More of these temporal phase tracks can be found here [ https://soundcloud.com/xiiixxi/sets/temporal-phase ]

More on the 695th weekly Disquiet Junto project, Disquiet Junto Project 0695: Clean After Each Use — The Assignment: Put a piece of music through the dryer — at https://disquiet.com/0695/

Disquiet Junto | Clean After Each Use - disquiet0695

This music is based on the uncertainty principle. Music is sacred and so is nature. Sound design is a tool. Sound can be a sine, a tube, a saw or a noise wave. Less is more. Music to listen to. 
buckeyball181818@hotmail.com       
http://www.nasa.gov/mission_pages/station/main/index.

Making music is about being surprised.
https://www.patreon.com/blisterpop
Linktree for more - https://linktr.ee/blisterpop

★Caution!★These tracks can cause tinnitus.
Works from the past year or so have been released at a lower volume.
<<耳鳴り注意！ここ1年くらいは音量を低めで公開しています>>

Mix at a low volume for home listening.

Hello Earth! Hello humanity!
Thank you for listening to my music. 
If you don't forget to set it up, most of the songs are available for download!
I hope my music can be a part of your fun time.

”Nouten(脳天)” means the top of the head in Japanese.
The literal translation of each character is "brain heaven"

Nouten Party Alone MV on Youtube
https://www.youtube.com/playlist?list=PLz5V4RGh1jGynSuoRP1K7SCwuW9bF-hrK
180sec. Dream Effects (for sleep)
https://www.youtube.com/playlist?list=PLz5V4RGh1jGwt3-e-EonXzMOs0mz-xTjA

Michel Banabila, born 1961, is a sound artist, composer, and producer. Banabila has released music since 1983 and has produced musical scores for numerous films, documentaries, theater plays and choreography. His music varies from minimal loop-based electronica, fourth world, and neoclassical pieces, to drones,  experimental ambient,  and punk-as-fuck tape music. His work has been published by labels like Bureau B (DE), Eilean Rec (FR), Knekelhuis (NL), Pingipung (DE) and Séance Centre (CA)

All here, in reality, are works in progress and are therefore apt to change at any time. All those except XIII Sisters and RAW which, as many of you may have done, I literally gave away in return for their placement in a library. Something I won't be doing again any time soon. If you have a use for something you hear here please just ask.

 .ooO -------------------------------------- Ooo.

ChatGTP said of AI Music...
'Creative AI tools can be seen as sophisticated plagiarism software, as they do not produce genuinely original content but rather emulate and modify existing works by artists subtly enough to circumvent copyright laws'

Sometimes it takes a dispassionate, independent view to actually see the truth of it ...

 .ooO -------------------------------------- Ooo.

There are links to XiiixxiQ below. Your mileage may vary as to whether it decides to work on your system or not. It only runs on a Mac because I really don't have time to do all the necessary work to make it compatible with anything other than my 2015 MacBook Pro :-(. It is still being developed (for my own use) and improved, and I may yet get round to doing another release if I can find the time to tidy it all up.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

RabMusicLab produces instrumental music of various genres from classical to electronic without shying away from excursions into pop or experimental music. The tracks are published for the pleasure, entertainment and inspiration of every listener.

RabMusicLab loves to participate in the Disquiet Junto Projects of https://soundcloud.com/disquiet to fuel his creativity . All tracks that have "disquiet" in the title were created as response to these projects. Further informations can be found in the respective track-information,

All images used are photographs by RabMusicLab, unless otherwise indicated in the track-informations.

Disquiet Junto | Clean After Each Use - disquiet0695

x i i i x x i