Speechless

No response

unlike the first version (recorded in 2020) the introduction is missing with that fantastic Pad-style sound which was actually a sample I recorded of a jute piece of furniture, the same sample used for the song precisely called: Juta.
here the piano part, unlike the first version which was more focused on the search for harmonic contrasts, is actually performed and I had to give up many notes (which for technical reasons I am not able to perform) and I don't even know if it is really possible for someone... I have been practicing it for some time and I still do it almost every day in performance and for some time I have wanted a new recording made properly with my hands on the keyboard.
You can find the first version here, in case you want to compare the two versions:

https://soundcloud.com/alias_nadir/dont-forget-to-breathe-whatever-happens?si=c6357eb0ab834e21ba0debb36a9f692c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

still in progress

Don't Forget To Breathe (whatever Happens) _*Solo Piano

For those that like to learn about the story behind a music track they may find enjoyable, I would love to share my story!

So… a most extraordinary experience happened to me sometime during the summer of 1980, in which I woke up out of a VIVID DREAM. Unlike most vivid dreams, which are rare by any measure, this particular dream literally had no visuals to speak of. Instead, I found myself enveloped in what I can only describe as an immense surround sound like experience, listening to, and 100% engaged in an amazing musical soundscape that lasted for several minutes.  The music went through several stages and was incredibly detailed, even regarding the sonic characteristics.  

Like all dreams, this experience could only be remembered upon waking up immediately afterwards.  Vivid dreams, tend to be even more impactful to our conscience memory. 

So upon wakening from this vivid dream musical, I was truly stunned. Somehow my subconscious, in a dream, literally created and arranged an entire piece of music in my sleep!  Knowing how something like this was indeed a very special and rare event, I was determined not to lose or forget any of it.  I immediately hopped out of bed, totally disregarding my usual coffee and breakfast, and headed directly to my simple equipment on hand to play and record everything that I had just heard in my dream. At the time, I used an Oberheim DX drum machine, and a Sequential Prophet 5 keyboard synth, to duplicate as best as I could the music and sounds of what I had just heard 10 minutes earlier in my sleep. I recorded it all within a couple hours onto a Teac 144 Cassette 4-track machine, in which I eventually mixed down onto another standard stereo cassette tape.  
I did not share that piece of music with too many people, because it was indeed conceived in such a remarkable way, and I felt it was oddly out of character with the type of music I was into at the time.

A couple decades later, for the purpose of preserving these old works, I transferred much of my older music from tape to digital, including this vivid dream creation, which for the lack of a better title I simply called “Dream Tune”.

Well, as many of you know, I’ve been pretty busy over the past couple decades creating and producing all sorts of original music.  But every once in a while I would come across and visit that old recording of “Dream Tune”, naturally recollecting the extraordinary birth of that piece.  In a way it haunted me… almost requesting me to resurrect it from the inherent poor sound quality it always possessed from recording originally on cassette tape.

I know this is a long read for many, so thank you for reading my story up to this point.
SO NOW… I’m happy to say I finally got around to redoing this piece of music in its entirety, but using today’s technology to produce a high quality sound. Also, my goal was to retain the original music, arrangement, and sonic details, just as I heard them in my vivid dream 43 years ago!
In full disclosure, regarding this updated version, I did a lot of extra detailed embellishments throughout to enhance the overall track. But, literally 95% of it is just like the original. 
The final adjustment made was to title it “Cloud Dreamer”,  reflecting on my interests in the skies and weather.

Thanks for listening and reading this! 
Audric

CLOUD DREAMER (Audric Jankauskas-2023)

This track was composed in AUM using apps such as Hida (going through a Rymdigae effect) and Hillman (going through a Nembrini Delay effect). Notes/MIDI came from Chordjam with additional sounds coming from Fluss Recorder (going via a Speaker effect), All mastered in Grand Finale.

Sonic Installations VI-The Cove

Disquiet Junto Project 0637: Right (2 of 3)
The Assignment: Record the second third of an eventual trio.

This years beginning was full of work and I missed 1/3. This time I did not want to miss the collaboration. I went with Daniels piece https://soundcloud.com/daniel-diaz/live-bass-soundscape-disquiet0636 simply because I liked it and I wanted to know what would come out if I tried it - if I would not like the outcome I would go on to another piece. I improvised a first track with a Hydrasynth Explorer. A second track is the rattling of a napkin ring with rattling shells on it, which I had bought in France just for this purpose. I went with my gut feeling until I had the feeling that I couldn't contribute any more. I always liked it in every step, probably because it's DDs. I think there is still room for a third person with something unusual.

If you need a left-right-version, just ask.

Track image based on a photo by Kelly Sikkema
https://unsplash.com/de/fotos/person-die-seifenblasen-im-freien-halt-hUuGUG9gdRg

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Reflecting Fragility [disquiet0637] 2/3 (first)

Lots of great duos to choose from -- so went for adding ingredients to https://on.soundcloud.com/yEVsaczJg9y3fz1R8 by @blaaroed and @he_nu_ri. Strictly improvisatory approach, first take of what came to my mind off the top of my head. Panned dead centre as per the instructions, hence the song title (the post code for London's Centre Point building).

Enjoy!


More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/


Centre Point innit.....

WC2H 8LH_disquiet0638

for mp3 Ver.
BPM 150->165
Made with Acid Pro

Dub and Beats

The icy stare of the winter pond.(NaviarHaiku 540)

This Void piece has lots of delays and ambient shades. Letting the overtones in the piano out in the Void ... As of 4th July also on Spotify and all other platforms. Hope you enjoy...

Void

Vaknaðr

Ambient electronica, Berlin School, Chillout & Kosmische Space Musik from Munich, Germany. ► Soundcloud is my musical diary - expect lightfooted drafts, soundchecks, playthings & misfits here. ► Go Bandcamp for finished pieces & more serious musical works.

Reflecting Fragility [disquiet0637] 2/3 (first)

Krakenkraft & Etherkraken