Disquiet Junto Project 0609: Speed Limit Pt 1
The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it.

I'm traveling right now so all I had was my iPad. It's 60bpm, Cminor and 4/4. I sequenced something with MiRack Modular in 60bpm but I found it too boring. I put it into my favourite granular Samplr and resequenced it with 60bpm and some odd delay. I added some of my own voice to get us into the pop charts. There is even some live pool water noise field recording, but maybe to silent. 

The cover cat is owned by the owners of the house I live at the moment, and it's sleeping the whole day. Have fun, whoever adds to this track.

Mini-Videoclip: https://www.instagram.com/p/Cw72I24Ls-7/

And yes, it was originally meant to be named "catnAp" …

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More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: https://disquiet.com/0609/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

BandCamp

Catnip in 60bpm [disquiet0609]

digital nomad.

Inquiries: pentachrist@outlook.com

as much as I hate doing this, some don'ts:

don't private message me to listen to your tracks. don't hit me up for promotion, tit for tat listens, likes, or reposts. i don't follow, out of principle, people with disproportionately large followers to follow ratios. these accounts always harvest followers and will unfollow. i do my best to listen to followers' tracks. if I like what I hear, I follow back. I am active on SoundCloud, and do my best to be a good citizen, which includes a lot of time dedicated to listening. 

BONJOUR
Merci de votre écoute.
Merci à nos fidèles abonnés.
J'aimerais travailler avec vous pour essayer de créer autrement. Si, comme moi, cette aventure vous inspire, je suis partant.

My music asks listeners to be like dreamers uncovering hidden patterns in passing clouds. Support me @ patreon.com/blisterpop

Musique faite à la main (à 97 %). Mon répertoire ici comprend des pièces et des chansons des groupes Le Feu d’en face ou L Jazz ainsi que des pièces enregistrées seul ou avec Francis Lahaie, Philippe LeBel, Normand Bouchard, Michel Martineau ou Doddy Dorlette.
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Mes premières expériences de la scène remontent au début des années 1970 à Sherbrooke, puis en Abitibi-Témiscamingue. Voici quelques artistes avec qui j'ai enregistré de la musique ou joué en public ou dont j'ai fait la première partie, ce qui comprend des soirées-bénéfices et la première Fête nationale à Amos en 1977 : Jim Corcoran, Jim et Bertrand, Raôul Duguay, Francis Lahaie, Philippe LeBel, Mary-Eve Martel, Yves Martel, Justin St-Pierre, Michel Martineau, Normand Bouchard, Robert Leblond, Charlie Cover, Doddy Dorlette, Soir de Semaine, François Brazeau, Benoît Auclair, Réjean Daoust, Jasmin Martel, Jeff Kavanda, Samuelle Desjardins, Michel Lavallée et Massimo Cisca.

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow
Twisted Electrons MEGAfm

My bio does not matter at all.
Just listen. 
Be the sound. Be music.
Just be.

Ambient electronica, Berlin School, Chillout & Kosmische Space Musik from Munich, Germany. ► Soundcloud is my musical diary - expect lightfooted drafts, soundchecks, playthings & misfits here. ► Go Bandcamp for finished pieces & more serious musical works.

1/3 of Hell Feeder  https://soundcloud.com/hell-feeder
AKA Babalon Anon https://soundcloud.com/babalon-anon
https://soundcloud.com/babalon-anon-spoken-word
Additional Audio Tweaking https://soundcloud.com/rexoid-1

Experimenting with rhythm and sampled sounds. 
Moody Industrial grooves and dark soundscapes.
Direct message regarding remixes. 

Reposting:
Dark Ambient, Industrial, Hip Hop, Spoken Word, Trap, Dubstep, Classical, Soundtracks, Ambient, Dark Folk, Future Garage, Hardcore Techno, Drum & Bass, Breakcore, Drumstep, Speedcore, World, Contemporary Classical, Miniatory, Martial, Electro, Electronic, Ska, Dancehall, Electro-Swing, Experimental, Lo-Fi, Soundscapes, Old School Jazz & Blues, Noise, Trip Hop, Rap, Alt Rock, Baroque, Bassweight, Drone, Downtempo, Gypsy Swing, Ritual, Orchestral, Choral, EDM, Dub, 8-Bit, Operatic, Doom Metal, Grime, Afro-House, Chamber, Filth, Krump, Duduk, Bhangra, Breakbeat, Tribal, Mixes, Turntablism, Found Sound, Field Recordings, Post-Rock, Cloud Rap, Gabba, Schranz, Musique Concrète, Hauntology, Mash-Ups, Screwed N' Chopped, Bro-Step, Witch House, Glitch, Ragga, Atmospheric, Cinematic, Chip-Tune, EVP (Electronic Voice Phenomena), Piano, Prepared Piano, Lindy Hop, Latin, Plague Wave, Jungle, P-Funk, G-Funk, Jeep Beat, Performance Poetry, Slam Poetry, Storytelling, Podcasts, Moombahton, Reggaeton, Rare Groove, Dungeon, Drill, Big Beat, Modulation, Dream Pop, Drift Phonk, Neo-Classical, Halftime.

"The spectator views that which you have created.
The artist perceives that which you sought to achieve."
Babalon Anon

Musicien depuis l’âge de 13 ans, je n’ai jamais cessé d’être amoureux de la musique.
J’ai participé à un concours international francophone dans les années 80.
Par la suite, j’ai créé le groupe Top-Sonart qui a été en nomination deux fois à l’Adisq,et qui a pris fin en 1987.
J’ai ensuite écrit plusieurs chansons et musiques qui n’ont jamais joué nulle part. C’est pourquoi je les partage maintenant avec la planète par Soundcloud.
Bonne écoute!

Musician since the age of 13, I have never stopped being passionate about music.
I participated in an international Francophone competition in the 80s.
Subsequently, I created the band Top-Sonart who was nominated two times at l’Adisq and which ended in 1987.
I then wrote several songs and music pieces that never played anywhere. That's why I now share them with the planet through Soundcloud.
Enjoy.

Catnip in 60bpm [disquiet0609]

Krakenkraft & Etherkraken