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Valique - The Blue Man

“Hoy siento en el corazón 
un vago temblor de estrellas 
pero mi senda se pierde 
en el alma de la niebla” 

El proyecto es la suma del trabajo de mucha gente. Todas las letras y 
melodías son creación de Wenceslada, excepto “Versos Chiquititos”, que es una versión de la canción creada por Mario Díaz a partir de un poema del jujeño, “Zerpa”. La canción “Zorzal” es una reinterpretación realizada en conjunto con Chancha Vía Circuito de una canción del mismo nombre de Axel Krygier. 

Las pistas son creación de músicos excelentes como Chancha Vía Circuito, Nicolás Melmann, Julián Goméz, Cristian Edelfors. Además, un remix del tema “Caracol” de Tremor realizado junto a Chancha Vía Circuito. 
Los arreglos de bajo y guitarra corren por cuenta de dos invitados de lujo como Juane Costa (Guitarra) y Mariano Promet (Bajo).

Contacto: 
deoliveirasol@hotmail.com 
www.facebook.com/sol.deoliveira

REG039 
Letras, Melodías y Voz: Wenceslada 
Producción: Germán López Carrión y Lucas Page 
Arreglos De Bajo: Mariano Promet 
Arreglos De Guitarra: Juane Costa 
Grabación: Germán López Carrión 
Mezcla y Masterización: Lucas Page 
Tema 5 Mezclado Por: Rodrigo López 
Tema 6 y 7 Mezclados Por: Jerónimo Escajal 
Fotografía y Diseño: Silvana Lozano 
Tema 6 y 7 Cortesía De ZZK / Waxplotaition Publishing

Free Download

Tremor - Caracol (Chancha Via Circuito Remix Ft Wenceslada)

The São Paulo based collective, Sonido Trópico, have long been establishing themselves as a new voice to be heard within the latin-american scene.

They now take a big step forward in founding a Label. Their first official release, SONIDO TRÓPICO VOL. 1, contains 13 tracks that put into waves exactly what Sonido Trópico is all about. The Producers and DJs who's work appear on this first album have not only played at Sonido Trópico's already infamous parties, but have worked alongside Sonido's 4 Resident DJs (Spaniol, Nirso, Salvador Araguaya & El Peche) in bringing new life and energy to the Sâo Paulo scene. Together they have reinterpreted and expanded, beyond precedent, the horizons of electronic music within the ultra-creative scene in São Paulo.

>>> PORTUGUÊS

Há tempo que a Sonido Trópico vem se estabelecendo como uma das novas vozes dentro da nova cena latino-americana.

Agora tomamos um grande passo. Fundamos um Selo de música com o lançamento de nossa primeira compilação, SONIDO TRÓPICO VOL. I, com 13 músicas dedicatórias a o que é a Sonido Trópico. Os produtores que compuseram esta coletânea, não somente tocaram em nossas festas, mas moldaram a nossa construção através de suas músicas e interações com os nossos DJs. Juntos expandimos, de forma sem precedentes, os horizontes da musica eletrônica existente na cena underground paulistana.

Tem MUITO mais por vir!

Nirso - Mi Mascara

Remix I did for crazy electro-pop duet Larytta from Lausanne, Switzerland. Out on Creaked Records.

https://soundcloud.com/larytta/
https://soundcloud.com/cloudcreaked

Itunes

Larytta - Something Good (Rafael Aragon RMX)[Creaked Records, 2016]

Purchase Randomized Coffee's "Baba/Kalimba" Single: 
wonderwheelrecordings.bandcamp.com/album/b…st-city

Randomized Coffee is a music project created by two Italian DJs, Massimiliano Troiani and Tommaso Checchi. Their sound explores the world of Funk and Brazilian rhythms swinging through Afro-beat and Latin Jazz for the dance-floor. Their previous release, "Agboho" by Randomized Coffee (N'Dinga Gaba remix) topped the Afro House Chart in Traxsource and lasted as number one for a month. On this release, we have "Baba" which is already a Summer anthem for the few DJ's who have the song Worldwide. Steady percussion & vocal chants intertwine with sax & guitar solos keeping the energy up high. "Cidade de Kalimba (Ghost City)" is a long player that goes deep into Afro-House with an organic touch of sax. And as the artists explained to Nickodemus over a coffee, "Hot or cold, sugar or cream, black or shaken, roasted or decaf - from morning till late - the best coffee for your ears is Randomized Coffee!"

