Here are our Top 10 tracks for October 2020 on SoundCloud.
Only you can influence next month's chart, so if you hear something you like, keep playing it!
Lots more great music: soundcloud.com/wud-records/albums | soundcloud.com/wud-records/sets
Visit our website: www.wudrecords.co.uk/
Support us with a download: https://wudrecords.bandcamp.com/ :)
Follow us on Twitter: twitter.com/WudRecords
Thanks for visiting Wud Records! \,,/(^_^)\,,/

Downloads

October 2020 Top Ten Tracks

Here are our Top 10 tracks for November 2020 on SoundCloud.
Only you can influence next month's chart, so if you hear something you like, keep playing it!
Lots more great music: soundcloud.com/wud-records/albums | soundcloud.com/wud-records/sets
Visit our website: www.wudrecords.co.uk/
Support us with a download: https://wudrecords.bandcamp.com/ :)
Follow us on Twitter: twitter.com/WudRecords
Thanks for visiting Wud Records! \,,/(^_^)\,,/

November 2020 Top Ten Tracks

Here are our Top 10 tracks for December 2020 on SoundCloud.
Only you can influence next month's chart, so if you hear something you like, keep playing it!
Lots more great music: soundcloud.com/wud-records/albums | soundcloud.com/wud-records/sets
Visit our website: www.wudrecords.co.uk/
Support us with a download: https://wudrecords.bandcamp.com/ :)
Follow us on Twitter: twitter.com/WudRecords
Thanks for visiting Wud Records! \,,/(^_^)\,,/

December 2020 Top Ten Tracks

Here are our Top 10 tracks for January 2021 on SoundCloud.
Only you can influence next month's chart, so if you hear something you like, keep playing it!
Lots more great music: soundcloud.com/wud-records/albums | soundcloud.com/wud-records/sets
Visit our website: www.wudrecords.co.uk/
Support us with a download: https://wudrecords.bandcamp.com/ :)
Follow us on Twitter: twitter.com/WudRecords
Thanks for visiting Wud Records! \,,/(^_^)\,,/

January 2021 Top Ten Tracks

2 Live Crew

Here are our Top 10 tracks for February 2021 on SoundCloud.
Only you can influence next month's chart, so if you hear something you like, keep playing it!
Lots more great music: soundcloud.com/wud-records/albums | soundcloud.com/wud-records/sets
Visit our website: www.wudrecords.co.uk/
Support us with a download: https://wudrecords.bandcamp.com/ :)
Follow us on Twitter: twitter.com/WudRecords
Thanks for visiting Wud Records! \,,/(^_^)\,,/

February 2021 Top Ten Tracks

Here are our Top 10 tracks for March 2021 on SoundCloud.
Only you can influence next month's chart, so if you hear something you like, keep playing it!
Lots more great music: soundcloud.com/wud-records/albums | soundcloud.com/wud-records/sets
Visit our website: www.wudrecords.co.uk/
Support us with a download: https://wudrecords.bandcamp.com/ :)
Follow us on Twitter: twitter.com/WudRecords
Thanks for visiting Wud Records! \,,/(^_^)\,,/

March 2021 Top Ten Tracks

Here are our Top 10 tracks for April 2021 on SoundCloud.
Only you can influence next month's chart, so if you hear something you like, keep playing it!
Lots more great music: soundcloud.com/wud-records/albums | soundcloud.com/wud-records/sets
Visit our website: www.wudrecords.co.uk/
Support us with a download: https://wudrecords.bandcamp.com/ :)
Follow us on Twitter: twitter.com/WudRecords
Thanks for visiting Wud Records! \,,/(^_^)\,,/

April 2021 Top Ten Tracks

Here are our Top 10 tracks for May 2021 on SoundCloud.
Only you can influence next month's chart, so if you hear something you like, keep playing it!
Lots more great music: soundcloud.com/wud-records/albums | soundcloud.com/wud-records/sets
Visit our website: www.wudrecords.co.uk/
Support us with a download: https://wudrecords.bandcamp.com/ :)
Follow us on Twitter: twitter.com/WudRecords
Thanks for visiting Wud Records! \,,/(^_^)\,,/

May 2021 Top Ten Tracks

*******Brand New 2 Live Crew -Take It Off -2013

Take It Off (Radio Clean Version)

Mihuno! (demo) by Flicker.

Copyright © 2002 Wud Records.
Copyright ℗ 2002 Explicit Music.

Music by G. Davies.
All instruments played by George Davies.

This is a glimpse into the more dim-distant future. These demos will form the basis of a third Flicker record called The Snail Gauntlet which will begin to manifest itself once HappySad is finished.

The fourth Flicker album, The Frumperal Way, is at present mostly written also….

These demos were recorded on an old Tascam 244, many during breaks between studying whilst George was at university.

Mihuno! is a surprisingly pleasant and dangerously potent drink popular in Prague around the turn of the millenium. It is made from vodka, a slice of lemon, instant coffee granules and sugar. Preparing and drinking it is something of a ritual. At times it can be a great idea, and at other times not very sensible at all, yet still fun. This particular term requires the use of an exclamation mark, as it is a word that needs to be intoned with suggestion, a cheeky grin and a raise of the eyebrows. It probably possesses the closest possible earthly resemblance to a Pan-Galactic Gargle Blaster.

See also:
http://www.wudrecords.co.uk/artists/flicker
http://www.wudrecords.co.uk/artists/flicker/the-snail-gauntlet-demos
https://wudrecords.bandcamp.com/
http://www.explicitmusic.co.uk/lyrics-information/flicker/the-snail-gauntlet
http://www.wudrecords.co.uk/category/news
https://twitter.com/WudRecords
https://twitter.com/flickermusic

The Snail Gauntlet (demos)

Mihuno! (demo)

Flicker: Mihuno! (demo)

Dancing in the Dark by Dark Company, from the album Alien Heat.

Lyrics by P. Greatorex.
Music by G. Davies/P. Greatorex/R. Holloway/M. Greatorex/G. Barbe.

Copyright © 2021 Wud Records.
Copyright ℗ 1989 Explicit Music/Pig Pen Music.

