I did this for fun. The only instrument I used was Ukulele and some brush sticks on my wall. For a few "bass" notes, I pitch-bent the ukulele down. Mixed in Audacity. Feel free to use for anything you might want. I don't care, just don't add nothing and call it your own please.

Can't Help Falling In Love

#killstation

Submit your music ~ 

repost // artistsunlimited.com/section808/submit
premiere // artistsunlimited.com/section808/premiere

$onoma //
→ @thatboysonoma
→ http://instagram.com/whoissonoma
→ https://twitter.com/thatboysonoma

Submit your music ~ 
repost // artistsunlimited.com/section808/submit
premiere // artistsunlimited.com/section808/premiere

GQ //
→ https://twitter.com/whoisGQ

Download

$onoma ft. Killstation – Rollin Off (prod. Packman)

"The Island Song" by Yard Art

What if I found a way 
Your sea-foam green undertow
Another mistake for the gatekeepers
To keep track of 
I'm tired of chasing you all over town 

But if you'd stay a little bit longer 
What if you'd stay a little bit longer? 

Am I trudging on slowly? 
Trying to find a reason to get out of 
This hole you've dug yourself into
In the sand 
Am I dreaming again? 
Listening for
The wayward clap of your hands 
Again, again, again, again 
...
We have not a moment to waste 
Can you remember the taste? 
I've hit every light down this street 
Maybe that's why you don't remember me

Island Song

The Island Song

Cameron Schultz - Guitar, Lead Vocals
Nate Sell - Guitar
Grady Douglas - Bass Guitar, Backup Vocals
Matthew Blevins - Drums, Backup Vocals
Marcus King - Artwork

Lyrics Written By Cameron Shultz

Mindwipes - Demo

ISSUES - JEWFRO x MATT HOH

I am still living by your words 
Time after time 
Life afterlife 
Returning fire all alone 
I could use some ammunition 
Shaking your finger "No, no no!" 
Show me the way, baby, help me think this through 
A stenciled pattern on the wall 
Is all that is left 
I am still counting steps, right 

I'm fine 'cause I mind 
Do, do, do, do, do, do, do, do
Do, do, do, do, do, do, do, do, do, do
(Do-ing continues) 

La, la, la, la, la, la, la, laaaaa
Oh brother, help me our mother burns 
I know you're fair, but you need to be repaired 
So I let you slip away 
Right through my net 
I am still catching my breath, right

Fine (Demo)

I wanna know what makes you tick
I wanna play the game of love 
It's not enough to just be slick 
You've got to dress the part, and play against the odds
Can I put you inside a matrix? 
Show you all my colors and find a middle-ground 
Encapsulated by a profile picture
After-all we change and names are just a pain to remember 

I wanna know what makes us stick 
I'm done dancing around the doves 
I no longer just feel the kicks 
When I get dressed up I might as well evolve
It's contagious to wanna predict 
To figure out what you are without spreading your wings
Locked up by that profile picture 
Data lives forever and shame is just a stain on your memory 

I'm irrational 
You can't predict me 
It's all just game theory 
So cold and empty 
I know you might not understand 
But please don't bury your head in the sand now

Game Theory - Demo

Yard Art is group of 4 musicians: Cameron Schultz, Nate Sell, Grady Douglas, and Matt Blevins. All of whom currently reside in and perform in Phoenix, Arizona. 

The music of Yard Art is focused on rich instrumentation and clever songwriting as opposed to a definitive genre or style. The members each bring a distinct style of their own to the creative process ranging from jazz to pop-punk to blues and alternative rock. Without compromising any particular influence, the quartet manage to distill a distinct blend of rock n' roll that preserves the primitive energy of the early rock genre with traces of modern alternative, DIY sound, and psychedelia bleeding through. 

In their primary form lead vocalist, Schultz, wails above Sell's intricately woven guitar melodies and Blevins' relentless drumming (songs like "The Island Song," "Lubrication," and "Franco Garbanzo") while Douglas glues together the pieces on bass. However, Schultz and Douglas are not shy of trading spots at the mic, on guitar, or bass. Songs like "Jazz No. 4" and "Little Fish, Big Sea" find Douglas at the helm on lead vocals and rhythm guitar while Schultz settles in on keys, bass, and/or harmonies. Sell even lends his whispery tenor to the jazzy ballad "Navy Blue." Throughout their shows, the bandmates are rarely cemented to a particular role as they dive through their diverse catalog of alt rocky tunes, and often leave listeners riding-out the sepia-toned, retro wave emanating from the front of the room. Whether you are listening to them over a pair of headphones or on the barroom floor, you are sure to find yourself energized by their vice-like grip on instrumental and vocal narrative. 

Such a wide range of influences and postures produces a unique take on rock n' roll that's sure to stick in your head, and at the very least have you tapping along. As they often say closing a show, "Much love, thanks for listening... And tip the bartender!" 

- Mitty Waynes (fan, friend, and writer)

Fine (Demo)

Yard Art

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