Many of the Strongest Wizards become Leaders and Statesmen, but when War roams over the Collition of Greater Kingdoms--these statesmen or even more specialized Wizards are drawn into these warring Kingdoms and don the most terrifying discipline of The Magical that ever was--War Magic. In short they become the most feared type of Wizard--The War Caster, as they try and keep whatever level of civilization they may reported before they are Geared in Lightning, Fire, and Steel or even use arcane magiks to power ancient constructs which will stalk over the Battleground rending all Asunder, as the  War Caster protect these Behemoths with magical shields. Above all this Darkness and Carnage the War Casters fire volley after volley of dark spells, fire and rays at all who dare to resist.  All the while these liberium of Dark Arts of War will  tear at the Wizards very Souls...

A highly Analog driven synth (via IKMM Synthronic 2) piece underscored by deep bass and drums in a very retro Progressive Rock style--massive by Native Instruments rounds out the sound.  


11/14: 1st Update - Following the Tracks component layout of "The Mage" did initial Mastering of this track. remixed wav in TRacks with Sunset Studios Accousitics/Reverb,  Final mix was sent to reel to reel tape for compression and added bias and then Stealth Limiter for final stage. All presence brought up, overall mix is cleaner and percise-- all transients left entact. Base mix and busses unchanged.

War Casters

I dusted off an old remix of the legendary Prince, I'm still looking for some brave label to release it. Let me know what you think. follow me on instagram @victor_bomi. Love

"Kiss" Victor Bomì Remix 2023

Lets go a bit of Slipknot. Next song will be softer if you don't like Metal.

Wait & Bleed (Slipknot Cover)

NEW DAY
Produced by Mr.Henney
Mixed by Mr.Henney

NEW DAY

paperclips

I have often felt disconnected from the world and that feeling has only gotten amplified recently. This song is about letting myself free and wander in the loneliness.

LYRICS:

I feel so damn disconnected
Misery's all I've collected
Yeah

I can't relate to you at all
I guess I'll never belong

I'm disco—
Disconnected

You really need to learn to listen
Put out the fires of your decisions
Yeah

I can't relate to you at all
I guess I'll never belong
Ooh

I'm disco—
Disconnected
Disconnected
Disconnected
There is no safe place for me
The question of betrayal is hunting
Where do you go
To escape the unknown

(Ooh)
Time is way too precious to waste it
Yeah
Why should I hold on to my patience
I try to fight back
But the system is hacked
Yeah
Yeah

Disconnected
There is no safe place for me
The question of betrayal is hunting
Where do you go
To escape the unknown
There is no safe place for me
The question of betrayal is hunting
Where do you go
To escape the unknown

I can't relate to you at all
I guess I'll never belong

Disconnected

Two (Ryan Adams Cover)

Tried making something in FL studio
Turned out okay

Swing thing

Many years ago, people knew how to communicate with the stars. WWWWOOOOWWWW...

DJSA - Qocmika

Parabar is the title song from the EP. The song is particularly a voice against sex trafficking and all the corruption that arises from it.
https://www.youtube.com/watch?v=Ov0uPWrAxGI

Parabar

Jukebox High Hopes

I have always had a general rule about Wintermut3, "I make music I want to hear" A Part of that has been to overcome barriers and "traditions"  of what Electronic music has been and continues to be--the upshot being, Wintermut3 will move in directions (Funk, Metal, Rock, etc ) that are of interest, despite being a pure electronic artist. Note this does not exclude me from making more "common" types of Electronic music. I will never stop making--as long as I breathe--Trance, Jungle, Breakbeat, Techno, etc. In Fact for about 15 years I have been exploring the idea that we may be not just at an Post Electronica but may in fact be nearing a musical Epoch (for lack of a better word) what I am saying is we might be heading for a music metamorphis on the order of when Baroque became Classical Bach, Handel, Vivaldi, Telemann (most prolific composer in history, over 3000 compositions (Late Baroque-->Early Classical)  Mozart,  Haydn, Beethoven, Schubert. These types of musical epochs are a hundred to over two hundred years in length. The period that is being bridged for us is the hundred or even nearly two hundred period in which Blues and Jazz was born and then over a hundred years influenced nearly all forms of music that we know which all music was. Electronica was born around the mid to late 1920s as that was the time several electronic instruments (Theremin ). For the most part Electronic music has been amazingly resistent to Blues and Jazz, but there are definately times that resistence has lessened. I feel all the various forms of music that where born out of Blues and Jazz or heavily influenced by it are fusing back into Electronica. I am not the only artist who strives for a hybid of "real" and electronic. Only time will tell...  

to that end, from Blade Runner: 

Dr. Eldon Tyrell:  "More Human than Human"
which I extend to Wintermut3:
"More Real than Real"  (on creation of "virtual" music)

Overall I am inspired even driven by this quote:

“Once you free your mind about a concept of harmony and music being correct, you can do whatever you want. So, nobody told me what to do, and there was no preconception of what to do…"  :Giorgio Moroder

In addition to living by the above quote:
Welcome to my nearly 20 year journey:  my music project Wintermut3 originally created in late 1998, with a first public release in early 1999 on mp3.com and other Music sites...

Originally inspired by the works of William Gibson, Wintermut3 is about bringing the listener into the sights and visions of the music. 
The music is highly story and concept driven and is made to immerse the listener in mood and feeling. 
The overall goal is to take the listener to a place they have never been before.
Highly infused with the music of Progressive Rock (Yes, Rush, Genesis, etc.) and early electronic (Tomita, Vangelis, Tangerine Dream, etc) all blended in with more "contemporary" electronic sounds (Massive attack, Enigma, Orbital, the Orb, BT, etc) into something I call: "Concept Electronica". None of the sounds you hear in Wintermut3 are "loops" or "samples" especially the more organic sounds (electric guitars, horns, etc), I lovingly lay every note and run them through various software (DAWs, VST, VSTi, etc) and or model the Instrument that renders them. I have spent many many years to get Wintermut3 to sound as "real" and organic as I can... I take great pride in this ;)
Regardless, what results is music that follows the original premise of my musical "project" Wintermut3--music that is a logical progression of what is known and loved up to the point of the project's inception over 16 years ago--In short, it is music "Built for the Future", not now...but it is always fine to like, love it now...

War Casters

Wintermut3

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