waves on shore 

……soft, harsh, warm, cool,…..loud to quiet, quiet to loud…. 
….deep space waves, …waves flow over, through, against, together….around…. 

download the album (pay as you wish)....
https://darkpebble-bluewave.bandcamp.com/album/waves-on-shore

Markus Reineke used pvc pipes and effects, I the mosesa 7 along with various effects.

An internet collaboration between Markus Reineke and myself in 2016. 

Enjoy! 
Wilhelm Matthies 
12-29-17

waves on shore (Reineke & Matthies)

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

www.dezernat5.de
vumetrics.bandcamp.com/album/f-or-m-…garchiv-vol-1
https://www.youtube.com/watch?v=Ie3PzgNXw0o
tototod.bandcamp.com/album/apeiron
https://martinhoogeboom.bandcamp.com/album/crackle-sniff-hiss
https://thomassander1.bandcamp.com/

thomas.sander.schwerin@gmail.com

I share music that I have made here solo or in groups. I am bundling my work with some online friends as a project oriented, micro-collective. We are happy to share with you!

https://darkpebble-bluewave.bandcamp.com/

Wilhelm Mattthies, John Daly (aka Tuneind52), Paulo Chagas and Matthias Boss

Vittorio Garis, architect musician and improviser is an artist of strong sensitiveness, tightened also to the random discoveries of the percussions and the electronics connected with them, without forgetting the cultural relations with different arts.
His set consists of a bass drum, a snare, cymbals, a bow and many objects, for a sonic research that leads the experimentation between the surprises of the amplification and the friction of the objects: it is an electro-acoustic effect that wants to rule, a vibration that begins from his hands and projects in paradises of sensation and of liminal images.(freely taken and remixed from Percorsi Musicali "Few notes on italian improvisation” by Ettore Garzia)
Recently released cd on Setoladimaiale with Ulrike Lentz (flutes) Anja Kreysing (accordion).
http://www.setoladimaiale.net/catalogue/view/SM3370.

Vittorio Garis, architetto, musicista improvvisatore è artista di sensibilità spiccata, teso anche alle scoperte "casuali" delle percussioni e dell'elettronica collegata ad esse, senza dimenticare le relazioni culturali con arti diverse. 
Il suo set percussivo si compone di una grancassa, un rullante con piatti ed archetto e tanti oggetti, per una ricerca sonora che conduce la sperimentazione segmentare tra le sorprese dell'amplificazione e gli attriti degli oggetti: è un effetto elettro-acustico che si vuole dominare, una vibrazione che parte dalle sue mani e proietta in paradisi della sensazione e delle immagini liminali.(liberamente tratto e rimixato da Percorsi Musicali "Poche note sull'improvvisazione italiana" di Ettore Garzia)
http://www.percorsimusicali.eu/2016/11/25/poche-note-sullimprovvisazione-italiana-la-ricerca-di-una-movimentazione-tra-fisicita-elettronica-ed-atopia/
http://www.percorsimusicali.eu/2016/05/25/poche-note-sullimprovvisazione-italiana-da-ismene-al-riduzionismo/

Welcome to my place of musical experiments and my endless journey of exploring new sound textures, rhythms and melodic ideas. I am a multi-instrumentalist coming from a background of having actively played, harmonica, recorder, piano, organ, clarinet, tin whistle, pan pipes, guitar, violin, Shakuhachi, jaw harp, didgeridoo and accordion. My genre is mostly a fusion of Jazz and Soundscape, however I often seek inspiration from a wide variety of music, Celtic, Rock, Heavy Metal, Classical, Folk, Micro-tonal, just to name a few. I also build my own instruments, various Shakuhachi using them either directly in recordings or sample the sounds to incorporate in pitch shifting tools in Ableton Live. I often set myself a music challenge, taking every day sounds not considered musical, sampling, transforming and moulding them into a virtual musical instrument. Experimenting with evolving polymeters is a favourite feature of my works. I have been classically trained but soon ventured into free improvisation, which is my happy place.

I am based on the South Island of New Zealand, enjoying the great outdoors there. I often take inspiration from this for my music and associated cover art.

I have a no cover’s policy, all my works being original compositions, the only exception would be the odd jazz interpretation of a Bach piece from the Baroque era. My percussion sections do not use any artificial intelligence drum machines, nor do I use auto tuners for my violin playing. Paid likes and plays — none of that either. 

I also participate in musical collaborations, from accepting sound samples to see what I can do with them, to instrumental collaborations. Send me a message if interested.

Please join me on this wonderful journey of music exploration.