Winter landscapes

Here is a version of my track with brilliant contributions from
Lovely Llanpsych on guitar https://soundcloud.com/llanpsych
Jazzy joerxworx on flute https://soundcloud.com/joerxworx
Thanks gentlemen! I advise listening to their music: )

Tea And Muffins Take 2 (Instrumental) with Llanpsych And Joerxworx

The Birds Keep Singing.
What did you do this summer? 
I got smashed on Beaujolais. 
You could have seen me suffer.. but you were far away. 
I lie here contemplating in our once perfect home.
Now all the walls need painting & the gardens overgrown.

I´ve got my headphones on in bed but that birds still singing in my head. 

I know I´ve had my chances. I`m overwhelmed with guilt.
While searching for Atlantis I`m drowning in the silt
And now my phones stopped ringing its peaceful finally 
But those bloody birds keep singing & they´re singing just for me.

And when their loved ones fly away, they still keep singing..that bird keeps singing every day.

How can I live today when there`s no tomorrow?
She left me for another man, part of natures masterplan.
How can they sing today when there`s no tomorrow?
Take your songs & disappear. Wake me up when winters here.

You start a conversation with some young handsome man
Its been no consolation to be your back up plan.
The time will pass & surely we`ll meet (though God knows when).
You`re on a different journey and I`m on the beer again.

I`m trying to forget what she did last summer
(She left me for another man, part of natures masterplan)
Why do they have to sing like they did last summer?
Take your songs & disappear
Wake me up when winters here

Take your songs & disappear. Wake me up when winters here.
Part of natures master plan..Karmas screwed me up again.
Ladybird & bumblebee. Piss off home don`t bother me.
While witnessing my final fall the birds keep singing through it all.
Spread you wings & disappear. Wake me up when winters here.

Written by Chris Underwood. 2020.

Chris Underwood: Vocals, guitars,bass,keyboards.
John Bradley: Keyboards, MIDI work, Vibes, "Ringo".
Recorded in Rågeleje, Denmark . March 2021.
Produced in Portsmouth,England.

The Birds Keep Singing (PompeyJazz mix)

Frontline

“Winter Garden” is a piece that Paulo Chagas initiated and I responded to to bookend our album, “Wild Rose, Winter Garden.”

We invite you to hear the layers of sounds that Paulo made using prepared piano, Tibetan bowels, a mark tree (chime tree) and my Mosesa13.

We hope that you enjoy the piece! 
Wilhelm Matthies
Paulo Chagas 
4.4.21
You can get the album here
https://darkpebble-bluewave.bandcamp.com/album/wild-rose-winter-garden

Winter Garden (Chagas & Matthies)

She's Back Again

It is the chilling, refreshing, inspiring mood at dawn, fascinating people, going for a walk at the seashore.

Dawn At The Seashore (jazz-quintet, comp. michael spielmann)

BOUFFONNE est une composition imaginaire, visuelle par le dessin , et sonore dans une électronique modulaire.
BOUFFONNE is an imaginary composition, visual by the drawing, and sound in a modular electronics.

BOUFFONNE  -  Patrick Picault

All guitars (Fender Strat & Epiphone ES 339)by Martin Jansen: https://soundcloud.com/m_ja // Tenor sax & Akai EWI by joerxworx // Keyboards, vocoder, vocals, beat programming, mix & mastering & sound design by Morten Jeamland https://soundcloud.com/orteneamland
Words & Music by Jeamland

Upside Down // Morten Jeamland featuring Martin Jansen & joerxworx

Joking Around A Beats

As I already have done so previously, during this jam session I again experimented with a vast amount of different samples and employed a technique which I like to call "time-synchronized sampling of percussive sounds". I played back a drum and percussion sample at 100 BPM through my humble Eurorack which was also set to 100 BPM. The next step was feeding the sample through the Make Noise LxD module (which is a dual low pass gate that can function as a filter, and also be pinged to produce percussive sounds) and modulating it by a collection of different Eurorack modules. Due to the imperfections in the synchronising, the already percussive sound was "forced" into a slightly skewed percussive structure which results in these intricate glitchy raw rhythms. Additionally, an LFO at audio rates in conjunction with the LxD were used to create auxiliary drum and percussive sounds.

As so often the case, this jam session took a couple of hours, and I experimented with a vast amount of sounds, settings and samples. Unfortunately, I didn't make a note what samples exactly I was using here. The only thing I clearly can remember is that I took one of the rather rare interviews by Aphex Twin and played it back in order for his narration to fit the rhythm of my jam session, which is heard in the second half of the track. Also, at the beginning, samples from the 2007 documentary "What The Future Sounded Like" can be heard.

Again, I recorded the result of this jam session in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting and a high pass filter at 30 Hz was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

Glitchy Technoid [Jam session sections: RAW2021 - 1]

I share music that I have made here solo or in groups. I am bundling my work with some online friends as a project oriented, micro-collective. We are happy to share with you!

https://darkpebble-bluewave.bandcamp.com/

Wilhelm Mattthies, John Daly (aka Tuneind52), Paulo Chagas and Matthias Boss