Top Rock Tracks

This song may appear simple, if not simplistic. This is right, it’s not a complicated, rather a common, story about opening the door to someone and having to let this someone leaves you one day through the very same door.
However, in life like in love, don’t let the ordinary fool you. The little things in life are the biggest ones and when you have to look back to realize it, you’re actually lost to those magical instants.
Zut doesn’t stand for « Zebra University of Technology », but for « damn! » or « oh, heck! » in French. Yes, in French! Writing in the language of Molière was an arduous choice. It took me a year or so to go from the original « kinda » French lyrics to the final ones, which were done in a bar, on a paper napkin, along a few drinks!

The melody and chords were the most intuitive to find, playing around for a few evenings. However, honestly, my accent didn’t suit the rhythms and atmosphere. Finding singers willing to contribute proved not to be an easier task! Finally, Oliver Neff aka Titanic Jack agreed to record the main vocals. Together with Maja Štebih with her nice back vocals, they made such a great work on this Indie folkish-poppish-rock track. 
Thanks to both of them for their time, trust and capacity to see, and bring, beauty into the world! 

Mixed and mastered by A7 Recording Studio (@a7-recording-studio, www.a7recordingstudio.com)
Produced by Blaž Pavšič
Lead vocals by Titanic Jack
Back vocals Maja Štebih

▶MORE◀
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▶ARTWORK◀
MaKo: instagram.com/marketka1975

Zut!

Once Upon a Time

Is It a Mistake

El concepto de buscar un lugar donde quieras y te apetezca estar.

Mi Playa Ideal

This track was submitted to a local church's songwriting project during the 2014 but it got ignored. After burying the track for almost a decade, eventually we've managed to remaster the song with our new production skill and DIY vocal. Fortunately everything goes well and just like what we've imagined! This is Parallel Universe, a gift from our younger self to our loyal listeners! Enjoy!

Mother Nature

Parallel Universe

pop punk/rock

co produced, mixed, mastered and cover art by @a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

Hot Wired Hearts

On “You & Me Ties,” Oddateee leans into the indie surf-rock zone—delivering a Scooby-Doo-meets-Tarantino vibe that’s equal parts rugged and playful. Inspired by Harald Dela Cruz’s guitar licks, the track sounds like a late-night jam session on a desert highway, fueled by stoner rock energy and hip-hop hustle.

THE LOST UNION CITY SESSIONS

YOU & ME TIES

The End of the Century

Now You Know

"A Shard In The Night" - A Song from the Soundtrack to "Hinter uns das Land" / "Behind Us The Land" (Book 3)

Released under the label Beyond & Before Music, this song captures the oppressive atmosphere and raw violence of a grenade attack experienced by the Feyerabend family in the Spring of 1945 while fleeing East Prussia. The scene unfolds on the Curonian Spit near the Frisches Haff, not far from Kaltenherberge.

"A Shard In The Night" is more than just a song - it is a sonic portrayal of the powerlessness and pain that war leaves behind. The driving post-rock song with alternative rock influences, carried by a clear female voice, prominent drums, driving bass, and atmospheric guitars, paints the picture of a father seeking solace amidst the chaos while the world around him crumbles. The music reflects Inge's inner turmoil, the glowing shard of shrapnel that lands beside her, and the shattered dreams, but also the budding courage that carries her forward.

Experience the intensity of this fateful moment in a unique musical interpretation that gets under your skin.

Music: Post-Rock, Alternative Rock

© 2025 Beyond and Before Music

Inspired by the novel "Hinter uns das Land" / "Behind Us The Land" by Frank Talmon l'Armée (German release: 2025).

Follow Beyond & Before Music for more music from "Hinter uns das Land" / "Behind Us The Land"!

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"Ein Splitter in der Nacht" - Ein Song aus dem Soundtrack zu "Hinter uns das Land" (Buch 3)

Dieser Song, veröffentlicht unter dem Label Beyond & Before Music, fängt die beklemmende Atmosphäre und die rohe Gewalt eines Granatenangriffs ein, den die Familie Feyerabend im Frühjahr 1945 auf der Flucht aus Ostpreußen erlebt. Die Szene spielt auf der Nehrung am Haff, unweit von Kaltenherberge.

"Ein Splitter in der Nacht" ist mehr als nur ein Lied - es ist ein Klang gewordenes Bild der Ohnmacht und des Schmerzes, den der Krieg hinterlässt. Der treibende Post-Rock-Song mit Einflüssen aus Alternative Rock, getragen von einer klaren, weiblichen Stimme, markantem Rhythmus, treibendem Bass und atmosphärischen Gitarren, zeichnet das Bild eines Vaters, der inmitten des Chaos nach Ruhe sucht, während um ihn herum die Welt zerbricht. Die Musik spiegelt Inges innere Zerrissenheit wider, den glühenden Granatsplitter, der neben ihr einschlägt, und die zerbrochenen Träume, aber auch den keimenden Mut, der sie weiterträgt.

Erlebe die Intensität dieses schicksalhaften Moments in einer einzigartigen musikalischen Interpretation, die unter die Haut geht.

Musik: Post-Rock, Alternative Rock

© 2025 Beyond and Before Music

Inspiriert durch den Roman "Hinter uns das Land" von Frank Talmon l'Armée (Deutscher Veröffentlichungstermin: 2025).

Folge Beyond & Before Music für mehr Musik zu "Hinter uns das Land"!

