Rail Road Main (Bill Withers vs C.love)

Peregrino - Spacer Remix

Jazz Fusion Volume 3 delivers ten high-energy fusion tracks blending jazz, funk, and electric grooves. Deep rhythms, bold solos, and modern textures create the perfect vibe for late-night focus, creativity, and pure groove.

Fifty Seven

The album plays like a night at a South Bronx community center in 1973, but the “geeks” are crate-diggers, coders, gamers, and studio heads who obsess over breaks, signal chains, and culture history. Each track feels like a different moment of the party: the first needle drop, the breakers’ circle, the mic getting passed, and the late-night cool‑down when only the true heads remain. Sonically it’s raw, mono-to-stereo vintage hip-hop made from funk and soul breaks, with room noise, kids talking, train rumble, and DJ chatter baked into the mix.

Because I'm a Geek

El sonido Graveton tiene su origen a finales de 2010 en los estudios caseros de djs y productores de países de todo el mundo. Producciones analógicas o digitales de baja calidad pero con mucho ingenio a la hora de usar los ritmos de la cumbia y el reggaeton para procesarlos con samples del folclore andino, colombiano y mexicano. Con los años y los avances tecnológicos las producciones iban adquiriendo mayor calidad en cuanto a sonido y a contenido artístico. Aunque siempre hay excepciones, los más radicales y ortodoxos que aún conservan la manera primigenia de producir y ejecutar piezas de graveton. Es lo que se conoce como graveton lofi o graveton casero.

En la actualidad decenas de artistas siguen produciendo graveton en sus estudios, centenares de djs lanzan tracks de graveton en cientos de clubs de todo el mundo y miles de personas bailan graveton cada semana en las pistas de baile de diferentes clubs, fiestas locales o cualquier tipo de evento con carácter festivo o cultural.
Etimológicamente graveton proviene del sonido de frecuencia baja o grave, en inglés bass, y el sufijo ton del mismo sufijo que en reggaeton. Al ser producto de una mala producción el prefijo grave señala ese carácter desafortunado de la obra.
Desambiguación. Graveton (Creative Commons - 2011) También es el nombre de la primera referencia de la disquera online Caballito Netlabel y está dio lugar a posteriores entregas, Graveton II (Creative Commons - 2012), Graveton 3 (Creative Commons - 2012) y Graveton IV (Creative Commons - 2015)

Dicho esto sólo queda presentar el GRAVETON IV, y con motivo de que Caballito cumple cinco años, este es nuestro regalo.
El Graveton IV contiene 38 tracks llegados de todas partes del mundo. Nombres ya conocidos, otros no tanto y nuevos descubrimientos gracias a internet que siempre provee.

Incluye BONUS TRACK Bigote feat Funko - Kumbia Borroka (2011), en un edit 2015 de Bigote. Kumbia Borroka fue la primera canción de graveton de la historia, de la cual se extrae la frase “Caballito is too much porn”

Amigas y amigos bailadores, músicos, productores, djs, blogs, webs y publicaciones, gracias a todos. 
A bailar!

download

Dj Nirso - Atocha En La Rocha

Tropical Twista Records presenting you Kraut’s 2nd EP: Universo Sin Fronteras, a following up of the Especias EP (Shika Shika, ’16).
Daniel about his new EP: It doesn’t matter where you come from, music is the universal language to move, to feel, to dance without cultural boundaries. Universo sin Fronteras is a story about blending rhythms, melodies and cultures.

Free Download

Kraut - Gota De Agua

Edited by me
      &
https://soundcloud.com/mauricio-lage

Tuareg (DaLage & Beto Edit)

from Vanishing Point, released January 25, 2018 
Ian Sims - Lyrical Lap Harp, Radel Tanpura Box 

Produced by Ian Sims and Indrayudh Shome 
Recorded and Mixed by Ian Sims at The Cocoon II, Brooklyn NY 
Mastered by Eric Broyhill at MonsterLab Audio, Stockholm Sweden 
www.monsterlabaudio.com/studio/ 

Artwork by David Terranova

Darbari

Instrumentals form 'Ser Humano - La forma deforme'

La Pérdida Del Control

Available on 12" vinyl on Bandcamp and other record stores now. 

