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Sander Kleinenberg 2.0



Whether it’s producing, remixing or dj’ing, Sander Kleinenberg has been building credibility on all fronts for over twenty-five years. He has established himself as an advocate of progress and most of all, a pivotal player on the frontier of electronic music. Starting out dj-ing at merely fifteen years old, a young Sander Kleinenberg was inspired by club music and hip-hop culture in the late eighties. This cultural shift inspired his own musical path, which in turn led to him traveling the world and spreading his sound along the way. Many awards, accolades and having performed all corners of the world later you could say it was destiny. 

Often mentioned when talking about the first wave of superstar dj’s from the progressive house wave around the turn of the century, Sander brought a mixture genres and styles to the table like never heard before. Quirky disco, psychedelia, Detroit techno, straight up soul and industrialism contributed greatly to the ever-evolving musical landscape in the ‘90s and 00’s. Sander’s eclectic persona and capability to always be two steps ahead of the rest have resulted in him being an award-winning dj and producer. As time passes by and his career unfolds, the pattern within it becomes more and more visible, Sander is a man on the move, always searching for the “perfect mix” in his own words. Sander’s relentless passion for perfection has kept him away from classification, putting hours upon hours into the enrichment of dj- and producer identity. Constantly twisting and shaping sounds. It’s this search for relevance in electronic musics development that keeps him re-inventing himself in every decade that has gone by since those early days. 

Today Sander looks back at his journey and thought it was time to make up the balance of all the corners of progress his career has taken him. You could call it a full circle type moment settling for nothing else but quality. If you are looking for someone who has searched high and low and has taken that into his current musical identity then Sander is your man. Like a fine wine matured into something wonderful.. Weaving generations, styles and a healthy eye on the future together in a relevant cocktail of musical maturity. Check his Deepest Mixtapes for a deep look into all that excites him and you will understand what he means.

In 2024 after a time of rejuvenation you can find Sander at a select number of dates around the world, revisiting his love for the clubs and countries that accompanied his journey along the way. He has a string of releases on the way marking his comeback to the dance floor both behind the decks and in the charts. It is time to once again rekindle his ability to bring levity and fun back to the dance floors.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

MGMT: becci@frameartists.co.uk

A contemporary UK electronic music institution, Eats Everything (AKA Daniel Pearce) has a global reputation built on versatility, superlative skills and a positive outlook - core fundamentals that have made him one of the most in-demand artists around. With his roots firmly embedded in the vibrant, influential music culture of his hometown, Bristol, Eats Everything channels his broad musical palette into every aspect of his output. In 2021 the globetrotting DJ, accomplished producer, prolific remixer, label owner, radio host and mastermind behind a collection of popular party brands will celebrate 10 years of his now infamous pseudonym.

I make music to sound track those times when your lost in music on a sweaty dancefloor with your best friends. Feeling the frequencies melt you all into one. Big time sensuality. 

Founder and owner of Forbidden Fruit Recordings.

You can find my music on here or exclusively to buy on Bandcamp in the link below

I’ve been fortunate some amazing DJs have supported them. Below are a few words people have said;
"Superb Production" Skream - on S.N.U.S - It had to Be
"Really Nice! - India Jordon on S.N.U.S - Disco Strut
""sublime, fresh and essential.'' - I-DJ Magazine",
‘Loving the click and zoom mix of this. Thanks.’ Tom Findlay / Groove Armada on The Dawn remix
"One of the best examples of filthy proper late-night house around at the moment' - Kris Needs of DMC on Dark Dancing EP
“Amazing Groove …” Gabriel Ananda

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