Excellent song and your voice sounds great here!

Really like how you express these fine words in your music !!

"Fortune (Acoustic)" from William Fitzsimmons' Acoustic Sessions EP.  
EP Available Now http://smarturl.it/wfacoustic

William Fitzsimmons - Fortune (Acoustic)

Unknown Neighbour feat. Giovanna Castronari

Timshel (Mumford & Sons Cover)

This EP is is called “Fleeting,” which speaks to the nature of the human experience, the creative process, and the present moment. In our finer moments, this transience can be used to inspire joy and creativity, rather than regression and chaos. That’s what I’m telling myself, anyway. Thanks for journeying the weirdness with me. Thanks for listening.

All songs written and recorded by Matt Martin // Tracks 1-4 mixed by Matt Martin and Neal Warner // Tracks 5-6 mixed by Matt Martin and Henry Barbe // Cello on Tracks 3 and 6 by Andrew Cleveland // Trumpet on Track 6 by Trent Johnson // Mastered by Neal Warner at Chase Park Transduction

Misty Morning

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www.loudforest.com
Loud Forest is Rachel and Bernard Chadwick. Based in Los Angeles, Loud Forest is the culmination of two strong willed humans, equally matched as singers and performers. Bernard and Rachel have two very different styles of songwriting - Bernard is direct and angular, Rachel is abstract and experimental. It is in the studio collaborating with other talented musicians that the pieces come together in a way that is a mix of rock, minimal art noise, and gospel.


If Words Had Power

Strange New State marks the second full length album from singer-songwriter John Gardner, who began performing under the Common Jack moniker during a two and a half year world tour with the actor/musician Broadway show, Once. The first Common Jack album was recorded in Washington DC at the historic Cue Recording Studios with platinum producer Jim Ebert. After finishing that record, Gardner immediately began working on the second LP, this time with his band at Degraw Sound in Brooklyn with co-producer Harper James (of breakout band Eighty Ninety). Common Jack's sound has been praised in the past for the "the richness of the sound (from minimalist to quite symphonic) , a richness that tells the diversity of life in general ...these songs, these sounds  and his voice take us in quite a poetic world, in a very original musical dimension, he makes us fly...a musical escape..." (Mike Penard of ISA Radio) & listeners can expect an expansion on that sentiment with Strange New State. With the anthemic Fine Line, Gardner's soaring voice reminds us of Irish singer-songwriter Glen Hansard. Those in favor of socio-political commentary will love the grittiness of Postmodern Blues and will wonder if this is the type of song that would've been written during a fantasy collaboration between Bob Dylan and Kendrick Lamar. The lead single off the record, Spanish Bird, is a guitar-drenched folk dreamscape about lovers being separated by distance. 

All-in-all, Strange New State is a breathtaking second effort. It's scope is wide, it's lyrics poetic and sharp, and its music uniquely American. It's a promising evolution for this young Brooklyn band. 

//     //    // 

It's been a while I know. // I was stuck on the N train coming home & Sally with her cloud-head Sam got on & started taking pics of me alone. She said smile & I said I wake up at night hearing you scream about front men, the type who burn you up & how you wouldn't love anyone but them & I swore you tore me a new one over a Clover Son who wasn't the one you wanted so you run & gun & yes that's the patriot way...it's a common fact but not well understood nowadays that wars have only been fought for gold. Not for safety or liberty or god or any of those jokes the filter queen smokes on the sets or reads you on silver screens. One & two & asia &am & the gulf where we buried ourselves & ran to gulp the mud, prying open our throats to fill them up til they were blacker than the night sky or that man the police were killing in missoura & yes maybe that would be a lovely way to go on to whatever’s next. somewhere along the line living life was replaced by getting degrees & paying & paying & paying for them & you have the gall to ask if it's too late now to say sorry. I have worms in my ears & I'm picking them out of my coffee which was burnt by the new pill poet percolating behind the bar. He cut off his left ear, shelfed it onto his right, & balancing his head with all the others, guessed which way the Lazy Tastey was gonna blow his brains so they could jump in front & hope it made them Great. With glazed eyes he tries to cry but yeah...it's too late now to say sorry. // I've missed you so, munch...the UnTouchables are laughing at a joke but they don’t understand the punch line. Ah that’s okay, I rub my eyes awake, you're next to me & it’s late...I could swear your skin is glowing & the sky is still blue in this strange new state. 

Liner Notes by John Gardner

She Don't

Stream on Spotify: https://open.spotify.com/track/6bhDdyatRM706hphMZSiT6 

Written and produced by Daniel Sumstine
Additional production and mixing by Cole Andre
Mastered by Michael Walker
Artwork and guitar by Jordan Merrigan

Lyrics:
With the seasons winding down
We were going through the wreckage of our youth
There was a small and subtle sound
That I followed in hopes that I'd find truth

But home never really felt much like home
I want to feel it in my bones
I hope it's somewhere out there, somewhere out there
And God, does he ever reveal the plot?
Has he given this place much thought?
I hope he's somewhere out there, somewhere out there now

There were roses painted red 
So we pulled them down and used them for their thorns
Then placed a crown upon your head
And you felt it from the moment you were born

Somewhere Out There

Fletcher Bay - Released 3 March 2017
From The Wild Winds EP - Released 7 April 2017
Written by Harry Pane
Produced by Dani Castelar

FOLLOW and SAVE on Spotify 

The story behind Fletcher Bay - http://wilfulpublicity.co.uk/news/singer-songwriter-harry-pane-releases-video-for-fletcher-bay

Fletcher Bay

August

Oslo

Silhouettes

Gwythian

Screen Light

Bags At Your Feet describes the feeling of limbo. The want for a conversation, and the realisation that it's never going to come.

Lyrics:

If I don't start the conversation
we're never gonna talk
I'm running out of patience lately
are you ever gonna call?

you don't want to talk about it
so what am I to do?
you're taking your time but you don't seem to realise
that you're taking mine too
you're taking mine too

and now there's nothing left to say
I always thought we'd find a way
to hold on
to hold on

you've been on my mind
the whole night through
but something doesn't feel right
it's about time that I heard from you

you said you need while
to think it all through
you're holding your cards against your chest and you don't care
that you're holding mine too
you're holding mine too

and now there's nothing left to say
I always thought we'd find a way
to hold on
to hold on

bags at your feet
I can see them
there's no need to speak
if you're already leaving

bags at your feet
I can see them
no need to speak
if you're leaving

Bags At Your Feet

Will Killen

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