Frisson: songs to give you chills

Yes – Tales From Topographic Oceans

Prog Sommelier's Choice

この世で最もいい曲100選（究極版） - 4

april is a cruel time

they're okay, the last days of may

camel yellow

NFR: Progressive Rock that made me what I am...

BUY THE ALBUM
Download: <a href="https://itunes.apple.com/us/album/house-yes-live-from-house/id344461979"_blank">iTunes</a> Amazon <a href="http://amzn.to/15K7evg"_blank">USA</a>, <a href="http://amzn.to/12GEVIR"_blank">UK</a>, <a href="http://amzn.to/12SKKnq"_blank">Germany</a>
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JAMMIT Multitracks & Transcriptions: <a title="YES Jammit Store" href="http://jammit.com/store/all?artist=yes">Vocals</a>, <a title="YES Jammit Store" href="http://jammit.com/store/all?artist=yes">Guitar</a>, <a title="YES Jammit Store" href="http://jammit.com/store/all?artist=yes">Keyboards</a>, <a title="YES Jammit Store" href="http://jammit.com/store/all?artist=yes">Bass</a>, <a title="YES Jammit Store" href="http://jammit.com/store/all?artist=yes">Drums</a>

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RITUAL (NOUS SOMMES DU SOLEIL) 

Nous sommes du soleil we love when we play
Nous sommes du soleil we love when we play

Open doors we find our way
We look we see we smile
Surely daybreaks cross our path
And stay maybe a while

Let them run, let them chase
Let them hide between
Constant doors will open eyes
As life seems like
Life seems like a
Fight, fight, fight

Maybe I'll just sing awhile
And then give you a call
Maybe I'll just say hello
And say maybe that's all

Hurry home as love is true
Will help us through the night
Till we're coming home again
Our life seems like
Life seems like a
Fight, fight, fight

Catch as we look and use the passions that flow
As we try to continue
We receive all we venture to give

Maybe we'll just stand awhile
And surely we can call
Dreams are said to blossom courage
Constant to the soul

Change we must as surely time does
Changes call the course
Held inside we enter daybreaks
Asking for asking four
The source
The source
The source
Sent as we sing our music's total retain

As we try and consider
We receive all we venture to give
All we sai is our
Soul constant sight listener
We won't tender our song clearer
Till we sail
Then I will be there
And I will be there
As clearer companions
Shall call to be near you
They move around tell me that
Move around surely sing
As they don't seem to matter at all
At all at all

Hold me my love, hold me today call me round
Travel we say, wander we chchoose love tune
Lay upon me, hold me around lasting hours
We love when we play

We hear a sound and alter our returning
We drift the shadows and course our way back home
Flying home
Going home

Look me my love sentences move dancing away
We join we receive
As our song memories long hope in a way
Nous sommes do soleil
Hold, me around, lasting ours
We love when we play
Nous sommes do soleil
Nous sommes du soleil
Nous sommes du soleil

----------------------------

In the Present – Live from Lyon

DVD/CD DISC ONE
1.	"Siberian Khatru"
2.	"I've Seen All Good People"
3.	"Tempus Fugit"
4.	"Onward"
5.	"Astral Traveller"
6.	"Yours Is No Disgrace"
7.	"And You And I"
8.	"Corkscrew" (Steve Howe solo)

DISC TWO
1.	"Owner of a Lonely Heart"
2.	"South Side of the Sky"
3.	"Machine Messiah"
4.	"Heart of the Sunrise"
5.	"Roundabout"
6.	"Starship Trooper"

DVD
-Interviews
-Excerpts from the live show

----------------------------

Benoît David - lead vocals
Steve Howe - guitar / vocals
Chris Squire - bass / vocals
Alan White - drums / percussion
Oliver Wakeman - keyboards

PRODUCED BY
Yes

----------------------------

Released	29 November, 2011
Recorded	1 December 2009
Genre	Progressive rock
Label	Frontiers Records

----------------------------

In the Present - Live from Lyon is a 2 CD & 1 DVD album by Yes, released on 29 November 2011 in North America and 2 December 2011 in Europe. It is the first live album not to feature ex-member Jon Anderson, featuring Benoît David as his replacement. The album was recorded during Yes' "In the Present" tour, which they undertook before the release of their latest studio album, Fly from Here (2011), which also features Benoît David on vocals. The tour and album also feature keyboard player Oliver Wakeman, son of ex-Yes member, Rick Wakeman.

