More on this 488th weekly Disquiet Junto project — Reverse Delay (Assignment: Do something you’ve been putting off) — at: https://disquiet.com/0488/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0488-reverse-delay/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Conrad Bakker, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/tLfcL

https://creativecommons.org/licenses/by-nc-sa/2.0/

heady fall

halF delaY [disquiet0488]

[METH'LL GETCHA HI, BETTA HIDE YA HOES]

When warming up for recording the greensleeves cover I've uploaded two weeks ago I did this little improvisation over the main melody of 'For The Love Of God' by Steve Vai. 

I used the Ibanez JEM77FP into the boosted clean channel of the Bluguitar Amp1 into the Blubox (set on Black 1x12 I think) and used a Mooer A7 for the reverb. 

Also: I've got my first soundtrack on Bandcamp, so if you want a free download of cool sci-fi sounds head on over to the following link. You can also check out the last three original albums I've done. 

https://saschamuhr.bandcamp.com/album/cheese-louise-original-soundtrack

Also if you'd like to hear more original stuff you might want to check out Spotify and Youtube:
https://open.spotify.com/artist/7ti7ScpoJPlzAuh8beNTCV?si=7oZ3N-ljRam026I0y55ONA

https://www.youtube.com/channel/UCI50R673GNlv0aG_zSVfTDw

Improvisation_20: ambient take on the melody from Steve Vai's 'For The Love Of God' with the JEM77FP

180 Tribe - Nakeshe

The project is a collaboration with Jan Exner @exner from 2016. We divided the poem "Aufbruch" into six parts. With music and sounds Jan created a fascinating acoustic imagery.  Lets go ⇢

Jan Exner : Guitar / Synths / Mix / Production
Karin Tarabochia: Text / Voice / Image

Aufbruch
1 
Aufbruch! Was war, fällt ab. Knöpf’ meinen Kragen auf.
 Zieh’ die Weste aus, an der noch Land hängt. Warte ab.  
Was klammert, saugt, in Zaum hält, bröckelt und springt. 
Mein Schneckenloch, mein Honigfuß, mein Schritt ins Leere  
und endlich Fall, Bruch, Sturz … und Landen!

Departure. What was, falls off. Unbutton my collar.
Take off the vest with land still hanging on it. Wait.
What clings, sucks, bridles, (now) crumbles and cracks.
My snail hole, my honey foot, my step into the void …
And finally fall, break, plunge ... and landing!

2 
Neubeginn verschieben, unendlich lang?
 Das Ende aufzäumen, und den Anfang aufspüren? 
Erfüllung vorwegnehmen?
 
Postpone a new beginning, infinitely long? 
Bridling the end and tracking down the beginning? 
Anticipate fulfillment?

3 
Schnipp’ die Leine durch, lass Haus und Hof 
und was ich schuf, rollt durch den Kopf. 
Dreh' mich aus dem Schleiertanz.
Spann' meinem Wagen andere Pferde –  
höher geht’s und weiter!
Sonnenfahrt!  Der Täuschung abschwören - 
Wütend platzt mein Innerstes und gibt frei: 
Anemone, Traumpferd, das ein Holzbein schwingt.
 Am goldenen Wagen im Sturmwind treiben –  
den Füßen fehlt Boden, den Händen fehl'n Sprossen. 
Nichts da, nur Lederhaut an Sohlen und Schwielen.

Snap the leash, leave house and yard
and what I created rolls through my head.
Turn me out of the veil dance.
Bring other horses to my carriage -
Higher it goes and further! Sun trip!
Renounce deception -
Enraged my innermost bursts and releases:
Anemone, dream horse swinging a wooden leg.
Floating on the golden chariot in the storm
and the feet are missing ground, the hands are missing rungs,
nothing there, just leather skin on the soles and calluses.

4
Träume meinen Flusslauf vom Anfang zum Ende
und schwimme zurück, dorthin wo ich bin.  
Fisch sein! Springen! Am Ufer lachen sie
und manchmal hält das Fischmaul die Trommel an  
und hört Sirenen singen.

Dream my river from the beginning to the end
and swim back to where I am.
Being fish. Leaping. On the bank they laugh.
Sometimes the fish's mouth stops the drum,
hears sirens singing.

5 
Wir müssen diesen Platz verlassen,
so schnell wie möglich unsern Kopf vergessen,
 der benommen Geschichten schwatzt, vergisst.  
An Scheiben rinnen Tränen. 
Was befürchtet war, wird wahr, vergeht.  
Am Weg besteht, was ist.

Mich nicht messen an anderen, mich nicht missen! 
Nicht verkaufen, dem Anderssein weglaufen!  
Mich am Fluss einfinden, wer ich war, wer ich bin,
im Zwischenraum die Zwischenfrau. 
Den Mädchentraum beenden,
den Zeitraum größer drehen und kleiner,
 Schritte sehen, die fest am Boden.
Ich war weg und komme wieder.

