Akkordeon: Andrea Kiefer und Alexander Pankov

Die Inspiration dieser Komposition kommt aus der Erinnerung an den Kinderliedern, die die Komponistin in ihrer Kinderheit gesungen hat.
Die Erinnerungen an Töne bewahren sich, waehren die anderen sich mit der Zeit verschwimmen. Eine einfache Tonreihe oder Melodie bleibt lebenslang im Gedächtnis. In dieser Komposition wird versucht, diese aus der Vergangenheit und Gegenwart in eine Verbindung zu setzen. Die beiden Töne aus zwei verschiedenen Räumen, die einen starken Konstrast bilden, nähren sich langsam, ähneln sich langsam so lange, bis eine harmonische Resonanz zwischen Vergangenheit und Gegenwart erreicht wird.

"Echo Aus Der Vergagenheit" für Zwei Akkordeons (2002)

Dr. Shuhan Hu, Chinese composer and music theory researcher.

She began learning music at the age of 4 from her father, composer and professor in composition. She has been working at the College of Music, Nanjing University of the Arts since 2008, teaching composition and orchestration. She received her PhD in composition in 2019 from the Shanghai Conservatory of Music. Now she is chercheuse en acceuil at CNSMDP, under the direction of Prof. Frédéric Durieux, and also a private student of Tristan Murail.

During her master's studies at Shanghai Conservatory, she became interested in spectral music and began to study it systematically. Her master's dissertation is entitled "Research on spectral composition based on OpenMusic". In 2015, Tristan Murail started to give regular composition masterclasses to the students of Shanghai Conservatory, and so she attended his composition classes every year thereafter, profoundly influenced by him. Today, she remains a private student of Professor Murail, having regular private classes with him at his home in Provence. During her doctoral studies, she focused on music centered on timbre and sound with her doctoral dissertation entitled "Morphology of Gestures and Textures in Contemporary Music Centered on Timbre and Sound and their Structural Functions". Besides, she has also published two articles on spectral music in the Journal of Shanghai Conservatory of Music, "Art of Music," a very prestigious academic journal in China: Deciphering the Code of Spectral Music: The Concept of Sound in Spectral Composition (Art of Music, Sept. 2010, pp.125-130); On Techniques and Means of Orchestration in Spectral Composition (Art of Music, Sept. 2015, pp.123-131). 

Recently, she also participated in masterclasses with Liza Lim, Yann Robin, Francesco Filidei, Mauro Lanza, Johannes Schöllhorn and many other well-known composers, and has also received their recognition.

Her major works include Xiao, for alto flute (which won the Ex aeqvo prize in the A category of the 2008 Youth International Music Competition); Streaming, for three Chinese plucked instruments (which won third prize in the 2008 "Music of China" International Composition Competition); Le Trou de neige, for ensemble (premiered by the Israel Contemporary Players, conducted by Zsolt Nagy in 2016); The Sea as My Blood, for trumpet, doubled-bell trombone and percussion (will be premiered by Elision Ensemble at the end of 2024); Lamps, and Slices of the Night, for large orchestra (premiered by the Shanghai Philharmonic Orchestra, conducted by Zhang Liang in 2016); Portrait: Flowing Water, for large orchestra (premiered by the Shanghai Philharmonic Orchestra, conducted by Zhang Liang in 2018); Happy, Lively, Vengeful Teeth, for piano trio (premiered by Ensemble Fractales, conducted by Jean-Bernard Matter, at Schloss Reichenau, Austria, in 2019) ; While the Fishes Playing the Sonata, the Deeper the Water Is, the Longer the Song Is, for quartet of doubled-bell brasses (premiered by Ensemble Musikfabrik in Dec. 2020); Les Fleurs de pêcher s'épanouissent à travers les fissures des os, for solo cello (commissioned by Radio France, premiered by Marie Ythier at Festival Présences 2022), etc.

Willkommen in meiner Welt  ( Wolke ) der Musik.
Projekt : Modern Philharmonic & Charism Voices

Von Anbeginn meiner Zeit fühle und denke ich in Musik. 
Das ist es. 
Ich finde meine hier veröffentlichten Kompositionen vermitteln das.  
Obwohl ich etwas Klavierunterricht hatte komponiere ich autodidaktisch, völlig frei im Moment.  
Nicht immer sind es gefällige Harmonien. Versucht meine Musik einfach unvoreingenommen und völlig wertfrei von Euren Hörgewohnheiten zu hören.

Folgt gerne meiner Klangwelt. 
Freue mich über meinen Musik-Account auf einen regen, kreativen inspirierenden Gedankenaustausch. 
Suche hier gleichgesinnte Sounddesigner*innen und Komponisten*innen die vielleicht mit mir ein verrücktes Klangteam bilden möchten um neue Klangwelten zu entdecken und kreieren. 
PROJEKT:
Modern Philharmonic & Charism Voices

Alle Rechte vorbehalten.

Vielen Dank für Euren Besuch und Eure geschätzte Aufmerksamkeit.
Björn Cloppenburg - Komponist – Sound Design


Welcome to my world  ( Cloud ) of music.

From the beginning of my time feel and think in music.
That's it.
I think my compositions published here convey that.
Although I had some piano lessons, I compose self-taught, completely free at the moment.
It's not always pleasing harmonies. Just try to listen to my music unbiased and completely unjudged by your listening habits.

Feel free to follow my sound world.
I'm looking forward to a lively, creative and inspiring exchange of ideas via my music account.
I am looking for like-minded sound designers and composers who might want to form a crazy sound team with me to discover and create new worlds of sound.

All rights reserved.
PROJECT:
Modern Philharmonic & Charisma Voices

Thank you for your visit and your valued attention.
Björn Cloppenburg - Composer - Sound Design

"Echo Aus Der Vergagenheit" für Zwei Akkordeons (2002)

Ying Wang Composer