collective/platform

family:
https://soundcloud.com/amah_music
https://soundcloud.com/aska
https://soundcloud.com/blairnorf
https://soundcloud.com/captpizza
https://soundcloud.com/coastal
https://soundcloud.com/dirtychocolate
https://soundcloud.com/flipdbeats
https://soundcloud.com/huntsss
https://soundcloud.com/jeanie 
https://soundcloud.com/kendlmusic
https://soundcloud.com/shistobeats
https://soundcloud.com/silo-beats
https://soundcloud.com/valleyz
https://soundcloud.com/west1ne 

contact/demos:
ethereallabel@gmail.com

Hex Cougar is a producer born and raised in Los Angeles that crafts otherworldly sonic landscapes that straddle the line between menacing and beautiful. 

His resume includes lauded remixes for the likes of RL Grime, Alison Wonderland, Illenium, KRANE, and Sia, numerous originals tallying millions of plays across platforms and critical acclaim across the board, and support from the likes of Diplo, Skrillex, Porter Robinson, DJ Snake, Baauer, The Chainsmokers, Jauz, Boombox Cartel, What So Not, and many others.

Bookings | peter@minttalentgroup.com

Buy beats here https://godelibeats.com/
BUY 2 GET 2 FREE
Email - godelibeats@gmail.com

Co-founder of @thelovebelowparty
 
Mixes : @telescope-thieves-mixes

booking : mario.jdls@gmail.com

Free Stem downloads & random old tunes I never released: https://soundcloud.com/the_amulets/

Thank you for being here.


“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

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