Terrence Parker :: Haazy Day (W. Jeremy Ante Meridiem Mix):: Good For You Records

Terrence Parker - Haazy Day (W. Jeremy Ante Meridiem Mix)

I make things...music, menswear fashions, paintings, poetry, videos and amazing food! 

A native of Los Angeles, California. I started DJ'ing in 1990 at the age of 15 with a pair of Technics (that still somehow work flawlessly). Changed forever by the underground sound that keeps me up at night and communities thriving around the world. Thank you for dancing!

HOUSE OF STANK

NYC-based djs, Christy Love and W. Jeremy, collectively known as House of Stank, began in March 2006 with a weekly Wednesday party at Mr. Black, a small underground club in NYC.  “STANK,” as the party was aptly named, encompassed a profound dedication and love for house music and the many genres within it.  STANK played host to many of house music’s most influential figures, one of them being the legendary Wild Pitch Acid maestro, DJ Pierre.  In April 2006, they, along with DJ Pierre, launched a monthly party at STANK, dubbed “AFRO ACID: The Chicago Sessions,” where one Wednesday a month, Chicago jacked New York with such world-renowned guests as Cajmere (a.k.a. Green Velvet), Glenn Underground, Ron Carroll, Mark Grant and Harrison Crump. 

In 2007 and 2008, their debut and sophomore tracks, "Baby Brain" and "4 Tha Freaks," were released on DJ Pierre’s label, Afro Acid Digital. In 2008 and 2009, they released, "Make U Jack" and "Get Up, Yeah!" on Dust Traxx Chicago. Both singles had huge success, garnering much attention and interest. House of Stank has remixed such artists as Larry Tee, Easy Street, Thee-O & Merlyn Martin and The 2 Bears.

In the fall of 2010, House of Stank launched their own label, Get Up Recordings. The label has featured releases from such artists as Heller & Farley, Tedd Patterson, Honey Dijon, Up Yours, The Carry Nation, Automagic, Eli Escobar, Hannah Holland, The Cucarachas, Mikey V and House of Stank. 

Having been a house music aficionado since his teenage years, W. Jeremy immediately pursued his dream and went to work in the industry right after school.  He got his start as an intern at Elite Music Group where he worked along with some of the industry’s finest, including Issy Sanchez and Debra Eriksen.  After a few months, Debra convinced him to come and work with her at the Vicious Muzik and Hot n’ Spycy labels.  While promoting the chart-toppers, Angel Moraes’s “Welcome to the Factory” and the Shades of Love’s “Keep in Touch (Body to Body)” remake, he formed a friendship with Alan Anderson at Movin’ Records in East Orange, NJ.  Alan presented an offer he could not refuse, an opportunity to work for the legendary Tony Humphries and help launch the Yellorange label.  Six months later, Jeremy took a short break from the industry and moved to the west coast to re-emerge as a DJ.  While in San Francisco, he became a resident dj at the world-famous Endup from 1997-2001 at the Saturday morning party, Otherwhirled.  He spent the next several years gigging at clubs all over the Bay Area including, Liquid, Club Six, 111 Minna, 1015 Folsom and 177 Townsend.  In 2001 he moved back to New York, and began dj residencies at clubs such as APT, Centro-Fly, Lot 61, Baktun, and Sapphire Lounge. 

Christy Love has always had a love for house music.  When she moved to San Francisco in 1995, she integrated herself into the city’s massive club scene, and that love of house led her to travel in the same circles as many of the industry’s top deejays.  A local deejay believed Christy had such a natural ear for music he gave her two turntables and a mixer so she could become a deejay.  She began djing in 1996 at house parties throughout San Francisco, and also co-hosted a weekly Chicago House party at the Haight Street favorite, The Top.  In 2000, Christy moved to NYC, where she again immersed herself into the club scene as a dj.  In 2005 she picked up a monthly residency Red & Black in Williamsburg, and over the course of the next 5 years, became a major force in NYC’s underground house music scene, djing at such major underground clubs as Santos Party House, Libation, Happy Valley, Sapphire Lounge, Happy Ending and Studio B.  In January 2010 she headlined at the new London hot spot, Dalston Superstore. 

