Demoscene music from the 1990s until this day. Some of you may know me from the demogroup Future Crew. Or maybe the music of Bejeweled.

Thank you for listening.

I make Ambient / Electronica / Ambience music
With over 25+ years in music making this is what "Dees Productions" came to.
 - Roots from the commodore C-64 scene
 - Selftaught composer, producer and remixer
 - Acoustic VS Electric - Hardware VS Software
The goal is to create rich textures of soundscapes, make you see a vivid of colors, streaks and fields. With sound, energy and light I wish to complete the glass-sphere!

This podcast is no longer hosted on SoundCloud.
Please visit http://www.makingitpodcast.com

Previously known as JCH of Vibrants, a SID composer on the C64 in the 80's and 90's.

The companion podcast to Reset64 Magazine.

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

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