Performers:
Vocals - PJ Speed
Guitars - Zak Black
Keys - Josh Reynes
Bass - Maxx Damage
Drums, percussion - Sven Stiglund

DANCING IN THE DARK
Dancing in the dark
Watching all the sparks of heavy sound
Pressed up to the night
Waiting for the light, waiting for the light
Waiting for the light to hit the ground

Walking down the street
Soaking up the heat of Blue Soul Sound
Pressed up to the night
Waiting for the light, waiting for the light
Waiting for the light to hit the ground

I gotta hear, I gotta see
I gotta set the rhythm free
Gotta, gotta, gotta get around
Gotta get around, get around

Dancing in the dark
Watching all the sparks of heavy sound
Pressed up to the night
Waiting for the light, waiting for the light
Waiting for the light to hit the ground

Walking down the street
Soaking up the heat of Blue Soul Sound
Pressed up to the night
Waiting for the light, waiting for the light
Waiting for the light to hit the ground

I gotta hear, I gotta see
I gotta set the rhythm free
Gotta, gotta, gotta get around
Gotta get around, get around

Gotta get around
Put my soul into the sound
Gotta hear, gotta see
Gotta set the rhythm free
Gotta get around
Put my soul into the sound
Gotta hear, gotta see
Gotta set the rhythm free

Dancing in the dark
Watching all the sparks of heavy sound
Pressed up to the night
Waiting for the light, waiting for the light
Waiting for the light to hit the ground

Walking down the street
Soaking up the heat of Blue Soul Sound
Pressed up to the night
Waiting for the light, waiting for the light
Waiting for the light to hit the... ground

Fun Facts:
Dancing in the Dark was originally written and performed by Alien Heat.
This song is in the key of Bm and the tempo is 131 BPM.
This is arguably the least intellectually challenging set of lyrics Pete ever wrote!
When Pete was referring to this song, he generally called it "Farting in the Park".
Richard's original keyboard riffs are actually played on guitar during the verses.
The guitar parts are played on the Ice Maiden.
In Alien Heat, this was the song where Graham played a drum solo, during which the rest of the band would roll and light cigarettes, or perhaps something a little stronger, before he brought them back in with a big drumroll.
Sven's drumming in this version is rather magnificent and he acknowledges the aforementioned drum solo with a short groovy drum break.
Josh replicated Richard's keyboard solo.
We double tracked it in the end after recording 20 or 30 takes and chose the best two because the synth just wouldn't quite behave itself.

See also:
http://www.wudrecords.co.uk/artists/dark-company/alien-heat-2
http://www.explicitmusic.co.uk/lyrics-information/dark-company/alien-heat/dancin-in-the-dark
http://www.wudrecords.co.uk/artists/alien-heat
https://wudrecords.bandcamp.com/track/dancin-in-the-dark
https://twitter.com/Dark_Company
https://twitter.com/WudRecords
http://wudrecords.bandcamp.com/

Email: darkcompany@wudrecords.co.uk

Alien Heat

Dancing in the Dark

Dark Company: Dancing in the Dark (beta mix)

Phase Out by Dark Company, from the album Can of Worms.

Lyrics by P. Greatorex.
Music by G. Davies/P. Greatorex/J. Willmot/R. Parsons/D. Wills/B. Ballard/S. Malpas.

Copyright © 2015 Wud Records.
Copyright ℗ 1991 Explicit Music/D & G Music.

Sequenced at Silent Running Studios, Exeter, by G. Davies 1993.

Performers:
Vocals - PJ Speed
Guitars - Zak Black

PHASE OUT
Sitting in the shadow of a charity car
Learn to be a learner mustn’t jump too far
A golden age of solitude studded with regrets
Brittle-boned birdcage from a skeleton set
Jack Horner was a junkie with only one eye
Hubbard was a priest another motherless guy

Keep a candle burning on a slow-blow fuse
Learn to be a learner in the art of excuse
Plastic people buying zone littered with waste
Shock-block summerhouse with a garden centre taste
Cock Robin was a lover with a red feather heart
And Mary’s lamb was French-fried in a shower of sparks

It’s a storm warning
Black cones for Blind Pugh’s fate
Do the Treasure Island shuffle
While dancing Armageddon waits
Sell your rip-off repay shelter
The bomb’s gonna be too late

Standing in the queue for a quiz show prize
Learn to be a learner don’t come on too wise
Time child clock face with sand in a jar
Holiday apartments win a mythical car
Boy Blue’s a sex king with a string of cinemas
And God sells apples from Nell Gwynne’s cart

It’s a storm warning
Black cones for Blind Pugh’s fate
Do the Treasure Island shuffle
While dancing Armageddon waits
Sell your rip-off repay shelter
The bomb’s gonna be too late

It’s a storm warning
Black cones for Blind Pugh’s fate
Do the Treasure Island shuffle
While dancing Armageddon waits
Sell your rip-off repay shelter
The bomb’s gonna be too late
The bomb’s gonna be too late
The bomb’s gonna be too late
The bomb’s gonna be too late
The bomb’s gonna be too late
The bomb’s gonna be too late
The bomb’s gonna be too late
The bomb’s gonna be too late

Fun Facts:
This song is in the key of Dm.
Its original title was Stormwarning Skank.
The chorus has an extra beat or two which caused several tricky moments as the whole thing was sequenced at half tempo.
One of those tricky moments involved an assortment of count tracks that we made to try out various permutations of beats in the bar.
The combined result of all these spoken numbers was pure audio bonkerness.
This was one of the earliest Dark Company songs and was played a few times by Dark Company's first incarnation with Rowena on sax, Simon on trumpet, Craig on keys, Jeff on bass and Ben on drums.
As yet we have not found a good recorded version in our archives, although we shall keep looking.

See also:
http://www.wudrecords.co.uk/artists/dark-company/can-of-worms
http://www.explicitmusic.co.uk/lyrics-information/dark-company/can-of-worms/phase-out
https://wudrecords.bandcamp.com/
https://twitter.com/Dark_Company
https://twitter.com/WudRecords

Email: darkcompany@wudrecords.co.uk

Can of Worms

Phase Out

Dark Company: Phase Out (beta mix)

*** Work In Progress / Demo ***

Dead Generation by Dark Company
Album: Noir

Lyrics: P. Greatorex
Music: G. Davies/P. Greatorex
Recorded, engineered and mixed at Wud Records Studio One, Exeter.

Copyright © 2015 Wud Records.
Copyright ℗ 2009 The Dark Brothers / Explicit Music.

Performers:
PJ Speed - vocals
Zak Black - guitars
Maxx Damage - bass
Sven Stiglund - drums

DEAD GENERATION
Why don’t you have the voices
That we used to hear
Why don’t you know the stories
Why don’t you live the fear

Why don’t you have the juice
That makes it all so clear
Without the kicks you won’t know
If you’re really here

Why don’t you
Why don’t you
Why don’t you need
Why aren’t you
Why aren’t you
Why aren’t you free
(Be like me)

Why don’t you
Why don’t you
Why don’t you need
Why aren’t you
Why aren’t you
Why aren’t you free
(Be like me)

Why don’t you have the pain
That you should really feel
Why don’t you see what we saw
Why don’t you think it’s real

Why don’t you have the hate
That you should really have
Why’re you so dumb and bland
Why don’t you fight them back

Why don’t you
Why don’t you
Why don’t you need
Why aren’t you
Why aren’t you
Why aren’t you free
(Be like me)

Why don’t you
Why don’t you
Why don’t you need
Why aren’t you
Why aren’t you
Why aren’t you free
(Be like me)

Why don’t you have the speed
To make you fast enough
Why don’t you have the words
To talk about sweet love

Why don’t you see me here
Looking down the years
Saying don’t you worry
It’s just time you fear

Why don’t you
Why don’t you
Why don’t you need
Why aren’t you
Why aren’t you
Why aren’t you free
(Be like me)

Why don’t you
Why don’t you
Why don’t you need
Why aren’t you
Why aren’t you
Why aren’t you free
(Be like me)

Why don’t you
Why don’t you
Why don’t you need
Why aren’t you
Why aren’t you
Why aren’t you free
(Be like me)
(Be like me)
(Be like me)

Fun Facts:
This is a song in the key of E minor.
The guitars are all a bit jumbled up in this version although the ideas are largely right.
There are also sometimes too many notes in the bass.
The 'mystery chord' is F#m11/E - fret the A and G strings on the 9th fret, the D string on the 7th fret and let the three open strings ring out.