We have to leave this place,
as soon as possible forget our head 
who gossips stupid stories and forgets. 
Tears run down the panes. 
What was feared will come true and pass. 
On the way persists what is.

Not compete with others, not miss me,
not sell myself, nor run away from being different.
Find myself by the river, who I was, who I am,
in the interspace the interwoman.
End the girl's dream, turn the period bigger and smaller,
See footsteps firmly on the ground. 
I was gone and I'll be back.

6 
Lass’ mich nicht hängen und bis zum letzten Tag warten, 
bis ich mein Blut abgebe und mein Gesicht sich ins Tuch drückt.
Nicht bücken und suchen, mich zwischen Spuren verfluchen. 
Das Ziel sehen, nahe bei mir:  
Ich bin Traube. Ich bin Straße. Ich bin Mensch.

Not leave me hanging, waiting until the last day,
until I give up my blood and press my face into the cloth.
Not bend down and search, curse myself between tracks.
See the goal, close to me: I am grape, I am street, I'm human.

3 Schnipp die Leine durch (eXner / Augenmerk)

Patch notes: This was three sessions of Rings/Plaits/Magneto/Mimeophon/VCAs/Prism/Ripples through tape, recorded with Norns. One session was eurorack + oooooo on Norns looping long sections I played with a KeyStep controlling the rack (instead of Hermod/Marbles). There was also another one where I used eurorack/tape into Norns running the Cranes script.

Tape was used to saturation the audio and add warble, it's a short tape loop that I found in my box of tapes. This tape loop was actually made by Amulets, he sold some through his Bandcamp page. My person tape loops are even more warbly because they're not as well made 😄

Frozenfir

I remixed/remangled/reimagined a previous ice-originated piece, one that had already been through numerous incarnations, all based on my original ice recording in 2013 (I think).

Interestingly, you can still hear moments of tinkling iciness buried in the noise…


----------------------------------------------

The Assignment: Record the sound of ice in a glass and make something with it.

Welcome to a new year of Disquiet Junto communal music projects. This week’s project is as follows. It’s the same project we’ve begun each year with since the very first Junto project, way back in January 2012. The project is, per tradition, just this one step:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.


More on this 471st weekly Disquiet Junto project — Phase Transition / The Assignment: Record the sound of ice in a glass and make something with it — at:

https://disquiet.com/0471/


Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Glacial phases [disquiet0471]

[PINK MIST]

Recording the second part of a trio - I chose the track by Peter Eisenhower:  https://soundcloud.com/peter-eisenhauer/disquiet0472-jamtime-1-of-3
I remixed it so that it was spread more across the left half of the stereo field, and then added two improvised layers on Novation Summit, one of which is panned so that it occupies mainly the right half of the stereo field.  Plenty of scope for someone to add something else in the middle!

More on this 473rd weekly Disquiet Junto project — Placebo Effect (2 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Placebo Effect (Disquiet0473)

Remix of “Desert Resync” by MtnViewMark-Bits, Northern-flight and Torsten Goerke.

I tried to support the beautiful atmosphere of this track and send the whole piece through the Sherman Filterbank II while turning the knobs to get some feedback, overtones and saturation.
Details:
•	Filter 2 synced to filter 1 with 2 octaves distance in serial mode
•	Dry/wet at 50%
•	In the first 15 seconds the envelope follower is working
•	Frequency, resonance 1 and 2 is slowly increasing and changing over the complete track 
•	0:47 a tiny bit of FM and AM
•	1:20 changed characteristic of filter 2 (more high frequency’s)
•	Added NI Raum to the whole track and automated on the last sounds the reverb decay to infinity. 

https://soundcloud.com/mtnviewmark-bits 
https://soundcloud.com/torstengoerke
https://soundcloud.com/northern-flight

More on this 475th weekly Disquiet Junto project – Low End (4 of 3) / The Assignment: Remix a trio by doing forensics on its component parts – at:
https://disquiet.com/0475
More on the Disquiet Junto at:
https://disquiet.com/junto/

DesertResyncRemix(disquiet0475)

Old cassette recordings of guitar, glockenspiel, and viola sliced and diced by the awesome Shortcircuit plugin. Instruments performed by Simon Neufeld and Judith Klassen. Computer programmed by Simon.

----
More on this 478th weekly Disquiet Junto project – Collage of Collages (The Assignment: Make a collage that will become part of a larger collage.) – at:
https://disquiet.com/0478/

The project is a collaboration with the radio show Kopfkino, initiated by Margarethe Maierhofer-Lischka. More on Kopfkino at:
https://cba.fro.at/series/kopfkino 

More on the Disquiet Junto at:
https://disquiet.com/junto/

[METH'LL GETCHA HI, BETTA HIDE YA HOES]

ᵂᴼᴱᴮᴱᴳᴼᴺᴱ ᴷᴱᴺᴼᴮᴵ

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Janu Smith

taRka

JELLYBEETLE

ᵂᴼᴱᴮᴱᴳᴼᴺᴱ ᴷᴱᴺᴼᴮᴵ

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