----------------------------

See YES on Tour in 2013/14 performing 3 full-length albums: 
The Yes Album, Close To The Edge & Going For The One.
More info at:

<a href="http://www.yesworld.com"_blank">Yesworld.com</a>

----------------------------

Yes - Ritual - Nous Sommes Du Soleil (live) (excerpt)

The Yes Album

I've Seen All Good People

Tool - Lateralus Descending

Cover of I Love the Night by Blue Oyster Cult, from Spectres, released in 1977. Composer Donald Roeser.

Kelley Plays Other People's Stuff

I Love The Night (Blue Oyster Cult)

Greatest Hits: Carpenters

I Won't Last a Day Without You

Live

The Raven

ALISON - SLOWDIVE (slowed)

Pigs Three Different Ones (Live At Facisa)

Camel - The Snow Goose

Carole King And Sara Bareilles - Beautiful - On The Grammy Awards

*** FREE DL *** Carole King - I Feel The Earth Move Under My Feet (Andy Buchan Edit)

The first release of Pink Floyd Digital Remasters, taken from the original analogue tapes of this bootleg ''Nothing is Changed'' released in 1991.

Venue: Stadio Braglia, Módena, Italy
Date: 8 July 1988
# Catalogue: PFDR-CDR/001

Released in 2021. Keep the spirit of trading alive

The Dogs Of War(Live in Módena 8 July 1988) [2021 Remaster]

Sometime i just can't help it.
With big love to Alan Parsons.

Watch the video clip:
https://www.youtube.com/watch?v=_F9cakLivg4

HIT ME :
www.facebook.com/ok.aleklee
www.mixcloud.com/aleklee

DOWNLOAD

The Alan Parsons Project - Voyager (Alek Lee Super Edit) // FREE DOWNLOAD

Gravação de uma grande canção de Jethro Tull
Samuel Authoguia-Violão e Voz
Matheus Campista-Bandolim

Mother Goose-Jethro Tull cover

Dogs - Pink Floyd

Tribute to Renaissance's "Opening Out". The original song's from the album "A Song For All Seasons", released in 1978 by "Sire Records (US)" and "Warner Bros Records".

Production and arrangements by Celo Oliveira at Kolera Home Studio
Performed by Fleesh

Check out our video here: https://youtu.be/pH8PyeimLa4

Renaissance  - Opening Out (Fleesh Version)

7 Years by Lukas Graham from the self titled album available now! 


Lukas Graham

7 Years

PINK FLOYD - COMFORTABLY NUMB (piano instrumental cover)

Then Came The Last Days Of May, Westbury, Long Island, NY. 2-6-16

Then Came The Last Days Of May, Blue Oyster Cult, NYCB Theater at Westbury, 2-6-16

I made this few years back as a kind of exercise and as I worked the song versus the production Genesis did, I realized this song has amazing basslines that are never really appreciated... so I reworked the instrumentation and mix to allow the bass-line to be a feature.
 
This is a tribute not an attempt to rip them off and maybe to expose a newer generation to an amazing sometimes forgotten earlier version before Peter Gabriel left and Phil Collin's became an unlikely God... I present one of the higher points of the progressive rock movement...

Not to be released

Firth of Fifth (WM vs Genesis - "Xposed Bass Mix")

Live At Pompeii

PINK FLOYD - Echoes, Part I, Live at Pompeii

Petit jam à la maison pour la première fois avec le drums Roland TD-20KXS. Captation dans la console Allen-Heath MixWizzard16 sur un enregistreur Yamaha W24

Rush - La Villa Strangiato  (cover - Jam 2011-12-08)

Pink Floyd has always been my favorite band overall, and 'Animals' was one of the albums that helped 'shape' Wintermut3 as a whole, and my favorite song has always been 'Sheep',

This version is 'extended', meaning that there are new lines in the keyboards that are not in the original song, these are things I can hear when I listen to the original that are 'missing.'

*Note* This is not a remix,and zero samples were used--absolutely none from the original​ on "Animals", or any live recording. This work was lovingly built from the ground up using virtual instruments, amp simulation, and hand laying each note by working from a base "score"

*Update* Version 2 fixed fixed the "sheep" FX, fixed fade out problem where slight re-entrance  of sounds at end after full fade...  Cover design updated and possibly  final

Sheep (Pink Floyd vs Wintermut3 extended mix v-2 )

Audition Songs - Female, Vol. 1

Goodbye to Love (Originally Performed By Carpenters) [Full Vocal Version]

Update: This track is doing better than expected for a first pass--Hopefully I am turning some people onto Yes's amazing original. I still have plans of expanding this out as I did for "Sheep" but I have been on a bit of break... 