See also:
https://www.wudrecords.co.uk/artists/dark-company/
https://www.wudrecords.co.uk/artists/dark-company/noir/
http://www.explicitmusic.co.uk/lyrics-information/dark-company/noir/dead-generation
https://twitter.com/Dark_Company
https://www.facebook.com/Dark-Company-154909774522910/
https://wudrecords.bandcamp.com/

Email: darkcompany@wudrecords.co.uk

Noir

Dead Generation

Dark Company: Dead Generation (alpha mix)

Oily Road Hideaway by Flicker.
Album: At Least 1000 Words

Music by G. Davies/D. Danielli.   

Performers:
George: guitars, Plank, string fish, synths
Dave: bass, percussion, keys, programming

Project directed by George Davies.

Recorded at Chiseldon House, Exeter.

Engineered, mixed, produced and mastered by Dave Danielli.
Remastered at Wud Records Studios (uk) 2012.
Remastered again at Wud Records Studios (EU) August 2023.

Originally released 31st July 2002.
First re-release 12th May 2012.
Second re-release 1st September 2023.

Copyright © 2023 Wud Records.
Copyright ℗ 2000 Explicit Music.

Fun Facts:
* Oily Road Hideaway is in the key of G minor and the tempo is 85 BPM.
* It was composed at around eleven o’clock on a Friday morning in October 2000.
* Instead of being at home composing a tune, George should have been in Luxembourg to celebrate Floyd and Kat’s wedding.
* Unfortunately, Joe’s old Ford Sierra wasn’t up to the task of completing the journey.
* At around 3am, the old Ford emptied the contents of its sump all over the A303, about two miles from Stonehenge.
* The stricken Sierra was towed right back to Exeter and its sleepy occupants returned to their homes, disappointed.
* Within 15 minutes of returning home, George had composed this piece on a Hokada classical guitar.
* Nearly all the other pieces on the album At Least 1000 Words had their drums recorded at Tim’s house in North Devon, in a room about the size of a toilet.
* The mics were all pretty horrid too, and the whole system looked like it had been built by Captain Hook at a Heath Robinson school for elementary electronics.
* Oily Road Hideaway is the only track on the album that uses programmed drums.
* The rhythm breakdown in the middle of the piece was somewhat longer originally, and cut down quite drastically to save precious space on the CD.
* The Hokada classical guitar, on which the piece was written, plays two parts panned to the left.
* One is the main rhythm part, and the other a melodic motif, which only uses the two top strings.
* The nature of the part means that if one should find oneself at a party where there is a wreck of a two-string guitar, it is still possible to play Oily Road Hideaway!
* The other lead guitar part is played on the Yamaha steel string, which is panned to the right and plays unison with the bass to begin.
* Oily Road Hideaway features a delicate, wistful ostinato played on the string fish, an extraordinary instrument built by Martin from Pyg.
* It starts at 2:05 and continues to the drum break, then reappears at 2:54 and plays until the end.
* A string fish is a like a pair of dulcimers or zithers, joined together at an acute angle.
* The strings are vertical and to play a scale, the player must alternate between the left and right side, like a kalimba.
* Dave and George both play a unison bassline, on the Fender and the Plank respectively.
* George and the Plank are panned right, Dave and the Fender panned left.
* Just after the drum break, at 2:48, George plays two notes that Dave doesn’t play.
* Other than that, their parts are beautifully in sync.
* Flicker would have liked very much to have found a brass section for Oily Road Hideaway, but none was available.
* Full details here: https://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words/oily-road-hideaway

See also:
https://www.wudrecords.co.uk/artists/flicker/
https://www.wudrecords.co.uk/artists/flicker/at-least-1000-words/
https://wudrecords.bandcamp.com/track/oily-road-hideaway
http://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words
https://www.discogs.com/release/17114565-Flicker-At-Least-1000-Words
https://www.redbubble.com/people/flickermusic/shop
https://twitter.com/flickermusic
https://www.instagram.com/wudrecords/
https://www.facebook.com/flickermusic
https://twitter.com/WudRecords
https://linktr.ee/flickermusic

At Least 1000 Words

Oily Road Hideaway

Download

Flicker: Oily Road Hideaway

Blown Away by Flicker.
Album: At Least 1000 Words

Music by G. Davies/D. Danielli.   

Performers:
George: guitars, synths
Dave: bass, drums

Project directed by George Davies.

Drums recorded at Clark’s Cottage, West Putford, North Devon.
Strings recorded at Chiseldon House, Exeter.

Engineered, mixed, produced and mastered by Dave Danielli.
Remastered at Wud Records Studios (uk) 2012.
Remastered again at Wud Records Studios (EU) August 2023.

Originally released 31st July 2002.
First re-release 12th May 2012.
Second re-release 1st September 2023.

Copyright © 2023 Wud Records.
Copyright ℗ 2000 Explicit Music. 

Fun Facts:
* Blown Away is a piece that is about surprise, although it actually contains few true musical surprises.
* Holding tight to shaky foundations that you know will not last, in order to survive one big difficulty, leads to yet another big difficulty further along.
* Blown Away is a reminder that next time, one should trust one’s intuition and refrain from such tomfoolery.
* The key for Blown Away is E major and the tempo is 125 BPM.
* The whole tune grew out of the C# minor to C section quite quickly in October 2000.
* There are quite a lot of guitar parts, quiet ones that you don’t hear on the first listening.
* A guitar far back in the mix is playing G# while the rest of the band plays C.
* This helps to set up a weird dissonant mood.
* The lead part where the sustained notes turn to feedback was fun and very satisfying to record.
* George says it is something he learned from Donald “Buck Dharma” Roeser, lead guitarist of Blue Oyster Cult.
* Dave plays the bassline on his Fender.
* Full details here: https://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words/blown-away

See also:
https://www.wudrecords.co.uk/artists/flicker/
https://www.wudrecords.co.uk/artists/flicker/at-least-1000-words/
https://wudrecords.bandcamp.com/track/blown-away
http://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words
https://www.discogs.com/release/17114565-Flicker-At-Least-1000-Words
https://www.redbubble.com/people/flickermusic/shop
https://twitter.com/flickermusic
https://www.instagram.com/wudrecords/
https://www.facebook.com/flickermusic
https://twitter.com/WudRecords
https://linktr.ee/flickermusic

Blown Away

Flicker: Blown Away

Welcome to the Family by Flicker.
Album: At Least 1000 Words

Music by G. Davies/D. Danielli/F. Zoboki/A. Celestine. 

