Stunning piece! Love your style so much! <3<3<3

Music is excellent and the art is wicked too

crazy, busy, weird, hectic - i think you did an (as always) extraordinary job in transporting feelings with your unique arts here

Colorful, warm, beautiful!!! Excellent  ❤️Love, 🕊️Peace, 🙏Respect

I like that jungle feeling in the beginning

Dance For Me Now

"You’ll own nothing And you’ll be happy EP" already available for preorder download on Bandcamp.
Although most of the tracks will be posted on Soundcloud, you have the option to support the artist with a cup of coffee or a lager. I assure you I'll drink it:

https://sugaarpan.bandcamp.com/

From July on, available on Spotify, Apple Music, Youtube, etc.

2nd Track from "You’ll own nothing And you’ll be happy EP"

You’ll own nothing and you’ll be happy.
You’ll sign over your right to possess.
You’ll live on universal basic income.
You’ll rent whatever you need and a drone will bring it to your door.
You’ll have a brand new social contract.
You’ll have minimal responsibility.
You'll be entertained.
You’ll be a child until the day you die.

You’ll own nothing And you’ll be happy EP

Madrugada

תפילה נגד האנושות

ＣULT ＢURY ＲIOT・太陽の王国　1st MV 『暁』
https://www.youtube.com/watch?v=lIJzPQFch9I&list=RDGMEMJQXQAmqrnmK1SEjY_rKBGAVMlIJzPQFch9I&start_radio=1

I would be grateful if you could support me!

暁【Dawn】MV YouTube

I'll let you all decide what this one is about.

Recorded in Reason 11 Suite using Reason synths
BBC Symphony Orchestra
Spitfire Abbey Road One & Fragile Strings
Orchestral Tools Baltic Voices

STREAMING LINKS

After the End

dinosaur love

Recorded last year my first notes on this track when mixed started with the word 'madness'.
Somewhat refined by editing the structure is ABCBDBEBB...
'B' could represent both bridge and breakdown...the heart of the piece and the initial musings on a alto sax/flute riff that sort of drifted off into improvised ramblings.
Other sections feature flute solo, melodica/synth, distorted clarinet and soprano sax in celtic mode and rumbling triple tongued bass-effect alto sax.
Behind it all (somewhere) is a chugging thai violin. 
Still somewhat crazy.

Thanks to Dianne C. Zweig for artwork.
https://www.pinterest.co.uk/pin/165859198762625196/

Stomp And Reel Breakdown

We did it again. I'm proud to introduce a brand new release, another collaboration with a timeless, spaceless Mistress of Vocal Time and Space. Nearly needless to add I'm talking about Myrh (@myrhyum). We started this collaboration more than one year ago, but I've been having tons of issues, so... Now it's out, and we hope you all will enjoy it.
Allow me to bore you with a few words about how we did it. Myrh originally sang along a looped section of another (still incomplete) song of mine, featuring the guitar part that eventually turned out to be the initial guitar solo in this final version. I had only Myrh's vocals, a tempo and a few bars of a guitar solo. I added a track of sampled tablas: at first I thought of it as a mere tempo reference, but it sounded good, so I kept it. At this point, I had a vision of how the piece had to sound. I pictured Myrh's vocals flowing inside a starship running through darkened depths, backed by an invisible ensemble of musicians playing some kind of an alien raga.
I found the starship on my internet browser. I downloaded an audio file called 495-AAB from archive.org (https://archive.org/details/Voyager1/495-AAB_8min10sec.wav). It was recorded on the spacecraft Voyager 1 ( launch date: 09/05/1977) and it's in the Public Domain. I did some sound design on it, and it became an awesome drone for the song, perfectly fitting Myrh's vibe. Then I recorded a few parts using my children's toy-instruments: vibraphone, oud and tambourine. A few months went by before I could start working on the organ, and a few others as well before I could record another couple of tracks with bağlama and lyra. I eventually completed the guitar solo, then added bass guitar and sampled drums. Once again I had to stop, for a considerable amount of time, before I could do some editing, the final mix and the mastering.
My humblest and heartfelt thanks to Myrh for allowing me once more to collaborate with her, for her limitless patience with my inconsistent workflow, for this gem of a song that I tried to decorate with (more or less) alien sounds and noise. One last word about this somehow arrogant use of the tag SpaceRaag: I'm absolutely aware of lacking of sufficient musical knowledge in order to compose or perform an actual raag; this is merely a spontaneous creation, I only tried to mess around with these harmonies springing from Myrh's sublime vocals and my own science fictional sonic vision.

