THIS PROFILE IS NOT ACTIVE. PLEASE FOLLOW ME HERE:
https://soundcloud.com/akibergenrichter

Two lawyers sent back from the streets of future, post apocalyptic Los Angeles 2043.

Playback OUT NOW - https://tinyurl.com/y4a8akun
Management - mgmt@powergloveaudio.com
Contact - info@powergloveaudio.com

Mark Onyx is an artist, cartoonist, drummer/musician based in Portland, OR. 

I'm currently seeking either a really skilled bassist/guitarist or baritone sax player to improv and make avant-garde, experimental free-jazz, post-punk and poly-rhythmic music.  I'm also into dub, afro beat and middle eastern stuff.  Along the lines of Liquid Liquid, Mombu or Zu, or Bill Laswell type shit, like Material or Massacre.

Here are some of the projects that I've played drums in for the past twenty years.  I'll be posting rare tracks, often live recordings, so bare with the quality of sound, for most are recorded on a boombox or 4-track.  Some of the recordings have never been posted on the web and only exist on cassette tape or vinyl. 
All songs copyright by each respected artist or group.
Thanks for listening!

Smoke Rings- (2012-current)
Tim Iserman: Bass 
Mark Onyx: Drums 
Lilian Void: Guitar 
Noelle Magia: Vocals
http://smokeringspdx.bandcamp.com/

Law Of Falling Bodies (2012*)
Dylan Walter: Bass 
Mark Onyx: Drums 
Lilian Void: Guitar 
Noelle Magia: Vocals
http://lawoffallingbodies.bandcamp.com/
(*Currently re-named SMOKE RINGS)

DINNER & THE MAINCOURSE (2007-09)
Teysha G.=vocals, sax
Dylan Walter=bass, guitar
TJ Walter=guitar, bass
Mark Onyx=drums
http://www.myspace.com/dinnerpdx

ASTROLOGY (2009-2010)
Charles Byron Salas-Humara: Vocals, Guitar
Marius Libman: Bass
Mark Onyx: Drums
http://us.myspace.com/astrologymusic

Don't Shoot...I'm With God (2000-02)
Dustin: Vocals
Nate: Bass, Vocals
Mark: Drums
Paul: Keys, Theremin
http://www.last.fm/music/Don't+Shoot...+I'm+With+God?ac=dont%20shoot...

 BLENDER (1994-97)
ALVA: Guitar, Vocals
Mark: Drums
Aaron: Bass



Tomas started his career in the golden era of minimal and glitch techno and helped to define the genres. 
His live performance at the inaugural Mutek festival in 2000 caught the ear of Force Inc who signed him shortly after, just eking-out Akufen to become the first Canadian on the label. In the era where vinyl still ruled, and digital downloads were just a twinkle in some corporation's eye, Tomas dropped albums on Traum, Klang Elektronik, Revolver, Audio.NL, and more. 
Since then, two decades of producing has seen Jirku manipulate house on Arbutus Records; hip-hop with his laser-gun-rap project The Killaz; dub on his highly regarded "Entropy" album; electro, ambient, and other experiments that defy genres. With experience performing around the globe and having made his mark on innumerable record labels, Tomas has been honing back in on techno, aiming to maximize the brain and body connection that deep techno can provide.
His recent releases on Seattle's Innerflight, Berlin's Thoughtless, Vancouver's Subspec, and Rome's Concrete record labels further prove that the Canadian producer has built a strong repertoire by not doing anything straightforward or ordinary.

Label, booking agency & online record shop

Demo submission: 
We receive a lot of demos every day. Please understand that we are unable to listen to everything. Send your private soundcloud link to: label@kompakt.fm.

I like to make quiet music that should be played loud.  Preferably in a moving vehicle.


From minimalism to melody and back again, Isan have been navigating the aural Autobahn since a chance meeting brought together Robin Saville and Antony Ryan in 1996. With Robin based in Southend on Sea, England and Antony residing in Denmark, they creatively communicate via email, telephone and postcard. Notes are compared and directions assimilated or abandoned, they prefer to allow their sound to develop on its own.

Having recorded for a variety of micro-indies such as Bad Jazz, Static Caravan and Wurlitzer Jukebox, Saville and Ryan now consider Morr Music their spiritual home.

Continually progressing their passion for sound, Isan are not afraid of giving their analogue tone poems space to breathe, placing as much importance on void and silence as on sounds – sometimes vibrant and scratchy, sometimes hymnal and opulent. Their sonic design sits somewhere between the Düsseldorf sounds of Kraftwerk and neu!, the invention of a young Eno and the smart-pop expertise of the Cocteau Twins.

They’ve remixed and been remixed by the likes of Depeche Mode, The Notwist, Seefeel and Piano Magic amongst others. Isan have also brought their Kosmische confection to the stage, gracing respected festivals such as Sonar and the Big Chill and playing as far afield as China, Japan, Iceland, Russia and Hull*.

*performing to 6 people (including the booker) at the legendary Adelphi.


Wumpshire is an ongoing music project that supplies short animations and films with original music.  Yet, I will create stand alone tracks too. Mostly I record ambient and electronic based music however I prefer to remain genre-less.  The videos and animations can be viewed on my Vimeo page: http://vimeo.com/spigalo/videos

Wumpshire is following