Baba/Cidade De Kalimba (Ghost City)

Randomized Coffee - Cidade De Kalimba (Ghost City)

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Tatacoa

Boundary-pushing composer and sound designer Andi Otto returns with his new album ‘Rwandance’, which sees live instruments, studio recordings and sampled archival material melded together as part of an electrifying reimagining of the musical traditions of Rwanda.

‘Rwandance’ is a collaboration between Rwandan dancer and musician Evariste Karinganire and cello player and electronic music producer Andi Otto, brought together by a chance connection. Inspired by Steve Reich, Mark Pritchard’s Harmonic 313 and Otto’s mesmerising musical experiences touring India, Otto built software to translate the intensity of Karinganire’s hand claps into different synth notes - the structure and time signature of traditional Rwandan music providing the framework for Otto’s creations, new instruments and sounds incorporated into its parameters.

Otto follows a path similar to many producers from Latin America’s burgeoning electronic music scene but instead of using Andean folk music as a starting point, he reappraises Rwandan music mirroring traditional sounds but similarly, reimagined through a contemporary lens. ‘Rwandance’ follows Otto’s 2016 link-up with Indian singer and actress M.D. Pallavi and underground hit ‘Bangalore Whispers’, a showcase for his original approach to cross-cultural musical dialogue. He has since cemented that reputation with subsequent albums “Via” and “Bow Wave”, weaving global sounds into his distinct sonic approach.

Shika Shika is a home for music that combines organic and electronic sounds, a meeting place between the past and the future. (They also put an emphasis on supporting artists, splitting profits in their favour.) This chimes exactly with what Otto wanted to achieve in his collaboration with Karinganire, taking deeply-rooted traditions and giving them a new sonic make-up.

Rwandance

Andi Otto - Amahamba

Vinyl/Download/Stream:

https://nicolacruz.lnk.to/siku-reworks

Nicola Cruz re-visits his second album 'Siku', released earlier this year to widespread acclaim, with ‘Siku Reworks’. The release provides the listener with another perspective on the ‘Siku’ domain, one envisioned in different corners of the world; Argentina, the UK, and Japan to name a few.  In an effort to unlink the original material, Cruz has selected producers to re-work a designated song on 'Siku' according to their own style. Additionally, Cruz has chosen to re-record two tracks whose live versions have stuck with him throughout a year of constant touring.

   ‘Siku Reworks’ invokes a psychedelic view of the original material, Hermetics (R&S) provides deep atmospherics with his take on 'Obsidiana' and Nicola offers an acid-merengue-infused live version of 'Señor de las Piedras' alongside an infectious and club-ready re-work of live favourite 'Siete'. In some ways it's hard to define Nicola's sound, shaped by years of global touring, and every track here is unique and succeeds in breaking from the usual electronic music format in captivating fashion.

'Siku Reworks' will be released on November 22nd 2019.

Siku Reworks

Nicola Cruz - Siete (Live Version)

Lascivio Bohemia: https://facebook.com/lasciviobohemiaec
Edmoon Records 2020, Quito-Ecuador.
https://facebook.com/edmoonrec

Lascivio Bohemia - Foto Mental

This is our little label out of Brooklyn NYC. Homegrown music with lots of diversity for speakers EVERYWHERE! www.wonderwheelrecordings.com Alsarah and the Nubatones, Chancha Via Circuito, Nickodemus, El Búho, Thornato, Novalima, The Spy from Cairo, Gitkin, Populous & more...

Randomized Coffee - Cidade De Kalimba (Ghost City)

WONDERWHEEL Recordings