@bdrosa: i´m glad you liked it, thank you very much 🙏

Extraordinary scary and unknown darkness...

NO RUST ON THIS TUNE/////SHE LIVESSSSSSSSSSSSSSSSSSSSSSS

I AM IN AWE///AND VERY INSPIRED///THE ABSENCE OF A TRUE BEAT IS VERY HARD FOR ME TO PULL OFF///OHHHH HOW I TRY///WUST///YOU ARE A MAGICIAN

wonderful fascinating psychedelic atmosphere !!

Mind again

Dawn Of Doors Super Sped Up (Erynian Remix)

guug3

Cooking up the heat and boogie woogie with John. I had two things on my mind writing these lyrics ~ memories of working in a hotel in London when the chef set up a wooden chopping board at the far end of the kitchen, and expertly threw knives at it from the other end when he got pissed off with somebody ~ and seeing all my SoundCloud friends who also regularly burn their dinners when "just nipping back" to adjust a track they are recording :-D
https://www.youtube.com/watch?v=vmr7HfkkvcI

John Laurence: piano & instrumental composition https://soundcloud.com/john-poletti
Chris Okunbor: vocals, harp, lyrics, vocal composition

Available on all streaming services.

Troubles in the Kitchen

Troubles In The Kitchen ~ Chris O & John Laurence (Video link in notes)

Running Out the Back Door by Keri Johnson

I will miss and love you forever big Sis.

We were holding on, wind against our face
you were the wild one while I played it safe

You told me I was strong, yet I still can break
the hardest times were only tears away

You held my hand, I held my breath
running out the back door

You were my best friend, now this heart won't mend
You had everything worth fighting for

You held my hand, I held my breath
running out the back door

You were my best friend, now this heart won't mend
tell me what I'm fighting for?

Well, its a cold, cold world, when there's no give and take
no one saw you holding your white flag

With a soul so pure, one they couldn't break
God would never make such a beautiful mistake

You held my hand, I held my breath
running out the back door

You were my best friend, now this heart won't mend
You had everything worth fighting for

You held my hand, I held my breath
running out the back door

You were my best friend, now this heart won't mend
tell me what I'm fighting for?

And the sky still cries every day since you left
to the rivers where you swam

And the mountains call, but their sound falls deaf
upon the green grass where we ran

Keri Johnson's Album

Running out the back door

Appears on the Yisakhja album "piece of mine"
https://yisakhja.bandcamp.com/track/not-a-room-at-all

Photo by wonderful Elseh
https://www.flickr.com/photos/187686180@N02

"Not A Room At All" (instr.) by mmothejr

All of the percussion sounds of "Outside" were recorded in a tunnel under a road about ten days before the start of the lockdown, and it was during the quarantine that the composition of the track began. After leaving it out for a while, I finished it this summer.
Painting on canvas by Malka.

Tous les éléments de la rythmique de "Outside" ont été enregistrés dans un tunnel sous une route une dizaine de jours avant que ne débute le confinement, et c'est pendant la quarantaine que la composition du morceau a commencé. Je l'ai laissé de côté un moment pour bosser sur d'autres titres fortement inspirés par le confinement ("Time?" et "Masked & Anonymous") et ne me suis remis dessus qu'après la libération, qui n'en fut certainement pas une. 
Peinture sur toile par Malka.

Outside

Swift

I guess I've been hopping around the Cloud long enough to be influenced by all of you. This one is pretty strongly influenced by the bucolic musings of the Cloud King, Chris Pellnat @pretentiousmusic.

From Wikipedia: "Mud daubers are not normally aggressive, but can become belligerent when threatened. Stings are uncommon." To this I can relate.

Dirt Dauber

Dirt Dauber, Dirt Dauber
There’s work to be done
There’s no time for fun
In the sun

Dirt Dauber, work harder
Your larder is bare
Nine spiders despair
When they’re stung

Jittery lady
Adobe architect 
A potter, an artist of mud

It’s all for the baby
A tinge of regret
Your life, a labor of love
 
Work faster, you master 
Of plaster matte walls
Waddle and daubing your halls
 
You flickering onyx
My spindle waste friend
Slaving away til the end

Your moment is coming
You’ve almost arrived
Your masterpiece nearly complete

All in awe we applaud
And with tears in our eyes
As you fall from the skies to our feet

Dirt Dauber, Dirt Dauber
There’s work to be done
There’s no time for fun
In the sun

Dirt Dauber, work harder
Your larder is bare
Nine spiders despair
When they’re stung

Dirt dauber you martyr
A lamb to the slaughter
Why bother? Why bother?
Why bother? Why bother?

Dirt dauber you martyr
A lamb to the slaughter
Why bother? Why bother?
Why bother? Why bother?

Dirt dauber you martyr
A lamb to the slaughter
Why bother? Why bother?
Why bother? Why bother?

Dirt Dauber

Where the Mountains Meet the Ocean (Collab with Cpektir)

Rust

Simpson and Défago made camp, and it soon became clear that Défago senses – or at least he thought he sensed – some strange and fearful odor on the wind. That night, Simpson wakes to find Défago cowering in terror from something outside the tent. Later Défago runs off into the night, forcing Simpson to go and look for him. He follows his footprints in the snow for many miles, realizing that Défago's are not the only set of tracks. The larger set of footprints are not human, and gradually it seems that Défago's own tracks had metamorphosed into smaller versions of the larger set. Eventually, both sets of tracks vanish, and Simpson believes he hears Défago's distant voice calling out from somewhere in the sky above.
 ~Algernon Blackwood
The Wendingo

Added a bit of electric bass to the mix...always dig moving about the frets.

Campground

i´m proud to present the first collaboration with Textured Grooves - Rhythmical Melodic Adventures.
Terry Dixon : Drums - Percussion  and good vibes 
WÜST : Arrangement and Sound Design
please visit https://soundcloud.com/textured-grooves

Unpredictable Fluctuation by Textured Grooves - Rhythmical Melodic Adventures  & WÜST

Josef wrote me a piece about 2 years ago Soliloquy For Gina .https://soundcloud.com/user-351690291/soliloquy-for-gina   So I was listening to it and wrote a sequel so to speak and see if J wanted to play. 
This is our result  abstract a bit   but the sound is us We hope you enjoy !!
For more amazing music see Josef's Page.   
https://soundcloud.com/user-351690291

Collisions .......Gina & Josef

Composed, arranged, performed, and produced by
Carlos Vivanco

Horizonte De Sucesos

Soul Molecule

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Rust

WÜST

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Oriental Force (Oriental Love a.k.a Kaya Takada)

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ROOTS DUBMAN

ROOTS DUBMAN

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