hey guys, sorry for being picky, but isn't this first track mavis john, not mavis brody?

oh my goodness...who is this ? one of the best tunes i've heard in a while...thank you :) lovin' it :)

to listen to

Mixtape I did for Permanent Vacation in 2010, yes I did.

http://www.perm-vac.com/products-page/permanent-vacation/todd-terje2/

TODD TERJE - Remaster Of The Universe (Permanent Vacation, 2010)

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

We've been big fans of Leftside Wobble's 'Acid Soul' series, so we are delighted to have him put together a mix for us. Here are some words from him regarding his mix for us:

"Leftside Classics is a retrospective featuring some of the tracks that have meant the most to me over the last five years or so. These are the tracks that somehow always find a way back into my sets, tracks that rise above the transient and tracks that defy limiting genre pigeonholes. My sets have always been about joining the dots, celebrating the eclectic and supporting those tracks that exist in the rich hinterland between dub, funk, disco and house. Hopefully this retrospective captures that overriding ethos.

I've included a small selection of unreleased LW bits and a few exclusive versions of well known staples to keep things pushing forward too. 

As ever hope you enjoy. x"

http://soundcloud.com/leftside-wobble

Subscribe via iTunes

Clandestino 026 - Leftside Wobble

Since the release of their breakthrough 2009 edit of Fleetwood Mac's 'Everywhere', Psychemagik have become a stand-out name in the UK’s underground dance scene, sitting at a unique meeting point of disco and house, with roots in the transcendent and the psychedelic.

From a host of cutting-edge edits on their Healin’ Feelin and Discotheque Wreckers imprints to their sell-out vinyl compilations Psychemagik Presents: ‘Magik Cyrkles’ and Psychemagik Presents: ‘Magik Sunrise’, the pair have been celebrated by the likes of 2manydjs and The Chemical Brothers to name just two. We’re excited to welcome Psychemagik to The Warehouse Project this October as part of Duke Dumont’s Blasé Boys Club takeover. As a special warm-up to whet your appetite, they’ve put together a very special mix as part of our WHP14 Mix Series. Dig in…

www.soundcloud.com/psychemagik
www.facebook.com/thecosmicforest
www.psychemagik.com

- -

SATURDAY 4TH OCTOBER
DUKE DUMONT PRESENTS:
BLASÉ BOYS CLUB

DUKE DUMONT - LIVE
CYRIL HAHN
KLANGKARUSSELLLIVE
ROB DA BANK
FRIEND WITHIN
JONAS RATHSMAN
& ISAAC TICHAUER(FRENCH EXPRESS)
PSYCHEMAGIK
JAX JONES
BLONDE
OLI HACKETT
ED NORRIS

SOLD OUT : 21:00 - 05:00

WHP14 Mix 003 /// Psychemagik

"Bring that beer over here, cause I need it to steer"

Todd Terje & Strangefruit Babylon Istanbul 2009

Kick off your weekend early with our exclusive mix from one of the best live dance acts on the planet, Crazy P!

With the band approaching two decades since conception, Crazy P are still as beloved as ever, with their unique blend of disco and deep electronic vibes. Next weekend sees Crazy P bring their soulful stylings to SSW4 in Preston, where they'll play the Pressure Point stage alongside the likes of Danny Krivit, Fish Go Deep, Inland Knights, Groove Assassin and Mad Mats.

For the full SSW4 line-up and tickets head here: http://datatransmission.co.uk/blog/ssw-returns-4th-edition/

Until the festival kicks off on Friday 26th September, get yourself in the mood with our Mix of the Day from Crazy P.

Mix of the Day - Crazy P

These guys have DJed with Gilles so much of the last few years, it's about time they dropped in for a Worldwide Family Mixtape. 

With the Eagle in Vauxhall as their stronghold, Horse Meat Disco have become ambassadors for all things disco, funk and soul. This mix is another wild affair and just the thing as the weekend beckons. 

Tracklist:
1) Mavis Brody - Use My Body
2) Kitty and The Haywoods - You Can't Say I Didn't Try
3) Minnie Ripperton - Adventures In Paradise
4) Love Unlimited Orchestra - Midnight Groove
5) Eli's Second Coming - Why Don'Cha
6) Lady Zu - Hora Da União
7) Ju-Par Universal Orchestra - Funky Music
8) Letta Mbulu - Baile Baneso
9) Angela Bofil - Angel Of The Night
10) Sister Sledge - As
11) Van McCoy - Born Into Slavery 
12) Sarah - Ação Super
13) Seawind - We Got Away
14) Marc LeRoi Cummings - Struggling Together 
15) The Valentine Brothers - I'll Make You Happy
16) Urszula Dudziak - Papaya

Horse Meat Disco Mix on Gilles Peterson Worldwide (GPWW914)

BLUSH013 - @j_aria

Blush aims to help soothe the queer spectrum and focus on the well-being of the community. Queer DJs are invited to submit a mix to showcase an alternative side to their music library outside of a rave and take us on a meditative journey. ✨

Notes on the mix:

"I love the elasticity within strecthed beats. There are so many hidden nuances where the warped, bugged-out soul reveals itself. I've always been the slow and deep type. I'm obsessed with that chopped-and-screwed sound, and what the texture and warp does to me. That ambience, the play between intimacy and isolation, alien and tangible, can really trip you out. It's emotional. It's a groove you have to sink into."