WM

mix "Levels:"  [SouthSideOfTheSky_12_5.flp]: 2nd pass, spent a lot of time working with amplitudes guitar tone and the dynamic "shaping" of Slayer 2 as it works through Howe's very complex and amazing guitar work.  I went with a rougher tone than the cleaner original as I feel that tone will eventually be what I want for the new Wintermut3 parts that will be added later.  And I feel a stronger tone fits the syncopation and aggression of the song better. I tamed back the Organ and spaces elements better across the stereo spectrum overall to clean the mix a lot, now the drums are more present, but  I also know the current line does not reflect Bruford's Jazz style and will using Quantification and varied midi velocity to make the drums more interesting. The main guitar still needs tweaking at 3 to 4 spot in the Dampening and "slap" controls on Slayer to make it closer to what Steve did, but 3 to 4 is way better than the complete train wreck at points in the first mix where entire stanzas were off ... a lot... :) Hopefully next version will feature new score elements  (via Wintermut3) 

mix "vanilla" [SouthSideOfTheSky_12_1.flp]: very early first pass, i know mix is a bit off--especially in drums...
By far one of my favorite Yes tracks from the amazing/breakout Yes album: "Fragile"


Next steps--after fixing drums of course--will be creating new "lines" score elements via Wintermut3 (aka me)  (think of the 20%-30% new additions I did in my "Sheep") more piano lines against Wakeman's amazing Brahms inspired Piano work--one of the reasons I grew to love the sound of Piano so much, was Wakeman's masterful playing

South Side Of The Sky (Yes Vs Wintermut3 Levels mix)

Infantile

Fingertips - Yung & $uckme

We Got By

Rainbow in Your Eyes

My spin on one of my favorite bands of all time's most quintessential and epic songs.... very a work in progress... forgive the few sections that still need shaping. As big as a Yes fan as I think I am, I am near embarrassment in not learning of Chris Squire's passing... by far one of the true cornerstones (if not the cornerstone) of both Yes and it's unique sound... he is very much missed  I have brought his amazing bass work to bear a bit more in this mix and I think Modo Bass does about what can be expected from a "not a real bass" bass... I only mean to pay respects to Mr Squires amazing gift for create bass that was organic and rhythmic all at the same time....

Close to the Edge (Wintermut3 vs Yes RIP Chris Squire mix)

King Crimson-One More Red Nightmare

Homage to one of  favorite songs of my longest running inspirations and as a tribute to Chris Squire (their amazing Bassist, who passed due to  Leukemia in 2015) This is all ampsim, no samples used... 

RIP Chris, you gave me love of Bass...

*Update 2** sadly the entire mix in the first version was badly skewed due to some bad mapping in the FPC (all beats are through this for me) which caused a lot of the compressors to misfire.   Plus the newer drumlines were a zoo of beats, sooooo reworked those heavily --there are still a few unruly ones, but they will be dealt with shortly ;)--There are only a couple fixes in this version and is very much what I initially envisioned when I decided to due this homage to Chris Squire. So a couple of automation fixes in the string tension of Slayer 2 should be able to fix the only two places I hear the Slayer2 VSTs not doing what I want. I brought the speed from 120bpm to 115bpm but the final may end up somewhere around 117/118ish.

*Update 3**, hopefully the last:  cleaned up the drums  and the majority of the slayer2 automations....



My "Rigs" for this project:

Guitars: 3x Slayer 2 vst
Bass: Modo Bass by IKMultimedia 
Amps: Amplitude 3
Drums: FPC with HD Funk and HD Rock kits
Score: MIDI
DAW and Mixdown/Master: FLStudio 20.x

Heart of the Sunrise  (WMS vs Yes Black Sun Mix)

The Best of Classical Piano  Vol. 1

Gymnopédies No.1

Gymnopédies, No.1 in D Major, Lent et douloureux

A DJ friendly edit of Can's fantastic song Vitamin C, with a little added punch, and locked to a 120 bpm, but still with the original groove. One of my favorite songs, now ready to rock the dancefloor!

Hope you like it. - Drix

FLAC & MP3 : https://mega.nz/#F!IsswHAJY!Bmvepetcq0PXLrJQEuVUvg

Free Download

Can - Vitamin C (Vitamin Injection by Drix)

Holocaust Hymns

Afraid

Hallelujah-Rufus Wainwright

An interpretation of this class Yes track that features Rick Wakemans amazing keyboards

rigs: 

IKMM syntronik: V80
IKMM syntronik: Pro-V (prophet 5)
IKMM syntronik: Drawbar Organ
IKMM SampleTank 4 (pianos) 
IKMM Modo Bass (Chris Squire's amazing Rickenbacker Bass)

**Note at around 10:20 you can hear as the prophet decays into detuned bliss.. .how accurate IKMM has modeled a true analog synth but rendered it digitally :)

Awaken (WM vs Yes Rick Wakeman Tribute)

As I was growing up, I had a love and fascination of all the great prog rock coming out of the UK. Gentle Giant was like no other group at the time, and I spent hours listening to their music, constantly amazed at the songwriting and musicianship, as well as their totally unique approach. I did my best to cover one of their tracks from the very first album I heard from their output, “The Power and the Glory”. I worked my way backwards through their catalog and to this day, consider this group as one of my true inspirations to try to do something a little different.