Myrh (@myrhyum) : vocals & their premix
Teth Sin : electric guitar, sampled percussions & drums, toy-oud, vibraphone, tambourine, organ, bağlama, lyra, bass guitar, sound design

Lyrics by Myrh (@myrhyum)
Original composition, arrangement, mix, mastering & cover artwork design by Teth Sin
Cover artwork is a rework of the following picture, in the Public Domain: https://upload.wikimedia.org/wikipedia/commons/d/d9/Krishna_and_Radha_dancing_the_Rasalila%2C_Jaipur%2C_19th_century.jpg

Dance For Me Now | Feat. Myrh

It's with great pleasure that Uwe @wust and I release the first track from our new EP project together. Three years ago we collaborated on a track entitled '777', however we both wanted to work on a collection of songs offering a more comprehensive artistic statement. We're working toward completing the EP by early this Summer.

Painting by Edvard Munch

Omenknow Aut-Archistral Motions [WÜST & Belial Pelegrim]

2022 Nebula

Found A Place

JE N’AI PAS DE MESSAGE
JE N’AI RIEN À VOUS DIRE
PAS DE MAUVAIS PRÉSAGE
NI DE RÊVE D’EMPIRE

MOI J’ÉCOUTE LE COUCOU
LE SOIR AU FOND DES BOIS
JE DANSE AVEC LES FOUS 
ET LES SINGES AUX ABOIS

ET JE FAIS LE MÉNAGE 
JE PLACE EN L’AVENIR
DES ESPOIRS PLUS SAGES
ET DES CRÉTINS MOINS PIRE

ET J’ÉCOUTE LE COUCOU
L’ALOUETTE PARFOIS
BREF CE QUI VAUT LE COUP
QUI ÉTAIT UNE FOIS

DANS CE MONDE  DE SAUVAGES
DE SUCEURS DE VAMPIRES
OUI SOUVENT J’AI LA RAGE
LES TRIPES QUI CHAVIRENT

ET J’ÉCOUTE LE COUCOU 
LE SOIR AU FOND DES BOIS
JE GRONDE AVEC LES LOUPS
ET LES TIGRES AUX ABOIS

JE N’AI PAS DE MESSAGE 
PAS GRAND-CHOSE À VOUS DIRE
ALORS JE PLIE BAGAGE
ET TEL UN VIEUX SATYRE 

MOI J’ÉCOUTE LE COUCOU
ET LA QUEUE AUX ABOIS
MOI JE TIRE MON COUP
AVEC LA FÉE DES BOIS

LE COUCOU  (Lyrics)

FindingZHighWayHomeAlone

Get Ready 4 Big Bubble

Vintage Jazz inspired 1940s. Mainly Saxophone & Piano.

new day

Walking Up The Hill.WAV

Woodwind-powered experimental music (jazz/blues/ambient/funk/fusion/free improv....)[MOST TRACKS ARE DOWNLOADABLE] Wind instruments: tenor/alto/soprano saxes; Eb/Bb clarinets; flute/bamboo flutes; recorders; oboe; melodica (+ guitar+other various noisemakers) recorded on a Zoom MRS 1266 / R24.
Beats and other sounds: GarageBand.

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

Stomp And Reel Breakdown

The Windscale Blues Experiment

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Georges Perché - les Démouleurs

Fullyard

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