17 y/o wishing to be interesting or intriguing to a certain extent 

(It's not working) 

Future Society Collective is a family of artists that work together to try and push new boundaries in internet music culture. 

For any business inquires contact us at:
https://www.futuresociety.co/contact-us

Artwork by @exploorah

Founder & Co-owner:
@aritusmusic
@matsunoki

Family: ♡
@fanservicecollective
@moecollective
@clubcoral
@nemuriwinter
@radio-wavs
@artziemusic
@tencolle

Roster:
@thoughts-7
@dantemarsajeto
@vantagenoise
@moeshop
@tendencies
@supersex420
@amherstmusic
@digital-waves-92837
@tokyowanderer
@unibe-t
@fibremusic
@desired
@notrhodes
@escapethis
@lagune
@agrume_music
@tsundere-alley
@snowshoo
@exploorah
@skibblez
@childhoodfm
@season-team
@ntreboot
@nntytuu
@aests
@imshivan
@antgry
@iamyumirose
@datfootdive
@jamisonmusic
@johnsavagemusic
@capecoral
@kattch
@futuregirlfriendmusic
@ghmakesmusic
@android-apartment
@adrianwave

self-titled is a music magazine that has nothing to do with music. At least not in the traditional sense of self-important ‘criticism’ and profiles that read like regurgitated press releases. Yes, we print reviews and thought-provoking features, but we also pride ourselves on answering the questions others don’t ask. Find out what some of those questions are by reading our daily site or one of the back issues below.

For more information, or to request our one sheet for prospective advertisers and creative/event partners, please feel free to contact one of our editors:

Editor/Publisher, Andrew Parks, aparks@self-titledmag.com
Managing Editor, Arye Dworken, adworken@self-titledmag.com

As for getting covered in our digital magazine or daily edition, please send any material for review or feature consideration to our central office at:

self-titled
4204 Oakland Ave.
Minneapolis, MN 55407

General Enquiries: shanicehedger@gmail.com



The prawn of Uniprawn.
Check out the Unicorn,
https://soundcloud.com/enidlaregine

Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

wild_fleurs is following