Performers:
George: guitars
Dave: bass, drums, keys, synths

Project directed by George Davies.

Drums recorded at Clark’s Cottage, West Putford, North Devon.
Strings and synths recorded at Chiseldon House, Exeter.

Engineered, mixed, produced and mastered by Dave Danielli.
Remastered at Wud Records Studios (uk) 2012.
Remastered again at Wud Records Studios (EU) August 2023.

Originally released 31st July 2002.
First re-release 12th May 2012.
Second re-release 1st September 2023.

Copyright © 2023 Wud Records.
Copyright ℗ 1999 Explicit Music. 

Fun Facts:
* George had made friends with a Hungarian man called Floyd who showed him a new chord from a Portuguese sea shanty.
* The mystery chord is Bm11b5.
* It is played by holding the A and G strings on the second fret with the first and second fingers, and the D and B strings on the third fret using the third and fourth fingers, with the hi-E open and the lo-E muted.
* The other two chords in the song were A minor and E.
* When George was headhunted by the MD of the company Floyd worked for, Floyd gave him a copy of Mario Puzzo’s book The Godfather, and wrote ‘Welcome to the family!’ inside the front cover.
* Obviously this piece could have no other name.
* Welcome to the Family is in the key of A minor.
* The tempo for this tune is 98.0035 BPM.
* Emma recorded an extra part on the keys that was not used in the end.
* The Stratocaster enters to play rhythm on the second verse.
* The Ice Maiden takes the twin lead parts at the end.
* Some trombone was also planned, but there were no players around at the time, so the final mix remains without it.
* Full details here: https://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words/welcome-to-the-family

See also:
https://www.wudrecords.co.uk/artists/flicker/
https://www.wudrecords.co.uk/artists/flicker/at-least-1000-words/
https://wudrecords.bandcamp.com/track/welcome-to-the-family
https://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words
https://www.discogs.com/release/17114565-Flicker-At-Least-1000-Words
https://www.redbubble.com/people/flickermusic/shop
https://twitter.com/flickermusic
https://www.instagram.com/wudrecords/
https://www.facebook.com/flickermusic
https://twitter.com/WudRecords
https://linktr.ee/flickermusic

Welcome to the Family

Flicker: Welcome to the Family

Week Five by Flicker.
Album: At Least 1000 Words

Music by G. Davies/D. Danielli.

Performers:
George: guitars, samples
Dave: bass, dums, djembe, clave, EDP Wasp 

Samples:
The Prague Metro 1997

Project directed by George Davies.

Drums recorded at Clark’s Cottage, West Putford, North Devon.
Strings, percussion and synths recorded at Chiseldon House, Exeter.

Engineered, mixed, produced and mastered by Dave Danielli.
Remastered at Wud Records Studios (uk) 2012.
Remastered again at Wud Records Studios (EU) August 2023.

Originally released 31st July 2002.
First re-release 12th May 2012.
Second re-release 1st September 2023.

Copyright © 2023 Wud Records.
Copyright ℗ 1996 Explicit Music. 

Fun Facts:
* Week Five is a tune that George wrote around the time of his TESOL course in the spring of 1996.
* It was a four week course, so Week Five is all the stuff that happens to you as a teacher after completing that initial course of training.
* The sound of the train was recorded on the cassette recorder George hauled around Prague for teaching.
* He left it running on a journey from his room at the Hotel Opatov to the office of his school, English House, in Albertov, in order to capture some ambient sounds of the city.
* Week Five is essentially a two-chord tune – F# minor and E.
* The tempo is 135 BPM.
* There are five ‘verses’ to Week Five, one for each week.
* As the piece progresses, each ‘verse’ becomes a little more intense than the previous one.
* The fourth and fifth verses are slightly longer than the first three.
* The fourth week involved a great deal of work, so that deserved an extra few bars.
* The fifth week represents the rest of one’s life after the course is finished, which hopefully is longer than four weeks.
* Week Five is dedicated to the guinea-pig students at Sidmouth International School in Spring 1996 – Sandi, Tammi, Keiko, Myrtle and Dilek, and tutor Vincent, as well as the other trainees, tutors and students.
* A little credit must go to Adi Celestine for defining the ending.
* In a perfect world this tune would have been 5:05 minutes in length.
* 505 was the number of the night bus, or the “magic bus”, that would take George back to Opatov after a night of revelry in Prague.
* The acoustic guitar rhythm gives the tune a train-ish vibe.
* The percussion and latin feel were intended to make the piece appear more cosmopolitan.
* Due to lack of space on the CD, the soundscape at the beginning was drastically curtailed.
* This was a shame as it took ages to make the panning and editing just right.
* Pražského Povstání was chosen because that metro station was very close to where George lived to begin with, before moving out to Opatov.
* Full details here: https://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words/week-five

See also:
https://www.wudrecords.co.uk/artists/flicker/
https://www.wudrecords.co.uk/artists/flicker/at-least-1000-words/
https://wudrecords.bandcamp.com/track/week-five
https://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words
https://www.discogs.com/release/17114565-Flicker-At-Least-1000-Words
https://www.redbubble.com/people/flickermusic/shop
https://twitter.com/flickermusic
https://www.instagram.com/wudrecords/
https://www.facebook.com/flickermusic
https://twitter.com/WudRecords
https://linktr.ee/flickermusic

Week Five

Flicker: Week Five

Farsight by Flicker.
Album: At Least 1000 Words

Music by G. Davies/D. Danielli/G. Barbe/N. Board.

Performers:
George: guitars, synths, keys, samples
Dave: bass, drums, samples 

Samples:
Maharaj Ji, Jonathan Agnew, stinsv.com

Project directed by George Davies.

Drums recorded at Clark’s Cottage, West Putford, North Devon.
Strings recorded at Chiseldon House, Exeter.

Engineered, mixed, produced and mastered by Dave Danielli.
Remastered at Wud Records Studios (uk) 2012.
Remastered again at Wud Records Studios (EU) August 2023.

Originally released 31st July 2002.
First re-release 12th May 2012.
Second re-release 1st September 2023.

Copyright © 2023 Wud Records.
Copyright ℗ 1995 Explicit Music.