A Shard In The Night (Radio Version)

This is a song about all we lose as time passes by and the only thing we can do is ...endless dreaming, lyrics written by Badtripp Inc, music worked out together with the Suno AI, and this is not to far away from the original song I recorded primitively and then the tape got lost. So this is a song with Lyrics from a very Human source and Music made by a Machine.

Time passes by

"Signs" is a laidback yet funky exploration of fate, superstition, and the eerie coincidences that seem too perfect to ignore. With a hypnotic groove and mysterious atmosphere, the song weaves through flickering streetlights, repeating numbers, and whispers from the unknown—leaving you wondering if the universe is sending a message or just playing tricks.

Signs

pop punk/rock

co-produced, mixed, mastered and cover
art by @a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

Don't Mean Anything

Y'all ever get led and you know for a fact she's talking to someone else? No? Just Me? Carry on then. lol

OMFG!

These lyrics I wrote when I was in big trouble, but the words are still calm and constructive and paints a reality - mine - on a biv canvas for anyone to look. Music was played by robots after being trained by my prompts dozen of times, I try to fix smaller things and sometimes makes a new melodic structure close to the old one, there is a logic in this helpful aduio app but god he knows I'm not one who reads manuals. Hope you find something nice in this song.

Here are the lyrics I wrote halfway some years ago and finished last year:

BLUES MAN 
(lyrics copyright Badtripp Inc 2025)

(1.verse)

I'm down so goddamned low
my skin is turning blue
Too many years in a row
I  spent waiting for you
Why did you have to go
my love was so true
I thought we would know
if our days were so few


(Chorus:)

Blues man, blues man, drink my wine
I went too far away
The bears and lions of time
Will destroy me today

(2. verse:)

There's still time left to dream
But I wonder what you mean
When you say I am a has been
I just can't eat so I am too lean
I don't know what my dreams are
they are way too bizarre
I try to find you in any scene
but I always missed you so far

(Chorus:)
Blues man, blues man drink my wine
I went too far away
The bears and lions of time
Will destroy me today

Bluesman Bluesman

I know that I love you, but is that enough? Stuck on You, I'm still Stuck on You

Stuck On You

Another banger track with no reference during the making, but somehow there's a 90's Metallica kind of influence within it!

Forsake The Underworld

“Goodbye,” the haunting new single from DNamezys, is a raw, blues-soaked elegy that drips with sorrow, memory, and resignation. Framed by a moody Texas blues foundation and the slow burn of swamp rock, this track feels like walking alone through a misty backroad just after a storm — heart heavy, soul exposed.

The song opens in stark silence, broken only by the aching weight of the first verse: “You sit, broken in the silence / Your eyes, they search for comfort…” — already establishing a powerful emotional landscape where shadows replace connection, and what’s left unsaid becomes the loudest cry. The instrumental interludes, rich with melancholic guitar work and reverb-laced riffs, carry the weight of every unshed tear.

Lyrically, the song moves through the terrain of loss and emotional disconnection, weaving poetic imagery with painful clarity. Lines like “A mirror cracked, we bled together” and “I don’t bleed enough to feel your cry” evoke a shattered intimacy — where love once lived, only ghosts now remain.

The bridge delivers a gut punch with: “If I had died, you'd sleep more soundly / No ghost to hold, no strings around me.” It’s a chilling realization of being unwanted even in absence, underscored by the unresolved tension in the guitar.

“Goodbye” isn't just a farewell — it’s an exorcism. Not of love, but of the weight left behind. The repetitive outro, repeating the word like a spell or a curse, becomes a mantra of letting go, or perhaps an inability to.

This is DNamezys at their most vulnerable, merging emotional storytelling with a cinematic, southern noir sound. Fans of darker Americana, Texas blues, and introspective songwriting will find “Goodbye” lingering long after the last note fades.

A sad, beautiful storm. Let it wash over you.

Follow:

TikTok: @dnamezys
Instagram: @dnamezys
Facebook: @dnamezys
YouTube: @dnamezys
X (Twitter): @dnamezys

Goodbye

Guitars: Clay Willis
Pedal Steel: Milo Deering
Drums: Josh Rodgers
Bass: Pete Miller
Bob Patin: Piano & Organ
Backup Vocals & Lead Guitar: Spencer Brochard
Vocal: Will Montgomery
Engineering: Paul Osborn @ Audio Dallas
Written & Mixed by Will Montgomery

Tomorrow's Sun

pop punk/rock
co produced, mixed, mastered and cover art by

@a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

Bite Your Tounge

🎧 Xenon the Enigma | Music Producer | Composer | Sound Architect

🚀 Electronica | House | Techno | Bachata | Merengue | Salsa | Rock | Ambient | Fusion

Blending technology with creativity, Xenon the Enigma crafts immersive sonic landscapes that transcend genres. From the pulsating energy of rock, house, and techno to the soulful rhythms of salsa, bachata, and merengue, my music is a fusion of tradition and innovation. I incorporate AI-driven composition alongside industry-standard production techniques, shaping unique soundscapes that evoke deep emotion and movement.

With expertise in Ableton Live, Reason, Studio One, and Pro Tools, I push the boundaries of music production—whether it's an electrifying club anthem, a smooth soft rock ballad, or an atmospheric ambient piece.

🔊 Where rhythm meets innovation.

Follow for exclusive releases, remixes, and cutting-edge sound explorations.

#XenonTheEnigma #MusicProducer #AIinMusic #House #Techno #LatinFusion #Salsa #SoftRock #Ambient #Ableton #Reason #StudioOne #ProTools