“Caught Up In The Fire” ft. JONAH 🌹 
Out Now: https://benbohmer.lnk.to/caughtupinthefireSO


North & South America bookings:
Alex Becket alex.becket@caa.com
Evan Greenberg evan.greenberg@caa.com

Rest of World bookings
Roman Trystram roman.trystram@caa.com

booking : ollie.seaman@teamwass.com 💫
promos : folamourpromo@gmail.com 💌

https://drop-music.bandcamp.com/

DJ’s, Producers and label owners, Andy Riley and Laurence Ritchie (AKA Inland Knights) have created a brand name that most House heads have heard of.  Whether you like it deep , tech or more funky – when you think about Drop Music or Inland Knights a certain style of House comes to mind that is uniquely their own. Andy and Laurence’s reach is global, and their label’s continue to produce some of the finest House music 15 years after they started back in the UK, within Nottingham's party scene.

Andy and Laurence  met in ’93 and cut their teeth Dj’ing for Smokescreen, the renegade sound system from which they drew their early inspiration. Smokescreen consisted of dj’s, lighting people, sound people, a truck, a P.A, a generator and general helpers. Old warehouses, woodland, fields, quarries and houses were utilized with the sole intention of having a good time…. for free! By the mid 90’s smokescreen could guarantee a crowd of hundreds in attendance at their parties(which were most weekends), and their club nights became local institutions that ran for years with packed dancefloors. Into their 21st year, Smokescreen are still going strong and are still hosting quality club nights and parties in and around the Midlands.

By ’98 Laurence and Andy had made the inevitable step into production and the same year their fledgling label, Drop Music, was born. With the release of ‘Inland Knights vol 1’ , Riley and Ritchie undertook a busy schedule to write tracks for Drop  (almost all of the early output was Inland knights, despite many monikers). Drop Music has gone on to become one of the most highly regarded House labels in recent years (with 80 plus releases to date), and Inland Knights have gone on to become one of the most respected and prolific production outfits in the House community, carving a unique and distinctive House sound, and regularly taking on remix and Ep duties for fellow labels and producers. Highlights include the acclaimed ‘Mohammed Ali’ remix for Faithless on Cheeky Records, CD compilations and remixes for NRK and Om Records, three Ep's on 2020 Vision, Inland Knights first full length album entitled ‘Creative Spaces’, and more recently, Inland Knights album to mark 10 years of Drop Music entitled ‘Dust till Dawn’, not to mention countless Ep's on other labels over the years and a 30-minute live mix on Radio 1’s ‘Essential Selection’ show. More recently, the pair released 'Inland Bytes', a retrospective look at Inland Knights career so far.

Currently, as well as remix, production and label commitments, the pair maintain a busy international Dj schedule which takes them further and further afield as their reputation grows. Bookings have included regular slots at UK clubbing institutions such as Fabric, The End, The Egg, The Cross, Turnmills, Shindig, Back 2 Basics,  Sanky's, Chibuku Shake Shake, Ministry Of Sound, Cargo, Déjà Vu, The Arches and The Sub Club in Scotland, as well as smaller more intimate venues nationwide. Countless international trips have seen them tour the Globe. Most weekends Inland Knights can be found DJ'ing up and down the UK or Europe with regular international tours a permanent fixture in their Diaries.

Follow Us On:
Soundcloud http://soundcloud.com/inland-knights
Twitter         https://twitter.com/#!/Inland_Knights
Facebook     https://www.facebook.com/inland.knights
Band Camp https://drop-music.bandcamp.com/

For Bookings Please Contact:  
Paul@elitemm.co.uk (Worldwide)
shannon@aptentertainment.com (Americas)

Different mixes, different vibes. 

No more space so download a mix if you like it. 

Thanks for listening. 

Yogaface:)

Ommmmmmmmmmmmmmmmm

Official Soundcloud of Thievery Corporation

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

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