Fun Facts:
* Farsight is the oldest piece on the album At Least 1000 Words.
* It is a piece that George wrote around March 1995, during the days of The Ug Brothers.
* Any recordings of the original have been lost to the vortices of time and the land of refugee cassettes – the Tape Void, as the Ug drummer Graham used to call it.
* Originally there were words for it too.
* These lyrics described the kingdoms of the mind, those inner spaces, places and temples; the mythology of the self that begins in early childhood, a mysterious and magical place that is a sanctuary where only you can go, a place that is reachable in the blink of an eye yet can be so far, far away in space, time and reality.
* This place never really allows any other individual, however close a relationship and understanding they may have with you, ‘access all areas’ – perhaps for the best, as we all need our own castle to retreat to occasionally.
* Farsight is dedicated to that very world that exists within all of us, our private fantasy space, where we go in our dreamtime, and the place from where art comes or is filtered through to us from the farside perhaps, and the zone you are in when you are ‘in the zone’.
* Dave then wrote some other more Ug-like words.
* The only two that can be recalled are “wondering why”.
* The Ug Brothers disbanded before the song was ever performed live.
* This was a great shame as Farsight was one of the band’s collective favourites and one of the last new pieces they worked upon.
* We have been unable to dig up any Ug Brothers recordings of Farsight.
* Natalie, the Ug singer, came up with a vocal melody for the lost lyrics penned by Dave.
* A small fragment of that melody remains, in the very beginning of the lead guitar part, the rest again vanished forever to the realms of nilspace.
* This instrumental version of Farsight seemed to be a convenient resolution.
* In as many ways as possible it is largely true to the original Ug Brothers version.
* The piece begins in G minor but ends in C major and runs at 120 bpm.
* That was exactly the speed of the rhythm of the bridge on the USS Enterprise in the first Star Trek series, a sound which we used from the website www.stinsv.com, and just seemed perfect by its synchronicity.
* As the piece begins you can hear a Klingon door opening, from the same site – to let you in.
* Flicker tried to get the sound of a motor race into the soundscape, but it didn’t work so was left out.
* The percussion is probably not so different from the original played by Graham, again lost to the mists of time.
* Dave certainly delayed coming in with the full drumkit to the exact same point as The Ug Brothers.
* Dave’s beautifully expressive and critically acclaimed bassline, played on the Fender, was what drove and made the piece distinct.
* All the guitar parts are played on the Ice Maiden apart from the lead line, which was recorded using Nicodemus.
* Full details here: https://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words/farsight

See also:
https://www.wudrecords.co.uk/artists/flicker/
https://www.discogs.com/release/17114565-Flicker-At-Least-1000-Words
https://www.redbubble.com/people/flickermusic/shop
https://twitter.com/WudRecords
https://linktr.ee/flickermusic

Farsight

Flicker: Farsight

2 Live Crew New Hit Single 'One Horse Sleigh' from the Bad Santa 2 Soundtrack

2 Live Crew - One Horse Sleigh [Instrumental]

2 Live Crew - One Horse Sleigh [Explicit]

2 Live Crew - One Horse Sleigh [Clean]

Good Times by The Bastard Sons of Dennis, from their album Cherry Smoke Empire.

Good Times was one of the earliest Bastard Sons of Dennis songs, first coming to light in their sand dune sessions on Exmouth beach in the summer of 1994. Sometimes was first performed live by the duo at The Cavern in Exeter that same summer. It also featured in their spontaneous one-off reunion in 1998.

Mr Lijkkes composed this song shortly after hitch hiking and being given a lift by a rather odd man who told him a very strange tale about his life.

Good Times is in the key of G and has some rather interesting temporal anomalies buried within. They sound very natural so you may not hear them immediately.

With its fun acoustic funk jam to start off, this track was sometimes used as a set opener in the duo's longer performances.

GOOD TIMES
This has gotta be the good times
No more bad
No more in between for a while
I wanna get down to it
Don't wanna be the spoke in your wheel if I can help it

Well excuse while I tell you what I saw the other day
I met a man with a life to hide and bridges burnt behind him
He had a fleeting glimpse, a breath of freshness passed him
Like he didn't have a chance to catch it when it settled upon his lip
I don't suppose so

This has gotta be the good times
No more bad
No more in between for a while
I wanna get down on it
Don't wanna be a spoke in your wheel if I can help it

Well I came across your garden when your flower was unfurling
May I relieve you of the burden of your innocence
Your aura's tantalising, your scent is mesmerising
When I'm near you I have to slip into a realm of fantasy

This has gotta be the good times
No more bad
No more in between for a while
I wanna get down to it
I don't wanna be the spoke in your wheel if I can help it

Well excuse me while I ask you what's your name and where you've been
Cos you look so damn familiar like a painting, a rocket
A reflection of my sin

(Take it down)

I see a hint of roses smiling on your face
I don't mean to make you catch your breath
I couldn't make you if I tried

I see a hint of roses smiling on your face
I don't mean to make you catch your breath
I couldn't make you if I tried

And I came across your garden where the walls were gently fading
And the blossom was exhiilerating as it spoke to me
My universe expanded and my questions became answers
As I laid upon the earth and it accepted me

And this has gotta be the good times
No more bad
No more in between for a while
I wanna get down on it
Don't wanna be the spoke in your wheel if I can help it

This has gotta be the good times
No more bad
No more in between for a while
I wanna get down on it
Don't wanna be a smoke in your wheel if I can help it

This has gotta be the good times
No more bad
No more in between for a while
I wanna get down to it
Don't wanna be the spoke in your wheel if I can help it

This has gotta be the good times
No more bad
No more in between for a while
I wanna get down on ya
I'd like to be the seat upon your bike if you would let me

Music and lyrics by A. Richardson.
This arrangement by The Bastard Sons of Dennis. 

Performers:
Acoustic guitar, lead vocal: Q. Wim Lijkkes 
Acoustic guitar, backing vocal: Yuri Nation 

Recorded, engineered, mixed and mastered at Wud Records Studio One 2017. 

Copyright © Wud Records 2017. 
Copyright ℗ Explicit Music 1993.

Cherry Smoke Empire

Good Times

The Bastard Sons of Dennis: Good Times

The Furniture (part 1: overture) by The Bastard Sons of Dennis, from their album Cherry Smoke Empire.

The Furniture (Los Muebles) is a traditional northern Spanish sea shanty from the Asturias region.

It tells a tale of how a dysfunctional family of linguistically challenged fishermen lost and then found some furniture following a flood, and the consequences.

Linguistically challenged means, in this case, they were not terribly bright and could not even speak their own language very well.

The Spanish version has been loosely translated into English by The Bastard Sons of Dennis.

From an idea by Daniel Richardson.

This song and its anomalies of translation make a great teaching aid, if one happens to have students learning English or Spanish.

THE FURNITURE (PART 1: OVERTURE)
Donde esta mis muebles de los hermanos? 
Donde esta mis muebles de los hermanos? 
Se pierden, se pierden 

Where is the furniture of my brother? 
Where is the furniture of my brother? 
It is lost, it is lost. 

Donde la guaderropa, la tabla? 
Donde la silla, es banera? 
Donde la gabineta, la oficina 
Se pierden, se pierden 
Los incontrareos 

Where is the wardrobe, the table? 
Where is the chair, the bathtub? 
Where are the cabinet and the bureau? 
They are lost, they are lost. 
We will find them! 

Creo que esta perdido por siempre 
No! Los incontrareos 

But I believe they are lost forever! 
No! We will find them! 

