"Phantasmagoria" for Orchester (2008)

I’m Shih-Lin Hung, a composer and sound artist from Taiwan. I explore memory, space, and disappearance through acousmatic and electroacoustic sound.

Open to interdisciplinary, cross-border, and remote collaborations — especially in film and experimental sound work.
Contact: alfredpierrot@gmail.com

If you enjoy my sonic landscapes, you can support my practice here: buymeacoffee.com/shihlinhung
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我是洪世霖，來自台灣的作曲家與聲音藝術創作者。透過 acousmatic 與電聲創作探索記憶、空間與消逝。

歡迎跨領域、跨國與遠端合作，特別是在影像與實驗聲音創作中。
聯絡信箱：alfredpierrot@gmail.com

如果你喜歡我的聲音風景，歡迎透過 Buy Me a Coffee 支持我持續創作：buymeacoffee.com/shihlinhung

Dr. Shuhan Hu, Chinese composer and music theory researcher.

She began learning music at the age of 4 from her father, composer and professor in composition. She has been working at the College of Music, Nanjing University of the Arts since 2008, teaching composition and orchestration. She received her PhD in composition in 2019 from the Shanghai Conservatory of Music. Now she is chercheuse en acceuil at CNSMDP, under the direction of Prof. Frédéric Durieux, and also a private student of Tristan Murail.

During her master's studies at Shanghai Conservatory, she became interested in spectral music and began to study it systematically. Her master's dissertation is entitled "Research on spectral composition based on OpenMusic". In 2015, Tristan Murail started to give regular composition masterclasses to the students of Shanghai Conservatory, and so she attended his composition classes every year thereafter, profoundly influenced by him. Today, she remains a private student of Professor Murail, having regular private classes with him at his home in Provence. During her doctoral studies, she focused on music centered on timbre and sound with her doctoral dissertation entitled "Morphology of Gestures and Textures in Contemporary Music Centered on Timbre and Sound and their Structural Functions". Besides, she has also published two articles on spectral music in the Journal of Shanghai Conservatory of Music, "Art of Music," a very prestigious academic journal in China: Deciphering the Code of Spectral Music: The Concept of Sound in Spectral Composition (Art of Music, Sept. 2010, pp.125-130); On Techniques and Means of Orchestration in Spectral Composition (Art of Music, Sept. 2015, pp.123-131). 

Recently, she also participated in masterclasses with Liza Lim, Yann Robin, Francesco Filidei, Mauro Lanza, Johannes Schöllhorn and many other well-known composers, and has also received their recognition.

Her major works include Xiao, for alto flute (which won the Ex aeqvo prize in the A category of the 2008 Youth International Music Competition); Streaming, for three Chinese plucked instruments (which won third prize in the 2008 "Music of China" International Composition Competition); Le Trou de neige, for ensemble (premiered by the Israel Contemporary Players, conducted by Zsolt Nagy in 2016); The Sea as My Blood, for trumpet, doubled-bell trombone and percussion (will be premiered by Elision Ensemble at the end of 2024); Lamps, and Slices of the Night, for large orchestra (premiered by the Shanghai Philharmonic Orchestra, conducted by Zhang Liang in 2016); Portrait: Flowing Water, for large orchestra (premiered by the Shanghai Philharmonic Orchestra, conducted by Zhang Liang in 2018); Happy, Lively, Vengeful Teeth, for piano trio (premiered by Ensemble Fractales, conducted by Jean-Bernard Matter, at Schloss Reichenau, Austria, in 2019) ; While the Fishes Playing the Sonata, the Deeper the Water Is, the Longer the Song Is, for quartet of doubled-bell brasses (premiered by Ensemble Musikfabrik in Dec. 2020); Les Fleurs de pêcher s'épanouissent à travers les fissures des os, for solo cello (commissioned by Radio France, premiered by Marie Ythier at Festival Présences 2022), etc.

"Phantasmagoria" for Orchester (2008)

Ying Wang Composer