"Out of Tujia" is a concerto for four percussionists and a Chinese orchestra, featuring the popular Liuzi percussion ensemble drumming patterns and techniques of the Tujia people. In 2006, the practice of playing the Liuzi was approved by the State Council of China and included in the first batch of National Intangible Cultural Heritage lists. Liuzi is the most widely circulated form of the ancient folk instrumental ensemble in the Tujia areas. It has a long history, numerous musical pieces, exquisite techniques, and rich expressiveness, making it a unique art form of the Tujia people. The Liuzi ensemble, composed of the Liuzi gong, leading cymbals, secondary cymbals, and Ma gong, integrates the techniques of various instruments, fully showcasing the performance skills of each. Typically, it is performed by 3 to 4 people, hence the terms "three-person Liuzi" and "four-person Liuzi." The "five-person Liuzi," which includes the introduction of the Han Chinese wind instrument suona, combines wind and percussion instruments, adding a festive and joyous atmosphere.
Yiu-kwong Chung conducts the Tao Yuan Chinese Orchestra.

Out Of Tujia Part 3

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

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Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

Conceived and formed before most of you were born, indie/electronic rockers re-invented for your pleasure.
All original music.

Thanks to everyone who listens to our music, who likes and comments, we both really appreciate your support.

‘‘Embrace your insanity, before the clocks run out of time’’


For videos, go to:
https://www.youtube.com/@patentgrey

Having been a Universal Edition composer since April 2022, Yiu-Kwong Chung is one of Taiwan’s best-known and most sought-after composers. He was a Professor of Music at the National Taiwan University of Arts until 2022 and was the General Director of the Taipei Chinese Orchestra (TCO) from 2007 to 2015. During his tenure with TCO, he has written concerti for numerous top-class soloists, including percussionist Evelyn Glennie, trombonist Christian Lindberg, saxophonist Claude Delangle, cellist Mischa Maisky and Anssi Karttunen, flutists Pierre-Yves Artaud and Sharon Bezaly, in addition to renowned Kronos Quartet; all were world-premiered by the TCO. In June 2012, he conducted the orchestra’s European Tour (with soloist Evelyn Glennie). He staged performances in Bridgewater Hall in Manchester and Le Théâtre du Châtelet in Paris that brought immediate international fame to the Orchestra. From 2009 to 2015, he produced six CDs released worldwide by Swedish BIS Records.

Main account:
 https://soundcloud.com/syntaleta
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Free listening to my albums:
https://www.youtube.com/playlist?list=OLAK5uy_nVPUPCq3T4atZr6lBZZGT3STqbih5nk_o

https://www.youtube.com/playlist?list=OLAK5uy_lacFkqQrvuZBYbwsGhXZ_8LPrx9k3nbfA

https://www.youtube.com/playlist?list=OLAK5uy_mF15v_U9hJoVv07vk6sfIo72ljSwDQzbg

https://open.spotify.com/artist/5NGoMdnTju2t25gnnnFPoD

Main account https://soundcloud.com/syntaleta/tracks. Please follow me on www.patreon.com/syntaleta to have my support and show yours!