Donde esta mis guaderropa de los hermanos? 
Donde esta mis guaderropa de los hermanos? 

Where is the wardrobe of my brother? 
Where is the wardrobe of my brother?

Music and lyrics: A. Richardson/G. Davies

Rhythm guitar and Spanish voices: Q.Wim Lijkkes. 
Lead guitar and English voices: Yuri Nation.

Originally released November 10, 2012.
Recorded, engineered, mixed and mastered at Wud Records Studio One 2012.

Copyright © 2012 Wud Records.
Copyright ℗ 2012 Explicit Music.

The full length version of The Furniture/Los Muebles is here:
https://soundcloud.com/wud-records/the-bastard-sons-of-dennis-the-furniture-los-muebles
https://wudrecords.bandcamp.com/track/the-furniture-los-muebles

The Furniture (part 1: overture)

The Bastard Sons of Dennis: The Furniture (part 1: overture)

Born Of Stars by Alchemeon, from Alchemeon Live In Session Winter 2008-09.

The audio file for this song was plagued with hundreds, maybe thousands, of corrupted waves. These ranged in sound from a very big click at the small end of the scale, to something akin to trousers being ripped when bending over in a Carry On movie at the large end of the scale.

The audio file is now massively better than it was. A few blemishes and some sounds not unlike that of a scratchy old vinyl record still exist in places.

Repairing the damaged audio file for this song was an incredibly time-consuming and tedious task. It required massive amounts of the wave forms to be redrawn by hand in tiny, tiny detail.

The first time we attempted to repair it, the work was almost finished when the main hard drive on the mastering machine lost the will to live and mangled itself beyond all recognition. We had to buy a new one and completely reinstall the entire system.

All the repair work already done to Born of Stars was therefore utterly destroyed. It had to be done again from the start. Fortunately, as we are reasonably diligent with regard to backing up our work, no other files were lost.

This is why the Winter version of Born of Stars appeared two years after the rest of the album was released!

* Born of Stars is a highly rifftastic space rock song in the key of E.
* Several sections are deliberately left quite loose to allow for improvisation.
* The lyrics also tend to vary from one version to another.
* Born of Stars was performed by the Spacegoats, including in their brief “Electric Elves” manifestation. 

BORN OF STARS
We are born of stars
We are born of stars
We are born of stars
We are born of stars

Om nam maya maitraya
Om nam maya 
Om nam maya maitraya
Om nam maya 
Gaia

We are seeds of time
We are seeds of time
You are a seed of time
We are seeds of time

Om nam maya maitraya
Om nam maya maitraya
Om nam maya maitraya
Om nam maya 
Gaia

Create a brighter future
Create a brighter future
We are a brighter future
Create a brighter future

Om nam maya maitraya
Om nam maya maitraya
Om nam maya maitraya
Om nam maya 
Gaia

Earth
Planet Earth
Planet Earth
Our planet
Terra Firma
Has made a conscious decision
A conscious, conscious decision
To become whole
To become one.

Entombed, cocooned
In concrete, metal,  plastic, tarmac
Effluence of all kinds
Chemicals, radiation and  nuclear waste

Yet she shall break free
She shall break free from this prison
Free from these chains

Planet Earth is undergoing
An evolutionary, interpersonal, galactical
REBIRTH!!!

We are born of stars
We are born of stars
We are born of stars
We are born of stars

Om nam maya maitraya
Om nam maya maitraya
Om nam maya maitraya
Om nam maya maitraya

We are seeds of time
We are seeds of time
You are a seed of time
We are seeds of… time!

Om nam maya maitraya
Om nam maya maitraya
Om nam maya maitraya
Om nam maya 
Gaia

Create a brighter future
Create a brighter future
You are a brighter future
Create a brighter future

Om nam maya maitraya
Om nam maya maitraya
Om nam maya maitraya
Om nam maya 
Gaia

Words and music by Simon Miller/Pete Phoenix/Chrissie Ortner.
This arrangement by S. Miller/G. Davies/J. Peters/Iggy.

Performers:
Pok the Bard – guitar and voice
Jim Iz – keys and voice
Iggy – drums and percussion
George – bass and technicals

This version recorded live at Depot X, Exeter, 17th December 2008.
Cassette salvage and remastering at Wud Records Studio One, 2020.

Cover illustration by Pok.
Graphic design by Sam James.

Released 27th July 2020
Original release date: 15th January 2009

Copyright © 2020 Wud Records.
Copyright ℗ 1996 Pok Songs/Explicit Music.

See also:
https://www.wudrecords.co.uk/artists/alchemeon/
https://www.explicitmusic.co.uk/lyrics-information/alchemeon/alchemeon-lyrics/born-of-stars
https://wudrecords.bandcamp.com/album/live-in-session-spring-2009
https://wudrecords.bandcamp.com/album/live-in-session-winter-2008-09
https://twitter.com/WudRecords

Live In Session Winter 2008-09

Born Of Stars

Live In Session Spring 2009

Celestine

Alchemeon: Celestine

Finale by Alchemeon, from Alchemeon Live In Session Spring 2009.

* Finale is a song in the key of E.
* It would have been the final encore of an Alchemeon live show.
* Finale was originally performed as the closing track for the play Chameleon, which Pok wrote in the mid 1980s.
* A version of this song is in the works for Pok’s growing Anthology album.
* Finale was also performed live by the Spacegoats.

FINALE
When we were young
We saw the faces
And friends from the stars
Built the earthworks with us
And energy ran through
The earth’s sacred surface
Messages ran from star to star
Aaaah

All you can see
All you can be
All that is now
All that’s to come
And all that means something
All that’s inside
All that you covet
All that you hide
Aaaah
Aaaaah

Words and music by Simon Miller.
This arrangement by S. Miller/G. Davies/J. Peters/Iggy.

Performers:
Pok the Bard – guitar and voice
Jim Iz – keys and voice
Iggy – drums and percussion
George – bass and technicals

This version recorded live at Sound Gallery, Exeter, 6th April 2009. 
Cassette salvage and remastering at Wud Records Studio One, 2018.

Cover illustration by Pok the Bard.
Graphic design by Sam James.

Released worldwide September 14, 2020.
Original release date: 10th April 2009.

Copyright © 2018 Wud Records.
Copyright ℗ 1985 Pok Songs/Explicit Music.

See also:
https://www.wudrecords.co.uk/artists/alchemeon/
https://www.explicitmusic.co.uk/lyrics-information/alchemeon/finale
https://wudrecords.bandcamp.com/album/live-in-session-spring-2009
https://wudrecords.bandcamp.com/album/live-in-session-winter-2008-09
https://twitter.com/WudRecords

Finale

Alchemeon: Finale

Orb by Alchemeon, from Alchemeon Live In Session Spring 2009.

