To paraphrase Lily Chou Chou: Bask in the Ether 💙

I was wondering where these childhood sounds have been hiding from me, hello again....dont cry......

Sr. escuchan hasta los tics del vinilo! que hermoso!  y objetivo

Deep Listening

Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.

While Illuha’s Corey Fuller and Tomoyoshi Date are often drawn to the most sparse notes of Rhodes and Wurlitzer electric pianos, acoustic grand piano and guitar, the breadth of instrumentation is partially what makes Akari so abosrbing. They have succeeded in creating their own universe of sound, so beautifully recorded, where each element not only has its own space but connects and interacts so fluidly with the other sounds. It is as if they are placed perfectly by nature, the compositions are fluid and organic, a far cry from anything calculated or structured. It is this open space that the music exists in which in turn defines the music itself. There is ample room to breathe within this forest of gentle tines, bubbling analogue synthesizers, clicking percussion and quiet field recordings. This is subtlety at its most refined; hushed without being saccharine, distant without being morose.

Akari is the Japanese word for light. Conceputally the duo used this word as a guide, as if they were searching through the dark, trying to keep the light alive, as if one is cradling a candle doing everything in their power to keep it alight in a storm. It is this almost visceral sense of sheltering, of protection, that gives Akari a very human and personal sound whose intensely deep focus is as impressive as it is arresting.

Akari

Structures Based on the Plasticity of Sphere Surface Tension

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Structures Based On The Plasticity Of Sphere Surface Tension

Craig Leon - Nommo

Purchase from RVNG: http://smarturl.it/cleon-aifmv1-rvng
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Purchase from iTunes: http://smarturl.it/cleon-aifmv1-itunes

Taken from Anthology of Interplanetary Folk Music Vol. 1: Nommos / Visiting.


Buy 

Craig Leon - Nommo

Bing & Ruth - Reflector

Video: https://youtu.be/2xgcnaqKxoI

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Purchase from Bandcamp: http://smarturl.it/bing-twtga-bcamp
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From the album Tomorrow Was the Golden Age

© and Ⓟ 2015 RVNG Intl. / www.igetrvng.com

Buy from RVNG 

Bing & Ruth - Reflector

ed sheeran- perfect, slower ballad (lovely piano)

In a Landscape: Piano Music of John Cage

In a Landscape (1948)

Timeless

Einsjäger & siebenjäger

Morgengruß

Kollektion 04: Bureau B

Sowiesoso

Physical: geographic-north.com/cassette/coyotes/
Digital: geographicnorth.bandcamp.com/album/coyotes
Catalog #: GN49
Cassette, limited to 100

Félicia Atkinson is a composer, sculptor, painter, poet, and publisher from Rennes, France. Atkinson has led a fruitfully fantastic run of eerily blissful, serenely euphoric sounds. Whether under her own name or via her defunct recording pseudonym Je Suis Le Petit Chevalier, Atkinson has released work on Umor Rex, Digitalis Limited, Aguirre, and Shelter Press, an imprint co-run with Bartolomé Sanson.

‘Coyotes’ is an EP inspired by Atkinson’s last voyage to New Mexico in February 2017, when she visited and took in the geographic landscapes from Taos to Ghost Ranch. The same vistas also inspired much of Agnes Martin’s and Georgia O’Keefe’s painting, as well as Jerome Rothenberg’s poetry and translation’s works.

Atkinson describes a ‘Coyotes’ as a “Carnet de Voyage,” a tape you could directly play in your car while traveling somewhere, a kind of imaginary map to a sentimental journey. A spontaneous gesture, close to the notion of gift or offering. Or, simply, a postcard to a friend.” But it’s also a praise to the conservation of national and state parks and its human and non-human souls, menaced as we know now by drilling and violent economic speculations.

Here, coyotes act as a kind of metaphor of ambiguity and doubt, a state of mind that Atkinson find interesting to transcribe musically; the ambiguity furthered by Atkinson as a literal “foreigner” in New Mexico. She conveys a sense of visiting these native sacred lands and wondering what you are doing there.

Musically, ‘Coyotes’ is composed of two long tracks, “Abiqiu” and “Lighter Than Aluminium.” Each track features an effervescent froth of piano, midi sounds evokes marimbas, Fender Rhodes, bells, sub-basses, and spoken word poetry written by the musician to display a melancholic landscape made of transparent but deep layers of pale colors and blurry lines.

Félicia Atkinson - "Lighter Than Aluminium"

Brian Eno & Robert Fripp - Wind on Water

Cluster & Eno

Ho Renomo

Midori Hirano - Close to Life
From the album “Mirrors in Mirrors”

Release date: 5th March, 2019
Pre-order “Mirrors in Mirrors” here: https://daisart.bandcamp.com
© Daisart / daisart.info

From the liner notes:

If you stand between two mirrors facing each other, you’re faced with a curious and unique visual sensation – endlessly repeating reflections bounce off one another into an infinite, spiralling prism. Any movement from your vantage point derails the point of focus, and transforms the illusion in real-time before your eyes. Light bends, and with it, colours slip in and out of dominance, in an
Escherism of endless space, despite no change to the dimensions you inhabit in that ever so concrete space between two mirrors.

Midori Hirano speaks of “waning lights” and “edges blending into fog” as some of the sensory indicators inspiring Mirrors In Mirrors – her debut on Daisart – and these Impressionistic sentiments are deeply imbued within Hirano’s delicate, restrained compositions. The hallmarks of modern classical, electronica and ambient are adopted as an assemblage to explore nuanced tones and techniques less dictated by those stylistic underpinnings, perhaps somewhere hovering between – but never too far away – keenly aware of form and
function.

An emphasis upon the piano is an immediate point of reference for placing Hirano’s work within a broader context, but important to point out is the subtle and careful use of synthesisers and effects processing throughout the record – sometimes providing a more detailed background terrain, sometimes taking centre stage. Whichever instrument she turns her hands to, Hirano has crafted a record with enough dedicated focus and space to allow the listener to immerse oneself in her devised temporal expanse, an Impressionistic liminal space of Mirrors in Mirrors.


Written, produced, recorded and mixed by Midori Hirano in Berlin, Germany 2017-18. 
Mastered by Sean McCann of Recital Program.



“Mirrors in Mirrors” comes in a first edition of 200 x 12inch 145gm black vinyl (incl. download) with Pantone printed inner and outer
sleeves designed by Jeroen Wille and Rudd Ruttens [ruttens-wille].

Midori Hirano - Close To Life

http://brian-eno.net
Small Craft On A Milk Sea album released: 2 Nov 2010 (15 Nov 2010 in the UK)

Small Craft On A Milk Sea

Emerald and Stone

Brian Eno with Jon Hopkins & Leo Abrahams - Emerald and Stone (taken from Small Craft On A Milk Sea)

From the album "Tea Notes". All music by Jatinder Singh Durhailay & David Edren. Recorded january to march 2018 in Antwerpen and London. Mixed and edited by David Edren at ll150. Mastered & cut by Anne Taegert at Dubplates & Mastering Berlin.  Artwork by Victor Robyn. Vinyl + digital release on Ekster: 12th of September 2019: https://eksterlabel.bandcamp.com/album/tea-notes

Tea Notes

Jatinder Singh Durhailay & David Edren: "Shincha"

From "Kläppen" on Malmö Inre.
https://www.malmoinre.se/product/preorder-golden-ivy-klappen-lp

Kont

Track from the album "People on Sunday". Released on 13 November 2020 via The Leaf Label

Brian Eno & Robert Fripp - Wind on Water

XLEB - VINYLES

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