Nice jump in the bass plucking! Great sound and such a breeze to listen to :)

Good backtrack sound, i like a lot this guitars sound and motif.Yes Wilson

Dit kan een mooi liedje worden, klinkt erg lekker! Afmaken!

Like driving , glass down , sun on my face , beyond  the speed limit :)) 

Frank does have the better of it; top down, wind in the hair, sun toasting my face. This is a driving driving song. Wonderful guitar voicings and chord choices. It stands on its own as a track, but would love to hear the vocals.

great track - love the layering of the different piano sounds.  And then the keys at about 1.40  oooh  nice!

A remix of one of my favourite tracks: Forever, by the brilliant Bonetender:
https://soundcloud.com/bonetender
His original production of our collaboration:
https://soundcloud.com/learningtoplay/forever-bonetender-ltp
And a fascinating collection of alternate collabs on his original instrumental:
https://soundcloud.com/bonetender/sets/nothing-is-forever

slow dissolve

forever - Bonetender + ltp (dj d-lé remix)

Song still in progress.

Song to be continued with vocals

All instruments played by Wilson.
Guitars Fender Strat 1982
Musicman Siloutte 1992
Hofner violin Bass Ignition
Drums  by my mate Mac Tilly

Keys Arturia 61 played by Wilson 
mellotron sounds

Spider

｢調整 ~ ADAGIO ADDOLORATO」

Concept music for a scene of a graphic novel. Part 1 of 4.

Music written, produced, performed, mixed and mastered by Thomas O'Higgins Horna.

Cover art: "Die drei Lebensalter der Frau" (1905) by Gustav Klimt. Edited by me.

RECONCILE

ＲＥＣＯＮＣＩＬＥ

This song is for anyone who has been in a relationship with a narcissistic or toxic person. As anyone who has been in a relationship with a narcissist knows, it is incredibly painful. Years can be wasted staying stuck in the relationship triangle of frustration, self-pity or believing you can fix them. When you finally realize that the only way to move forward is to completely cut them out of your life forever you are on the first steps to freedom. Expressing the anger you feel from all the abuse and time wasted is the first step to healing. Hope this song can help you to feel it’s okay to be angry. 

Share this song with someone who needs to hear this.

Mad As Hell

modern day

photos are memories I keep within my mind
stored in the basement in a crate I’ll never find
songs are the stories and the places I have been
authored before this mental knot I’m tangled in

modern day is here to stay
and all that was will fade away
heavens rain and hell will pay
our eyes are wet with tears

poets and prophets weave our words into their art
read in dramatic mien and spoken from their heart  
unseal the parchment let the words escape their cage
left with a book with seven hundred empty page

styles we made are old and frayed 
where all the past is filed away
a quill, a pen I’ll write the end
the sky is wet with ink

modern day is here to stay
and all that was will fade away
heavens rain and hell will pay
our eyes are wet with tears
modern day is bland and beige
remembrance of the golden age
a quill, a pen I’ll write the end
my heart is black as ink

Modern Day

All music, written, recorded and produced by Jeffrey Lasky.
All rights reserved to Jeffrey Lasky

To the Hilltops of Toledo

Inspired by The Man in Black.

Music and lyrics by Thomas O'Higgins Horna
Performed by FRANK LLOYD.

Cover photo by Andy Earl. Edited by †ॐ

Johnny

pinball flipper

method: adding voice and vst to a preexisting song
narration: One of the greatest creative artist on soundcloud, stonerjazz https://soundcloud.com/user-911083679/tracks, my friend Jeff, has composed a song shock full of paranoia, existential threat and hope for redemption and salvation - a truthful portrayal of the human condition. It is a mesmerizing work of art as it stands. When I approached him concerning a possible collab for my upcoming soundcloud-only album 'songs to pacify extraterrestrials' (out by the end of November 2023), he offered this to me. I was in a fix: How can you work on something that is already perfect, complete in itself?  Eventually, I decided to take a cynical approach and turn it into an intergalactic commercial for tooth --- no, fangpaste. There was a challenge in bringing about the non-music so typical for the advertising industry. Virtual midi-operated synthesizers helped. During gestation, I called those interludes and overlays PCBs, short for 'psychotic commercial break' or 'paranoid commercial breakdown'. They are of somewhat juvenile humor and also have some Douglas Adams vibes, I hope, Marvin-style. None of my recontextualization does the existential thrill (and especially the hope for liberation) of the original any justice at all - quite in the contrary. It was a morbid kind of fun to create, though ... and, to my utter astonishment, Jeff liked it and edged me on during the process. Well, here you are. It's (be)coming for you!
image: dada alien, copyright jo richter

If you prefer to listen on Jeff's page and also read the lyrics in the description, please go here; https://soundcloud.com/user-911083679/2023-09-29-sos-final-iii-1

SoS - with stonerjazz

This is a song that JJ came up with on the electric piano and shared with the rest of us. He's done a significant portion of the songwriting for the Eclectic Collective, and always gives us quality songs, to which are easy to add our voices. 
When he sent it to us, he had a rough bass on there that sounded like Lust for Life. Ken came up with a killer and appropriate beat, which, if you can picture Lust For Life, included a lot of accentuated bass kicks. 
So, Josh took and went with that, and came up with a funky bass line. Ken and he kicked it back and forth a few times till they linked up. Then JJ added some funky ass organ and trippy retro synth to spice it up.
 Then it was time to send it to the guitarist. Tez laid down some smoking lead solos throughout, with his signature fiery guitar tone and amazing licks. Then Stephen funked it up even more with a fonky-ass wah guitar track. 
 Ken produced and mixed this one for us, and what an excellent job he did, too. This was so much fun to create. We all hope you enjoy listening to our jam as much as we did playing it.

Home's Album

Tonkas and Matchbox Cars -(Eclectic Collective)

Birth Pangs of a New Time

When I was 9 years I got my first guitar lesson.
From then on I played in numerous coverbands.
In 2020 I stopped playing gigs and started to work in my home studio.
All of the songs on SoundCloud are own compositions.

Wilson just want to make music for the fun. And thanks to all the people who take the time to come and listen. Lots of love And greetings from The Netherlands🇳🇱 No Fame Just Fun. 
In my YouTube Chanel Willem de Fouw you will find a clip of me recording in my studio.
https://youtu.be/KOUyLsIZIVM

https://youtu.be/cya7ryz2PwU

https://youtube.com/shorts/ils9GF3gyvI?feature=share.    So be it

The link below a collaboration Juan Aguirre and Wilson.

https://soundcloud.com/juan_aguirre/juan-aguirre-featuring-wilson-tides/s-FqBdxBX4i0Q?si=6d0a8a184eb248a7bd79c7a9f5a9282b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

E-mail w.defouw@hotmail.com

Spider

Willem de Fouw (Wilson 1963

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