Many thanks to Ingvar Tautra for the evocative oceanic original.
https://soundcloud.com/agnosturaelwar/the-ocean-remembers-my-name?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
The additional flute tracks hopefully take us to the beautiful Bass Rock in The Firth of Forth, Scotland (pictured)where the colony of Northern Gannets are battling against the ravages of avian influenza. We can but pray for their survival.

Photo c/o Pinterest.

The Ocean Remembers My Name [Auk mix] - Ingvar Tautra | WBE

Soundcloud is mining your tracks for AI-gen music. Fuck AI. Listen to my stuff here: https://www.youtube.com/@lydiaelsewhere1504

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

NG-Xp is experimental music created by naldo & guillaume
https://soundcloud.com/naldeau/tracks
https://soundcloud.com/guillaumelecompositeur/tracks

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

CHRIS GATE is a German Composer & Producer and works since 1996 with focus on Electronic Music. He is also part of the VORTEX ELEMENTS Project.

HISTORY: First he started with the Collaboration-Project NOISE CONSTRUCTION in 1996 and got the chance to release two tracks in 1998 on Millennium-Storm Records (Hannover/Germany) and its first Techno-Trance Sampler. But unfortunately the distribution of the disc failed and the label decided to discontinue its work. 
To get some new experience, a partnership of NOISE CONSTRUCTION with CJ MILLER as an upcoming DJ was a nice chance to get a new focus on straight Club sounds. 
The work of Noise Construction was discontinued at the beginning of 1999 and CHRIS GATE began to focus on his Solo-Project.
In 2003 he founded the collaboration project VORTEX ELEMENTS together with Sonic Chain, which can be discovered on Soundcloud. After some years his musical view changed from Club & Trance-Style to more classical Electronic Music Style.
During the time, he did some REMIXES for SNAP & BLANK & JONES (Remix-contests) and some of his own tracks as well.
Actually it´s the intention of CHRIS GATE to get some new Contacts , to improve the musical artwork and getting in contact with people who like his tracks.

Woodwind-powered experimental music (jazz/blues/ambient/funk/fusion/free improv....)[MOST TRACKS ARE DOWNLOADABLE] Wind instruments: tenor/alto/soprano saxes; Eb/Bb clarinets; flute/bamboo flutes; recorders; oboe; melodica (+ guitar+other various noisemakers) recorded on a Zoom MRS 1266 / R24.
Beats and other sounds: GarageBand.


Keep creating, this world needs music! 

infos:
grooger.yan@gmail.com

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

The Ocean Remembers My Name [Auk mix] - Ingvar Tautra | WBE

The Windscale Blues Experiment