Over the years Argentinian duo Klik & Frik have taken the bubbling Latin electronic scene to deeper levels and in the process garnered support from the likes of Vice, Billboard, Red Bull as well as sharing line ups with Squarepusher, The Orb, Nina Kraviz, Detroit Swindle and more. 

But it is impossible to talk about Klik & Frik without first delving into their origins as the explosive Frikstailers.

The Frikstailers, composed of duo Rafa Caivano and Lisandro Sona, exploded onto the scene in 2006 by turning the whole electro-cumbia genre on its head. Fusing cumbia with dancehall, hip hop and electronic beats they took tropical to extraterrestrial levels and tore up unsuspecting dancefloors across the world. Their unique style has seen them put out remixes on DFA Records, Young Turks/XL Recordings, Mad Decent (Hold The Line Cumbia style anyone?) and included on Modeselektor’s ‘Modeselektion Vol 2’. They have played sessions on KEXP, Boiler Room and NPR and their debut album caught the attention of XLR8R and more.

During their journey as Frikstailers, Rafa and Lisandro found they were maturing in their ideas, sounds and productions. They needed a musical outlet that enabled them to showcase more subtle and textured sounds for the dancefloor that weren’t just upbeat bangers. They wanted to go deeper. In 2013 they were invited to play Mutek Mexico on the Red Bull Music Academy stage and so they began making new music. They explored indigenous sounds (which at the time had been largely ignored) and started to blend them with deeper electronic production. The resulting hypnotic, ritualistic and meditative blends were debuted at Mutek Mexico under their new moniker Klik & Frik.
With rich layers of electronic synthesizers and groove boxes the Refugio EP has a unique approach to the ancestral influences of South America. From the bass propelling opener Achalay (meaning How Beautiful) textured with glitches and synths, to the quenacho flute and hypnotic beat on Refugio (Refuge), to the piano on La Puna Satie inspired by French composer Erik Satie, and the euphoric Las Penas, the EP is a deep and meditative melding of influences. The traditional quenacho and pinkullo flutes feature across the tracks as a tribute to the indigenous music and mysticism of Argentina.

As Rafa put it, the Refugio EP is a reflection on the need for human connection, refuge and a noble reasons to keep going at a time when the world is burning both politically and literally.

Refugio EP

Refugio

Klik & Frik - Refugio

Buy / Stream: http://hyperurl.co/gitkin_cancion

After two outstanding releases on Wonderwheel Recordings (2018’s “5 Star Motel” LP, and 2019’s “Saint Claude Dash / Chicha Nola” 7”), Gitkin is back with a new EP, along with two remixes from Pimps Of Joytime. “De La” - which features NYC-based singer Carol C - was inspired by the Saharan Tuareg sound, while also embracing Carl C’s Afro-Dominican roots with a beautiful melody and Spanish lyrics. 

The second track, “Canción De Aplauso,” fuses classic joyful cumbia with 70s Afrobeat, Cuban tumbao, and a bit of middle eastern flavour for good measure. The electric Guild twelve-string guitar sound is reminiscent of Turkish Saz, eliciting a festive vibe that gets the crowd grooving in live sets. 

Both songs see remixes by the Pimps of Joytime, with “De La” delving further into the trance sound. “Canción De Aplauso” gets a gogo retouch, inspired by Washington DC’s Chuck Brown, with the addition of some 70’s style funk slap bass. 

“De La Canción” EP will be released on Wonderwheel Recordings March 13th.

De La Canción

Gitkin - Canción De Aplauso (Pimps of Joytime Remix)

This is our little label out of Brooklyn NYC. Homegrown music with lots of diversity for speakers EVERYWHERE! www.wonderwheelrecordings.com Alsarah and the Nubatones, Chancha Via Circuito, Nickodemus, El Búho, Thornato, Novalima, The Spy from Cairo, Gitkin, Populous & more...

Gitkin - Canción De Aplauso (Pimps of Joytime Remix)

WONDERWHEEL Recordings