* There are some songs that give the listener goosebumps as soon as they hear and recognise the first couple of notes and realise they are about to hear something truly extraordinary.
* Orb is one of those special songs.
* There are several distinct sections to the song with classic riffs and earworm la-la-la vocals.
* It was performed by the Spacegoats before Alchemeon started playing it.
* Orb would have been the first of two encore songs in a live performance.

ORB
When the walls of the temple
Are cast to the ground
And light shines through the ruins
When the form decays
To leave no trace
That is the time of re-doing

And the sun is shining
Casting rays throughout the universe
And everything goes on as before
The slip of light has pierced
The very heart and soul of you
Take a look now, open up your door

At first you may find it a little curious
Just let go to the feeling
Describe a circle your arms outstretched
Learn to feel this healing

Singing...
Li la li li li li la li
Li li li li la la li la la li li la la

Send the sun’s rays into the earth
And round and round and round revolving
The moon will shine her light upon you
As round the stones we are returning

Return...
Li la li li li li la li
Li li li li la la li la la li li la la

Become a tribe of many lives
Around and round and round and round evolving
The moon will shine her light upon we
As round the stones we are returning

Return...
Li la li li li li la li
Li li li li la la li la la li li la la

Send the seeds into the earth
You know you know you know it’s worth
Send the seeds into the ground
It’s a holy holy holy sound

La la li la la la li li
Hey hey!

Don’t you don’t you don’t you know
We gotta sow sow sow sow
And don’t’ya don’t ya don’t ya know
We’re gonna grow grow grow grow
Grow grow grow grow grow grow grow grow!

La la li la la la li li
Hey hey!

And the sun is shining
Casting rays throughout the universe
And everything goes on like never before
The slip of light has pierced
The very heart and soul of you
Take a look now
Open up your door

Words and music by Simon Miller.
This arrangement by S. Miller/G. Davies/J. Peters/Iggy.

Performers:
Pok the Bard – guitar and voice
Jim Iz – keys and voice
Iggy – drums and percussion
George – bass and technicals

This version recorded live at Sound Gallery, Exeter, 23rd February 2009. 
Cassette salvage and remastering at Wud Records Studio One, 2020.

Cover illustration by Pok the Bard.
Graphic design by Sam James.

Released worldwide September 14, 2020.
Original release date: 10th April 2009.

Copyright © 2020 Wud Records.
Copyright ℗ 1995 Pok Songs/Explicit Music.

See also:
https://www.wudrecords.co.uk/artists/alchemeon/
https://www.explicitmusic.co.uk/lyrics-information/alchemeon/orb
https://wudrecords.bandcamp.com/album/live-in-session-spring-2009
https://wudrecords.bandcamp.com/album/live-in-session-winter-2008-09
https://twitter.com/WudRecords

Alchemeon: Orb

The Freaks (Shall Inherit The Earth) by Alchemeon, from Alchemeon Live In Session Spring 2009.

The Freaks (Shall Inherit the Earth) is a glorious rock n roll anthem and call to action in the key of G major. It was performed by the Spacegoats before Alchemeon started playing it. The Freaks (Shall Inherit the Earth) would have been the final song in an Alchemeon set, with Orb and Finale as encores.

During this rendition one of Jim's keyboards started to misbehave. It was either too quiet or too loud and harsh despite his numerous and ongoing fiddlings and twiddlings. At 3:29 he becomes a bit frustrated and gives it a good bash.

THE FREAKS (SHALL INHERIT THE EARTH)
How many jacks are kept in their boxes?
How many dreams are trodden underfoot?
Could it be in you or it could be in me
The fate of all nations or a colour TV

Look down any road see a million faces
Scream back their pain from a sheer concrete wall
There’s a million products made just to fill that hole
But you never never, can never fill it at all

It’s a cry from the depths of a pin-stripe suit
And whose voice dares not to conform
Why is it just those who can see through the see through?
They’re the misfits who break out from the norm

The Freaks! The Freaks!
The Freaks shall inherit the Earth
The Freaks! The Geeks!
Who speak shall inherit the Earth

Should we obey what the government say?
Is it wrong not to tag along?
The question is no question at all
But what we do with our backs to the wall

What is a freak? I think we’ll see
When what is established gets washed away
Those who cling to it will not survive if
Destiny’s child awakes a new day

Just look around you see those bulldozers working
Ripping up the land for fool’s gold again
It’s getting worse, can’t go on forever
And who’s gonna be here when these dinosaurs fall?

Ok. What’s it going to be if it is as we’ve hear?
Who’s gonna emerge with these worlds have submerged?
When the profit is made from the damage is done
You wanna cling to the wreckage or go with the change?

CHANGE!!!!!

Now there’s some pretty megaton forces
Stirring up hate and making a war
Who can get poison and spit out the bullet?
Who are these freaks, do you think that one’s you?

The Freaks! The Freaks!
The Freaks shall inherit the Earth
The Freaks! The Geeks!
Who speak shall inherit the Earth

The Freaks! The Freaks!
The Freaks shall inherit the Earth
The Freaks! The Geeks!
Who speak shall inherit the ….. Earth!!!!

Words and music by Simon Miller.
This arrangement by S. Miller/G. Davies/J. Peters/Iggy.

Performers:
Pok the Bard – guitar and voice
Jim Iz – keys and voice
Iggy – drums and percussion
George – bass and technicals

This version recorded live at Sound Gallery, Exeter, 23rd February 2009.
Cassette salvage and remastering at Wud Records Studio One, 2020.

Cover illustration by Pok the Bard.
Graphic design by Sam James.

Released worldwide September 14, 2020.
Original release date: 10th April 2009.

Copyright © 2020 Wud Records.
Copyright ℗ 1992 Pok Songs/Explicit Music.

See also:
https://www.wudrecords.co.uk/artists/alchemeon/
https://www.explicitmusic.co.uk/lyrics-information/alchemeon/the-freaks-shall-inherit-the-earth
https://wudrecords.bandcamp.com/album/live-in-session-spring-2009
https://wudrecords.bandcamp.com/album/live-in-session-winter-2008-09
https://twitter.com/WudRecords

The Freaks (Shall Inherit the Earth)

Alchemeon: The Freaks (Shall Inherit the Earth)

Castrol GTX a Go-Go by Alchemeon, from Alchemeon Live In Session Spring 2009.

This song was composed by Pok in 1992 at George's flat, opposite the Heavitree swimming baths and just a couple of doors downhill from The Emporium, a fabulous old traditional second-hand hi-fi and vinyl shop in Exeter run by John John, who still to this day DJs a fabulous weekly progressive rock radio show on Phonic FM.

Among those present were the famous and acclaimed photographer Marcus Podilchuk. Pok said he would write a song for Marcus and sat on the floor with pen and paper. After some time, when he had finished, he sang this for us. We loved it!

"Is that really for me?" asked Marcus, slightly surprised.

"Actually, no," replied Pok.