J. Aria is a multi-instrumentalist producer and selector - a resident at both Adonis and Dalston Superstore. Their acid-camp, fierce-groove dramatics have seen them make waves across the queer underground, with appearances at worldwide institutions Carry Nation, Block9 and Body Movements. They have put out acclaimed tracks on Super Drama Records and Queer House Party, with Adonis Records + Nervous Records releases scheduled for 2024. Their genre-defying sound is drenched in soul pulling fierceness and romance from all corners of dance into a singular and commanding voice.

BLUSH013 - J. Aria

For his worldwide mix, the Broken Beat pioneer has pulled together global rhythms, soul and disco. Essential listening from one of London's greats. Grab the tracklist at: http://bit.ly/gpww-dego

'More Things Stay The Same' LP is out now on 2000 Black. Catch Dego at Dimensions Festival 2015. 

Photo Credit: Lewis Khan

Tracklist

Dego mix on Gilles Peterson Worldwide (GPWW950)

477 RA.477 Jane Fitz - 2015.07.20

Anthony Mansfield live at the Sunset Campout 2015.  Saturday at the beach at 1PM on a sweet summer day in California!

Sunset Campout ... nice times at the beach 2015

Track list:

Deep&Disco Edits - Whattawegot? 
Magnum Force - Cool Out
Mr Mendel - Freakin’
Prince - I Feel For You (JKriv Edit)
Social Disco Club - Dub Dynamite
Motor City Drum Ensemble - Raw Cuts #1
Skylevel - Changes (Skylevel Edit)
Tata Vega - Give It Up For Love (Superprince Edit)
Michael the Lion - Anytime
Electra - Carrots & Beets (JKriv Edit)
JV - Edit Channel XXX
Essex Rascals - After Hours
Lovebirds - Funk So Pretty
Popular People’s Front - Might Even Dance
Talking Headits - GF (JKriv’s Better Rework)
Connie Case - Get Down (JKriv Edit)
COEO - Light Star
Dan Shake - Glitter Disco

JKriv @ Mobile Disco - MotorCity Wine, Detroit - 05/27/16

Getting back from such a great festival you always have lots of great music buzzing around your head. I decided I get these out of my head and on to a mix. It's a selection of tracks which either I played on the House of Disco Boat party or I tracks I heard around the beach stage, the olive stage, Barbs, boats and the excellent sunrise sessions.

TRACKLISTING

KHRURANGBIN - PEOPLE EVERYWHERE (MARIBOU STATE REMIX)
BRAND NEW HEAVIES - STAY THIS WAY (DAVID MORALES LUNAR DUB)
MR FINGERS - WHAT ABOUT THIS LOVE
WHOMADEWHO - KEEP ME IN MY PLANE (DJ KOZE HUDSON RIVER DUB)
ILJIA RUDMAN - IN HER EYES
BELABOUCHE - DEEP SLEEP
SELVAGEM & CARROT GREEN - BRONSKI IN RIO EDIT
MARVIN & GUY - MAKING LOVE
NAPOLEON - STEP ON
PONZU ISLAND - SUPER KOTO
SKATT BROS. - WALK THE NIGHT 
RON&NEIL - YOU FEEL IT
SHMLSS - STAND
DITONGO - WALK BETWEEN THE RAIN
SELVAGEM - CHITTY DISCO
FRANK AGARIO - THE LATER THE BETTER
RAFFAELLO & PALERMO - THE SPIRIT
VO - MASHISA
VAGGIO - DON’T YOU WANT SOME MORE
KRYWALD & FARRER - INNACAMO
RED RACK’EM - WONKY DISCO BANGER
FLIGHT FACILITIES - FEELIN
HUBIE DAVISON - SANCTIFIED
NEAL HOWARD - THE GATHERING
MIDLAND - FINAL CREDITS


LOVE INTERNATIONAL COMEDOWN MIX - NEIL DIABLO

http://www.bestival.net/info
On the Saturday night of this year's Bestival the legendary Mr Scruff played a 4-hour set of Funk, Soul and Disco gems to a rammed Staceys.
The room was effectively a perfect Disco - a beautifully tuned soundsystem, plenty of mirror-balls and a 'Soul Train'-esq decor.
Enjoy!

http://www.mrscruff.com

MR SCRUFF -  Live from 'Staceys' - Bestival 2017

Rinse FM Podcasts

Download

Jane Fitz - 7th June 2018

Broadcasting Worldwide // An international platform for underground music, culture and stories from around the globe → https://worldwidefm.net/

Horse Meat Disco Mix on Gilles Peterson Worldwide (GPWW914)

Worldwide FM

Recent comments

ticci le frog

bulvinkl

Drew Drew

Javier Altamirano 1

Related tracks