…quiet,….shifting into deep spaces, vibrating, buzzing, scraping….

Wilhelm Matthies created quiet, shifting, deep spaces with his mosesa 7, a wooden bowl and effects, Markus Reineke created focused, sharp metallic sounds to meander in the spaces….

download the album, (pay as you wish)…
https://darkpebble-bluewave.bandcamp.com/

An internet collaboration between Markus Reineke and myself in 2016.

Thanks for your support!
Wilhelm Matthies
January 27, 2018

high (Matthies & Reineke)

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Alexandre Del Torchio is composer and visual artist.
After graduating from le Fresnoy – Studio National des Arts Contemporains, he studied acousmatic composition with Régis Renouard-Larivière.

Alexandre plays concerts and performances, and composes acousmatic pieces and movie music.
His installations explore mainly wave phenomena in contemplative or experimental projects.

He works regularly with Chilean filmmakers René Ballesteros (Los sueños del castillo, 2018) and Carmen Castillo (Chili 1973 : une ambassade face au coup d’Etat, 2019), and Korean artist Heewon Lee (The rain, 2017).

Among others, Alexandre awarded second prize acousmatic music in 2015 (Montreal), was selected same year at “Banc d’Essai” organised by INA-GRM Paris, and received SACEM original music award in 2019 at festival Cinéma du Réel in Paris.

www.dezernat5.de
https://www.youtube.com/watch?v=Ie3PzgNXw0o
tototod.bandcamp.com/album/apeiron
https://martinhoogeboom.bandcamp.com/album/crackle-sniff-hiss
https://thomassander1.bandcamp.com/

thomas.sander.schwerin@gmail.com

I share music that I have made here solo or in groups. I am bundling my work with some online friends as a project oriented, micro-collective. We are happy to share with you!

https://darkpebble-bluewave.bandcamp.com/

Wilhelm Mattthies, John Daly (aka Tuneind52), Paulo Chagas and Matthias Boss

Do not become confused,
The Garden is as deep as your Imagination.

"Please Visit Mr. Andrew's Garden at your earliest Convenience"
Instruments used on "The Quiet Garden"
Yamaha CS 40M
Oberheim 2 Voice
Mini Moog 
TX81Z
Sequential Circuits 610
Roland M-100 Modular Synth
White Instruments Graphic Equalizer 
Telecaster Deluxe
All monitoring was done using a Fosi Audio ZA3 amplifier on 
Digital Design’s LS161 Monitors along with 
Various Garden Tools...

Nowa Ziemia is the place for experimental music.


I was born in Leicester in the late 1950's. Since semi-retirement and subsequent retirement (as a Dermatologist and formerly G.P) I have spent some of my spare time trying to learn music theory. I also enjoy long distance running as well as cycling, skiing and tennis. I enjoy cooking, gardening and growing a few vegetables. And fine wine (in moderation). I enjoy insect photography, with a particular interest in hoverflies..
To my regret I never learnt a musical instrument when younger but I have listened to and been fascinated by music for as long as I can remember. The advent of the computer age has allowed me to pursue my desire to compose music. I use Logic Pro X software (and MuseScore3 for recent piano compositions). My compositions reflect my varied listening preferences (including Contemporary Classical, Jazz and  Music from other cultures around the world).