Disquiet Junto Project 0485: Strange Weather

The Assignment: Remix the pure sounds of Chris Kallmyer’s traveling wind chimes to your own musical purposes.

Thanks to Chris Kallmyer for the chimes track and Marc Weidenbaum for the inspiration.

More on this 485th weekly Disquiet Junto project – Strange Weather (The Assignment: Remix the pure sounds of Chris Kallmyer’s traveling wind chimes to your own musical purposes) – at:
https://disquiet.com/0485/

More on Chris Kallmyer at:
chriskallmyer.com.

Major thanks to Alex Hawthorn for support:
alexhawthorn.com 1

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0485-strange-weather/

Two Hearts (disquiet0485)

Using sounds from the surface of Mars: https://mars.nasa.gov/mars2020/participate/sounds/?playlist=mars&item=rover-driving-filtered&type=mars 

More on this 486th weekly Disquiet Junto project — Earths Days (The Assignment: Celebrate Earth Day on or for another planet) — at: https://disquiet.com/0486/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0486-earths-days/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is in the public domain courtesy of NASA. Image credit: Zolt Levay Photography: http://hubblesite.org/contents/media/images/2021/001/01EWXK6QFEF57A7W1RV6TC6ZZB

flash ram

halF marS [disquiet0486]

All Tracks are generative and recorded in a live Session with Zoom H1 . Post mastered in Ableton 12

Decision

RN. From the album Flight of the Airborne Phantom.

Bandcamp: https://linakamura.bandcamp.com
Spotify: https://open.spotify.com/artist/5JJaCP2DNoIXagSqLAWfhF
YouTube: https://www.youtube.com/watch?v=MRwtEnI7bNM
Find More Here: linktr.ee/linakamura

Composed and Produced by linakamura
Artwork/photography by linakamura
Released August 17th, 2025

Flight of the Airborne Phantom

A collection of ambient soundtracks that set the perfect atmosphere for a tropical thunderstorm with heavy rain and winds


5 - Phat Phrog Studios - Thunderstorms Ambience

track made on ipad
list of apps: Aum, poly2, eventide blackhole reverb, klevgrand luxe and TB ReelBus.

Mystery

Inspired by the band, weather report.
Been in a key phase learning my instrument keepin it nice and simple wish i had a sax
Gm11/F
F#m11/E
D#sus2
D6
G#6/C
G#m11/F#
D6
D#sus2
 
then i just mixed around the progression whatever feels right for you

12th Fairway

Poetry and words: Scott Alan Simpson:
https://scottalansimpson.com  He's also an actor from Atlanta, US.

Trackpicture: Arlene Adler.
Music: flowermouth.

Sarah

Sarah (feat. Scott Alan Simpson)

Disquiet Junto Project 0467: Toolbox Show & Tell. The Assignment: Share a tip for making music that you learned during the pandemic.

80% of my music started on a cheap android DAW app called "Caustic". The sound is not perfect, but I like the workflow. Anyway, since 1 year or so I try to switch to Ableton Live. Because of the lockdown I had a lot of time to flatten the learning curve with this DAW.

My tip is about "Follow Action", to bee seen in the Clip Editor. Follow Action allows a clip to trigger other clips by probability, in the screen example of the track cover there is "play again" with prob 1, "play any other" with prob 2. The clip is one of of many clips which only contains some note on a scale or a chord.

Normally I somehow reject pure generative music, although I place a lot of value on chance in my own. It always seemed dishonorable to me to let a software (that I didn't write myself) generate music and claim this music to be "mine".

However, with "Follow Action" I have the possibility to achieve an (in my opinion) honorable mix of probabilities and composition.

In this case, there are different tracks with different signatures and different Gongs in A minor. I even added "empty" clips to get some "silence" into it. The probabilty for the different tracks differs, one could for example use one track to establish sequencial clip triggers, to include motives that are bigger than inside a bar.

(And please consider "honorable" a way to big word here…)

More on this 467th weekly Disquiet Junto project, Toolbox Show & Tell (The Assignment: Share a tip for making music that you learned during the pandemic), at:

https://disquiet.com/0467/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0467-toolbox-show-tell/

Generative Gongs [disquiet0467]

Dialogues

Absolute

Ambient electronica, Berlin School, Chillout & Kosmische Space Musik from Munich, Germany. ► Soundcloud is my musical diary - expect lightfooted drafts, soundchecks, playthings & misfits here. ► Go Bandcamp for finished pieces & more serious musical works.

Generative Gongs [disquiet0467]

Krakenkraft & Etherkraken