2002 distorted accordion, radio, delay, KORG D-9

The Weather Is Not Too Bad

ARTHUR CHANCE - SO SKELETAL KREW 08
LIGHTING STRIKES - PLAISTOW ALWAYS.
DIMENSION 17.
44 4d 54.

See also:

With Great Lakes Ensemble:
http://greatlakesensemble.bandcamp.com/album/performance-during-portoluzs-jazz-on-a-summers-day-series

http://greatlakesensemble.bandcamp.com/album/performance-at-mexicains-sans-frontieres

http://greatlakesensemble.bandcamp.com/album/live-at-edwin-gallery

With Joshua Liebowitz.  
http://liebowitzmatos.bandcamp.com/

<a href="http://cncptn.com" rel="nofollow" target="_blank">http://cncptn.com</a>
<a href="http://www.pandafuzz.com/pf029" rel="nofollow" target="_blank">http://www.pandafuzz.com/pf029</a>
<a href="http://www.pandafuzz.com/pf031" rel="nofollow" target="_blank">http://www.pandafuzz.com/pf031</a>

WOUTER JASPERS is an auteur of field recordings, making use of his busy tour schedule to amass a noise archive where the narrative qualities of sound become catalysts for dark ambient folk chasms and ear splitting adventures. 

AKA's: Woutr, Synkompaan, A Cryptic Mantra, Franz Fjödor, Cock Cobra, Das Gezicht, Preliminary Saturation (/w staplerfahrer), Ezdanitoff (/w Frans de Waard), Thieves Who's Who (/w Tom Smith), The Jim Morrisons, Meldy Peaches.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

aHía Menuzúm éh Maacumba, éh Bozó, éh Exxú Cyber Conceitual.
Menuzúm éh ΔDΔEΔWΔ, éh Macaco multi-meios audio-visual.

"Pleasurable music is propaganda"



(Releases)
Flogging an Un-dead Horse (CD-R) 
http://irregular.sanpal.co.jp/?p=4305
Diderot's Clock Man (Electronic Musik, 2011, Attribution-Noncommercial-No Derivative Works 3.0)
http://www.archive.org/details/DiderotsClockManem136
Classwar Karaoke 0017 Survey (Classwar Karaoke 2012, compilation)
http://freemusicarchive.org/music/Classwar_Karaoke/0017_survey/
(Writings)
Fill Up the Square, Square the Circle
http://independent.academia.edu/YasuoAkai/Papers/806031/Fill_Up_the_Square_Square_the_Circle

Coolgate a.k.a. João Galante is a performance, visual and sound artist from Lisbon-Portugal.  Coolgate is his solo music project (electronics and electric guitar. As performance, visual and sound artist he works mainly with Ana Borralho (<a href="https://anaborralhojoaogalante.hotglue.me") as Ana Borralho & Joao Galante. They are co-founders of casabranca cultural association, Verao Azul Festival and the non-musicians band Jimmie Durham. They were also co-curators of the electronic music festival Electrolegos in Lagos-Portugal.
MORE COOLGATE MUSIC: http://soundcloud.com/coolgate-plus

The Weather Is Not Too Bad

Yasuo Akai