Name: PPG by Willem Twee studios in An auditive tour through the studios
Duration: 30 s
Description: A very angry growling sequence. Made by using the sequencer of the PPG to create this weird rhythmic pattern. While slowly turning down the clock oscillator, the filter (with high resonance) and the pitch.

An auditive tour through the studios

Reflect

Spatial composition for cello and live electronics. Performed at FAQ Festival 2012. 

Composition and live electronics: Marieke van de Ven
Cello: Fernando Nina
Software: Robin Koek

Recordings by Kees van der Wiel, broadcasted at the Concertzender.

Concrete and Cars

Piece for Neu West Berlins Broken Grand Piano October 2017

This is an extract from a longer piece recorded live using the Tudor3 feedback controller and a Roland VT-3 within the feedback loop

The Goddess Elektron (Part III)

for 4 instruments and voice (alto sax, el. guit, acc, pf.)_Ensemble L'Arsenale/Livia Rado (voice)/Filippo Perocco (cond), Festival L'Arsenale 2015

di questo_I andante [2015] (excerpt)

Beins (Drums) + Tuerlinckx (Grand Piano) Live @ PAS

1 - Dit Is Je Naam

gulls

An aggressive percussive pattern. Created by combining FM synthesis with Noise, and controlling it with the sequencer and the envelope generators. Add some reverb and play with the filters a bit, and voila!

ARP 2500

A melodic pattern on two ARP 2600’s. Created by inverting the keyboard’s signal to one of the ARPs. One ARP produces the more bass-like pluck sound, while the other ARP plays a higher detuned synth part.

ARP 2600 1

A soundscape like pattern on two ARP 2600’s. Created by lots of Resonance and Sample & Hold on both filters, while playing on the keyboard, and messing with the filter frequencies.

ARP 2600 2

A very complex, scream-like sound. Created by modulating the amplitude of a sine wave, with another sine wave, while modulating the amplitude of that sine wave, with another sine wave. Get it? This goes through the bit booster and Lock-in Amplifier. As well as some filters, lots of reverb and a ring modulator.

Bit Booster

An almost whale-like sound, created by syncing two oscillators to each other, while messing with the frequencies, linked to the joystick of the EMS Putney. This together with lots of reverb and filters, will get you a perfect whale.

EMS Putney 1

A very angry growling sequence. Made by using the sequencer of the PPG to create this weird rhythmic pattern. While slowly turning down the clock oscillator, the filter (with high resonance) and the pitch.

Started in 2015.
4 studio spaces:
Studio 1-test&measurement instruments, tape machines and analog computers
Studio 2-great analog modular synths and keyboard synths
Studio 3-project studio with analog synths; mike recordings
Studio 4-concert hall; great acoustics; pipe organ & grand piano
all studios interconnected.
Day light; relaxed atmosfear; located in inner city with lots of cafes/restaurants; many years of synthesis and musical body of knowledge available for you.
ready to be rented for your work; contact mail studios@willem-twee.nl
website: www.willem-twee.nl/studios

PPG

Willem Twee studios

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