* Castrol GTX a Go-Go starts on an A major ands ends on a D minor.
* Simplified, the chord sequence for the verses is A – G# – Dm – Bb – A – Dm.
* Describing to Iggy how the beginning should be played, Jim said “Play some jokes! Play some musical jokes!”
* Children seem to love the whackiness of this wonderful song.
* Castrol GTX a Go-Go was first performed by the Spacegoats before Alchemeon started playing it.

CASTROL GTX A GO-GO
We’re gonna juice you to the bone
Feed the ogre faintly bold
He’s grinding chrome

West is my kind of tree
Feel till you’re opaque in the door
Scooping up the gnomes from the floor

Blessed be the world
For there is a dragon deeply curled
Well I’ll sing a sweep of dreams
Crown the day with night

I’m a matt-bam-bootle
Ride away on my scooter
I peel oranges now

Castrol GTX a go-go
I’m gonna motor your mojo
Brideshead’s eagle and a seagull
Home again, ogre-man

Words and music by Simon Miller.
This arrangement by S. Miller/G. Davies/J. Peters/Iggy.

Performers:
Pok the Bard – guitar and voice
Jim Iz – keys and voice
Iggy – drums and percussion
George – bass and technicals

This version recorded live at Sound Gallery, Exeter, 23rd February 2009.
Cassette salvage and remastering at Wud Records Studio One, 2020.

Cover illustration by Pok the Bard.
Graphic design by Sam James.

Released worldwide September 14, 2020.
Original release date: 10th April 2009.

Copyright © 2020 Wud Records.
Copyright ℗ 1992 Pok Songs/Explicit Music.

See also:
https://www.wudrecords.co.uk/artists/alchemeon/
https://www.explicitmusic.co.uk/lyrics-information/alchemeon/alchemeon-lyrics/castrol-gtx-a-go-go
https://wudrecords.bandcamp.com/album/live-in-session-spring-2009
https://wudrecords.bandcamp.com/album/live-in-session-winter-2008-09
https://twitter.com/WudRecords

Castrol GTX a-Go-Go

Alchemeon: Castrol GTX a-Go-Go

The Centre of the Cyclone by Alchemeon, from Alchemeon Live In Session Spring 2009.

* The Centre of the Cyclone is more-or-less in the key of A major.
* The rhythm and noises at the start and then in the instrumental section are in the key of E.
* There is a classic chord progression in the first verses, which is A - Em - G - Bm - D.
* This mutates into C - G - D - Am - Em - G.
* The final chord of the whole song is an Asus4, which leaves a giant tantalising question mark dangling in the air.
* The Centre of the Cyclone has several sections, each with a different tempo and texture.
* It was first performed live in 1985 by Laughing Sun in the drama studio at Exeter College during a free lunchtime concert given for the students.
* Jim used his amazing understanding of arrangement to take this wonderful song and make it longer and more elegant with the addition of a guitar solo before the vocals start.
* It seems more and more extraordinary that Pok wrote the lyrics for this when he was only 19.

THE CENTRE OF THE CYCLONE
In forlorn castles too brief for living
We rose to catch the sun but were defeated
Just around the corner beyond the eyes
Beyond the skies we set ourselves as real
Like spaceships casting cosmic lines
Left behind with stars strewn from our astral selves
And planets in our eyes

You walk along the road of life
Too high to see the mountain you are climbing
Casting seeds and scrolls from our outstretched hands
The forgiven forget of the gift
And it’s too late, the ladder stretches up and down
And where do you stand in perspective to it all?

Can you imagine a place
A space where you have not been before
But which is not new to you?
A place you can recall softly
Push through bad dreams
Make it real, remember
Complications contradict but reality sticks
And unbounded has its realms
In everything you see

Yes, what do you see?
Push through the dark vales to the sea
Cast your cosmic line wherever it may fall
Maybe you will find some higher guidance there
Or maybe you will find a place where you may truly rest
Maybe you will find some friends who love you the best

Listen
Listen
Listen

The tides of swirling memories
Are nearly gone but forgotten
Would you choose to beg or lose
The axis which you hold onto
Thirteen is the number, twelve it is the rite
Thirteen red eyed ravens
Outside the house til night

Outward, outward on out
Cast light, cast light about
Outward, outward on out
Look out, which way is far out?

Petty wages are falling like leaves
Calling the master to apprenticeship again
Will he recall the time, the chimes of freedom
Blowing through his keyhole
Step down from your pedestal and mingle once again
With the crowds that you shunned as a youth

At the centre of the cyclone
Where all our thoughts are real
You’re cacooned in your mental egg
Imprisoned inside your head

When you look out the bars you’ve made
Can you maybe follow a little way
To see there are no more shackles to pass
Yet more fresh air, green fields and grass

And we are like the butterfly
Cannot take off, our wings aren’t dry
But soon if we shall heed the guides
The caterpillar metamorphosise

Words and music by Simon Miller.
This arrangement by S. Miller/G. Davies/J. Peters/Iggy.

Performers:
Pok the Bard – guitar and voice
Jim Iz – keys and voice
Iggy – drums and percussion
George – bass and technicals

This version recorded live at Sound Gallery, Exeter, 22nd February 2009.
Cassette salvage and remastering at Wud Records Studio One, 2020.

Released worldwide September 14, 2020.
Original release date: 10th April 2009.

Copyright © 2020 Wud Records.
Copyright ℗ 1984 Pok Songs/Explicit Music.

See also:
https://www.wudrecords.co.uk/artists/alchemeon/
https://www.explicitmusic.co.uk/lyrics-information/alchemeon/alchemeon-lyrics/the-centre-of-the-cyclone
https://wudrecords.bandcamp.com/album/live-in-session-spring-2009
https://wudrecords.bandcamp.com/album/live-in-session-winter-2008-09
https://twitter.com/WudRecords

The Centre of the Cyclone

Alchemeon: The Centre of the Cyclone

Contact: info@wudrecords.co.uk
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ACTIVE ARTISTS:
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LEGACY ARTISTS:
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* For DIY musicians:

Looking to grow your fanbase? Here's a proven strategy for success. It's a bit time-consuming at first because you need to work at it often. However, the awesome results will make it worth your while:

http://www.wudrecords.co.uk/miscellaneous/be-discovered-on-social-media

That article was published in March 2017. While some of the links may no longer work, the theory absolutely will. Try it for yourself!

* Unfortunately...

Due to brexshit, broken britain, rip-off britain, corruption, lies and bias in the media, bigotry, racism, intolerance, polarisation, the fact that some of our family members would not be allowed to remain post-brexit, state-sponsored child trafficking (yes, that's right, we said it - it's pretty shocking, start reading from here if you don't believe it: https://forced-adoption.com/), an increasing sense of frustration and exasperation, and general total weariness of being treated with nothing but derision, ignorance and contempt by the entire shebang since the early 80s, we decided enough was enough and moved our entire operation from brexeter in the uk to begin our grand brexodus in 2017. We are now brefugees, living in brexile very near the border of the Czech Republic, Austria and Germany. If you live in (the crumbling remains of) the uk, do yourself a favour and leave. The upgrade in life quality will blow your mind.

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