Every Saturday night from 10PM - 2AM, curated by me!

Find more up on:
https://www.abc.net.au/triplej/programs/mix-up

Mix Up on triple j

For the 18th edition of our mix series we are joined by a revered breakthrough of recent years, @ciel_dj.

A key figure on and off the dancefloor, Toronto-based Ciel has been an ever growing force on the electronic scene. Spearheading the female focused Work In Progress collective and co-founding the touted Parallel Minds imprint, she has helped bring diversity, safety and representation into the clubs whilst also working with advocacy groups to change the city’s laws to be more favourable towards creative ventures. Pushing a distinctive sound that is characterised by a club-focused blend of deep and energetic contrasts, she showcases why she is one to watch with a standout mix for the Junction 2 series.

Here is what Ciel had to say about the mix:

“This mix was inspired by 1) clubs reopening 2) my love of cheesy tech house wafters and 3) a desire to present the most authentic version of myself as a DJ. I think most Djs have very complicated feelings about making mixes, the process of premeditating a mix at home away from an audience and the insatiable drive for perfection can both be very anxiety-inducing. So I chose to do as little planning as possible, seeking instead a truly spontaneous recording experience with zero plan and nothing more than 2 USBs full of bangers. The result is a high energy 90-minute trip into trancey house, techy rollers, dub techno, and minimal-UKG tools. Play this on your way back to the club.”

Junction 2 Mix Series 018 - Ciel

No one like Hessle Audio's grandmaster could have better welcomed sound scouters on a 24-hour (mind)trip to the island of Spandau. Listen back to this testament of impeccable UK mastery, an impeccable selection of bass mentalism, groovy perreo and tribalism ✨ It's dance, it's jungle, it's drops of spiritual crystals: it's Ben UFO.

Ben UFO - Climate Of Fear - April '22

Aired Sept 2024 - huge thanks to Kailyn & the team at triple J for having me :) :) :) 

Tracklist: https://www.abc.net.au/triplej/programs/mix-up/willhofbauer-djset-2024/104367326

Tracklist

Will Hofbauer - Triple J Mix Up (September 2024)

Spray - Triple J Mix Up

Recorded on Wiradjuri land, NSW
Saturday 630pm - 830pm

@mgmldrm
https://www.instagram.com/megmldrm/
~
Photo credit: Rhys Davis @sonwhu

Miscmeg at Soma Festival 2024

Had the pleasure to record a little mix for Mix Up on Triple J, abc radio (Sydney)🎈
It was streamed on Dec 7th, right towards the end of my Australia tour which I really enjoyed. 💛

Polygonia - Triple J Mix Up

Track List <333
1. Entasia - Presence (Unreleased)
2. Upper90 - Club Joy (Unreleased)
3. LEON VERA - Hold On
4. LEPSI - HERE WE GO (Unreleased)
5. X CLUB. - At Night (Edit)
6. Upper90 - Can’t Get Enough (Unreleased)
7. DJ HEARTSTRING - Take My Hand
8. Benleh - Kisses (remix) 
9. Upper90 x Padi - Alright Now (Unreleased)  
10. SHUFFA - Want My Luv
11. Upper90 - Love Like You (Unreleased)
12. Upper90 - Watch Over Me (Unreleased)
13. Upper90 - I Found Myself Tonight (Unreleased)

Triple J Mix Up - Upper90

Moxie - Triple J Mix 2024

Avalon Emerson - 9000Streams (Triple J Mix)

@richard-akingbehin: "The second half of my set at NYE 2025 by Diega, Victoria, Australia—a dreamy three hours at sunset on New Year's Eve. Enjoy!"

Image @chawks

Richard Akingbehin Live @NYE 2025

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

The train is well and truly back on the rails, so let’s keep the energy rolling and treat those ears to a dose of pure sonic liberation. This brain-bending, neck-snapping, foot-burning mix comes courtesy of local legend Walter Majik, aka Jimmy Pham.

A masterful curation of all things mystical, this is a downtempo odyssey and an electrifying ride for the listener. Spanning every known dimension and beyond, this three-hour voyage elevates you into a higher state of consciousness, weaving together deep cuts from across the ages. Expect the finest in street soul, visionary alt-pop gems, 8-bit psychedelia, couch-core oddities, and so much more. It’s all about the journey—where you’ll end up is anyone’s guess.

This is Cafe-del-MORE!

Tune in, Drop out.

his sounds >>>> https://soundcloud.com/waxflowerbar

FHUO # 96 // Walter Majik

An episode that feels well overdue yet thoroughly worth the wait! A titan of the Naarm underground music scene, Pjenné has been a kindred spirit and longtime pal since the early days of MDC, and it's no surprise that her contribution is packed full of gloriously deep and immersive feels, bassy and driving in parts and light as a feather in others, speaking to a palette that has been meticulously explored and continues to evolve along with her incredible weekly radio show on PBS, Passing Notes. 

@pjenne

Q. What sounds of feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. For this mix, I wanted to channel the energy and sounds that I associate with Melbourne Deepcast rather than drawing on the darker side of my sound palette that has been at the fore of my radio and club sets of late. MDC means so many things to me, but there’s definitely an energetic, grooviness that comes to mind and this is what inspired the mix. Although the mix does showcase parts of me (heavily atmospheric, emotive and a few downtempo tracks for good measure), I’d say this is more of a mix for you. :) I imagine this mix being listened to outside, on a sunny day, but when you might also need a little extra pep in your step. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. The first that came to mind is a track by Sean Cusick and Medway (Jesse Skeens) - It is an incredibly beautiful and emotive breakbeat track from 2002 on Saw recordings, there’s just something about how the vocals and the pads wash over you - although its upbeat there's also a sombreness to it and I just think its the whole package. 

Towards the end of the mix there’s also a very very classic ambient trance number, Lazer Worshippers by Damon Wild & Tim Taylor from 1993 - Not the most deeply dug track but it's a classic for a reason.

Q. You have been lovingly broadcasting your weekly radio show Passing Notes on PBS for six years running, which is a serious achievement! Tell us what you did for your sixth anniversary on International Women's Day, and what keeps you inspired to broadcast the show week in week out?

A. It’s been a wild ride that’s for sure! I really appreciate that International Women’s Day marks each yearly anniversary of Passing Notes - it reminds me to stop and reflect on each year as an achievement that I would probably otherwise forget in the chaos of life. This year I enlisted the help of Syrian DJ and Harmony Rec affiliate Zeynep, who provided an excellent, playful and sassy celebratory guest mix. 

As for my inspiration to keep going, I’d say that I draw from the collective power of electronic artists locally as well as internationally. There’s just so much good music to share, and Passing Notes enables me to provide a crucial connection between ‘underground’ electronic music and the wider music community. I'm also inspired by live radio as a format - it provides a sanctuary for me from the highly curated nature of music today and allows me to be more playful in the way that I explore different sounds. To me it is a place free of judgement.

MDC.308 Pjenné

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

Cant Get Over [Blockrand 001]

Another track, by DANNERZ its been sometime, ive been working on a few tracks, but we cant rush greatness. ill be working on an EP soon! Track mastered by Landr
hope you enjoy :)



Diamond ring's

FCKN Groovin

I host the Friday Mix and Mix Up on triple j and also DJ :~)

Will Hofbauer - Triple J Mix Up (September 2024)

Will Hofbauer

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