Mirjana Bogdanović And Carlos Alberto Bergmann  - Svjetla Velikog Grada

Vidéo YouTube : https://youtu.be/xpmxidMUL8g
 
Roots  (Racines : à la suite en Français )

My dear brother , my Theo 
Thank you for your letter and the bill but it's too much
Since things are going well for you and yours 
What do we have to do with what is less so?
My dear brother , my Theo
You have your share in my work, my paintings 
which in the debacle keep their calm, and that's beautiful!

I risk my life in my work
my reason has half melted away.
I've already had bouts of madness
my condition must have worsened.

My dear brother, my Theo 
I'm a burden to you, for me it's too much 
You owe it to your son, to your family 
my painting will never be a source of profit. 
 
My dear brother , my Théo  
I'm sending you "Roots", my last painting.
I'm going to finish it with my blood
then die at the Ravoux: it's high time.


I'm risking my life for my work
my reason has half melted.
I've already had bouts of madness
my condition is only getting worse.  

My dear brother Theodore
lying beside me, what a comfort
you have joined me now in Auvers
where we rest, my brother, two feet under!

My work cost me my life
my sanity melted away
I had many fits of madness
my state was desperate.


Racines 

Mon cher frère , mon Théo 
Merci de ta lettre et du billet mais c’est trop
Puisque cela va bien  pour toi et les tiens 
Qu’avons nous à faire de ce qui l’est moins ?
Mon cher frère , mon Théo
Tu as  ta part dans mon oeuvre , mes tableaux 
qui dans la débâcle gardent leur calme , et c’est beau !

Mon travail à moi j’y risque ma vie
ma raison y a fondu à moitié .
J’ai déjà eu des accès de folie
mon état a du s’aggraver .

Mon cher frère , mon Théo 
Je suis une charge pour toi , pour moi s’en est trop 
Tu te dois à ton fils , à ta famille 
ma peinture ne sera jamais une source de profit . 
 
Mon cher frère , mon Théo  
je t’envoie  « Racines «  mon dernier tableau .
Je vais le terminer avec mon sang
puis mourrir chez les Ravoux  : il est grand temps .


Mon travail à moi j’y risque ma vie
ma raison y a fondu à moitié .
J’ai déjà eu des accès de folie
mon état ne fait que s’aggraver .  

Mon cher frère Theodore
allongé près de moi , quel réconfort
tu m’as rejoint à présent à Auvers
où nous reposons , mon frère , deux pieds sous terre !

Mon travail à moi m’a couté la vie
ma raison y a fondu en entier
J’ai eu de nombreux accès de folie
mon état était désespéré .

Racines (translated in description )

A bit of a mish-mash of genres roughly illustrating one of the busiest times of year! 
Merry Christmas/Happy Holidays to all of you and thank you all for your amazing support over this past year! 🙏😊🎅🎄🎵
'Music is the gateway to peace!' 🎵

Free download if you like it 😊

Artwork: Chaos Theory by Cameron Gray

Thank you for listening 💛

Chaos

O-Nuit Noire Funk

Capriccio in Em
With Notion 6 and Logic Pro
All with Vienna Symphonic Libraries

Capriccio en Mi mineur

This first track of the backlog of the fictional witchpunk mannequin band The Cacklettes was created using a variety of tools, synths and instruments.

I am working on an album for this freaky lot. Why? Because it's a heck of a lot of fun. Trying to recreate some goth club memories from the 1990s. Building a band that should have been. It incorporates all sorts of elements from music I've experienced in various states of inebriation, leaving a lasting impact. And here I am sharing that experience.

Also, The Cacklettes are somewhat idealistic, and this here track really is reaching out to end the war (in anyone's soul), to cut divisiveness, to become human again. Rich, from a fictional mannequin band.

The Cacklettes: End The War

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten.
In the meantime, I'd been following John Anthony on both YouTube (youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion.
Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher.
You can even watch a video of us all adding our parts on John's page right here. www.youtube.com/watch?v=1mdeT8ySZ…owTechniqueCovers
Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

The Eclectic Collective w/ John Anthony - Hey Hey What Can I Do

noxpox - Träumerles Sternstunde

Martius (Side B)

Yamaha Vocaloid5 Editor
Magix Music Maker
Vocals: Yukari Yuzuki  AH-Software
Art work: JuliusH via Pixabay

Martius (Side B)

No sir...maybe later

A story that should not be told – yet it whispers through the cracks of the world.
It is temptation, the first sin, the serpent’s kiss upon bare skin.
A paradise never untouched, a wound that bled before it was ever touched.

Here the angels begin to fall, their wings blackened with lust and fire.
Kings rise from the dust, crowned with thorns, born of pain.
Voices speak of liberation, yet every promise carries poison.

Snake of Eden is no simple journey.
It is a descent into madness and desire, a dance with demons at the heart of darkness.
Pleasure becomes prayer, obsession an altar, the body an offering.

And yet – beyond the ashes, behind the walls of corruption –
lies something unknown, older, unspeakable.
Something that coils like a serpent around your heart,
until you no longer know where temptation ends and you begin.

Prepare yourself.
For the fall, for damnation, for rebirth.
For the whisper in the dark that will haunt you until you can no longer ignore it.
And perhaps – just perhaps – you will allow yourself to be seduced.

Queen of Sinns

Support channel of https://soundcloud.com/puppetxeno
if you only subscribe to the support channel, you missed a spot!

Reposting music with meaning, or at least the stuff that resonates with me in a broader sense.

Check out the PLAYLISTS - reposted tracks combined by associative styles and genres.

Thanks all for following/subscribing thusfar, it is much appreciated. Anyone with a YouTube channel for their music (labeled 'official' or not) please subscribe to my channel to help it grow (it will be reciprocated, of course) and give me an incentive to produce more music videos.

All in all:

THANK YOU so much!

The Cacklettes: End The War

Alice Deeper Down

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