By Kerry Minnear & Derek Victor Shulman

Even though this is an instrumental version of the song, I've included the lyrics here as I still think they resonate today.

As the dust settles, see our dreams,
All coming true
It depends on you,
If our times, they are troubled times,
Show us the way,
Tell us what to do.

As our faith, maybe aimless blind,
Hope our ideals and
Our thoughts are yours
And believing the promises,
Please make your claims
Really so sincere.

Be our guide, our light and our way of life
And let the world see the way we lead our way.
Hopes, dreams, hopes dreaming that all our
Sorrows gone.

In your hands, holding everyone's
Future and fate
It is all in you,
Make us strong build our unity,
All men as one
It is all in you.

Be our guide, our light and our way of life
And let the world see the way we lead our way.
Hopes, dreams, dreaming that all our sorrows
Gone forever.

Aspirations | Gentle Giant Cover

I have always had a general rule about Wintermut3, "I make music I want to hear" A Part of that has been to overcome barriers and "traditions"  of what Electronic music has been and continues to be--the upshot being, Wintermut3 will move in directions (Funk, Metal, Rock, etc ) that are of interest, despite being a pure electronic artist. Note this does not exclude me from making more "common" types of Electronic music. I will never stop making--as long as I breathe--Trance, Jungle, Breakbeat, Techno, etc. In Fact for about 15 years I have been exploring the idea that we may be not just at an Post Electronica but may in fact be nearing a musical Epoch (for lack of a better word) what I am saying is we might be heading for a music metamorphis on the order of when Baroque became Classical Bach, Handel, Vivaldi, Telemann (most prolific composer in history, over 3000 compositions (Late Baroque-->Early Classical)  Mozart,  Haydn, Beethoven, Schubert. These types of musical epochs are a hundred to over two hundred years in length. The period that is being bridged for us is the hundred or even nearly two hundred period in which Blues and Jazz was born and then over a hundred years influenced nearly all forms of music that we know which all music was. Electronica was born around the mid to late 1920s as that was the time several electronic instruments (Theremin ). For the most part Electronic music has been amazingly resistent to Blues and Jazz, but there are definately times that resistence has lessened. I feel all the various forms of music that where born out of Blues and Jazz or heavily influenced by it are fusing back into Electronica. I am not the only artist who strives for a hybid of "real" and electronic. Only time will tell...  

to that end, from Blade Runner: 

Dr. Eldon Tyrell:  "More Human than Human"
which I extend to Wintermut3:
"More Real than Real"  (on creation of "virtual" music)

Overall I am inspired even driven by this quote:

“Once you free your mind about a concept of harmony and music being correct, you can do whatever you want. So, nobody told me what to do, and there was no preconception of what to do…"  :Giorgio Moroder

In addition to living by the above quote:
Welcome to my nearly 20 year journey:  my music project Wintermut3 originally created in late 1998, with a first public release in early 1999 on mp3.com and other Music sites...

Originally inspired by the works of William Gibson, Wintermut3 is about bringing the listener into the sights and visions of the music. 
The music is highly story and concept driven and is made to immerse the listener in mood and feeling. 
The overall goal is to take the listener to a place they have never been before.
Highly infused with the music of Progressive Rock (Yes, Rush, Genesis, etc.) and early electronic (Tomita, Vangelis, Tangerine Dream, etc) all blended in with more "contemporary" electronic sounds (Massive attack, Enigma, Orbital, the Orb, BT, etc) into something I call: "Concept Electronica". None of the sounds you hear in Wintermut3 are "loops" or "samples" especially the more organic sounds (electric guitars, horns, etc), I lovingly lay every note and run them through various software (DAWs, VST, VSTi, etc) and or model the Instrument that renders them. I have spent many many years to get Wintermut3 to sound as "real" and organic as I can... I take great pride in this ;)
Regardless, what results is music that follows the original premise of my musical "project" Wintermut3--music that is a logical progression of what is known and loved up to the point of the project's inception over 16 years ago--In short, it is music "Built for the Future", not now...but it is always fine to like, love it now...