenbrück (Germany, North Rhine Westphalia). I walked on - through Lower Saxony to Rhineland-Palatinate. Next stop: Who knows? In the end I am an expellee and a hermit - an "eremit".

NO sampler, experiment
 computer MUSIC.　 https://youtube.com/@yoshitsuguisobe6284?si=MoyW6sNaEJ9ZZ-8Shttps://www.facebook.com/groups/1815847942170884/?ref=share

Pulse Of Steel Part V - Neverending Flow

WiesenBerg