As djs and producers, House of Stank draw influence from many genres of dance music including Chicago, tech, acid, electro and deep house.  Together they have played at some of NYC's favorite spots, such as Sullivan Room, Club Love, Greenhouse, Public Assembly and Rebel, and have had featured dj sets on PUSH FM and Ultra Music Festival Radio.  In the summer of 2009, House of Stank, DJ Pierre and Phuture 303 headlined the critically acclaimed PS1 Warm-Up music series, one of the most anticipated summer events.

W. Jeremy is a NYC based DJ/Producer and is co-owner of the Get Up Recordings music label with such artists on the roster as Honey Dijon, Tedd Patterson, Kim Ann Foxman, Quentin Harris, Discodromo, Brodanse and Vin Sol.  He has produced under the moniker House of Stank with label partner, Christy Love, as well as independently as W. Jeremy.  

Having been a house music aficionado since his teenage years, Jeremy immediately pursued his dream and went to work in the industry right after school.  He got his start as an intern at Elite Music Group where he worked along with some of the industry’s finest, including Issy Sanchez, George Hess and Debra Eriksen.  After a few months, Debra convinced him to come and work with her at the Vicious Muzik and Hot n' Spycy labels.  While promoting the chart-toppers, Angel Moraes's "Welcome to the Factory" and the Shades of Love’s "Keep in Touch (Body to Body)" remake, he formed a friendship with Alan Anderson at Movin’ Records in East Orange, NJ.  Alan presented an offer he could not refuse, the opportunity to work for the legendary Tony Humphries and help launch the Yellorange label.  Six months later, Jeremy moved to the west coast to re-emerge as a dj.  While in San Francisco, he became a resident dj at the world-famous Endup for the Saturday morning party, Otherwhirled.  He spent the next several years gigging at clubs all over the Bay Area including, Liquid, Club Six, 111 Minna, 1015 Folsom and 177 Townsend. 

Upon moving back to NYC in the early 2000’s he began djing for Amy Sacco at Lot 161, Centro-Fly and Baktun and later acquired a residency for the next five years at the underground house club, Mr. Black.  He later began to produce and in 2009 and his first two records were released on the Godfather of Acid and creator of the Wild Pitch sound, DJ Pierre’s label, Afro Acid Digital.  He also has releases on Dust Traxx Chicago, Boom Boom Recordings and his own imprint.  He has remixed for JD Samson and MEN, The 2 Bears, The Cucarachas (Tom Stephan), Larry Tee, N’dea Davenport and Angel Moreas on labels such as Southern Fried Recordings, Ultra Records, Trax Chicago and Kinetika Records.  He has held residencies at Marquee NYC, XL Nightclub and has played such festivals as the P.S. 1 Summer Warm-Up Series and the LifeBall in Vienna.  He has dj’d along such legends as Derrick Carter, DJ Pierre, Phuture, Green Velvet, Horse Meat Disco and Grandmaster Flash.  He currently holds residencies at the Standard NYC for Susanne Bartsch’s On Top party and the Soho house NYC.  


WOLF HACKMINE
ALTER-EGO OF STEVE 'GRIFFO' GRIFFITHS
AKA SECOND CITY FIRSTS.
LABELS INC...
WHEN DISCO GOES WRONG / SPIRIT WRESTLERS / DEEPWIT / COLOUR AND PITCH / 3BRIDGE.

Electronic-music aficionado. From the early days of Disco to present￼, I’ve listened to how other genres have influenced dance music. Hip hop, rock, jazz, and R&B have shaped this huge  umbrella called Electronic. Also being classically trained, I listen to music from a different angle as well. 
From the floors of NYC’s revered venues such as Palladium, Pyramid, Roxy, Sound Factory (27 St), Webster Hall, Cielo, Output, and countless more, I have studied and witnessed the evolution and branching out of the many sub-genres that were born, and the producers/DJ’s who brought us on these journeys-Johnny Dynell, Junior Vasquez, Danny Tenaglia, DJ Pierre, Frankie Knuckles, Angel Moraes, Richie Hawtins,and so many more. 
All this has influenced me in how I approach a set and compose music.