i Love love love this one as well. Thank you for sharing. <3

初めて作った曲 Into Silence をリミックスして森でのレコーディング風景の動画と合わせています。

I remixed my first song "Into Silence" and matched with the video of my recording & practice scene in the Okinawa forest.

https://youtu.be/Us8wLbt_GMc

Into Silence (Okinawa forest remix)

Боюсь попасть в секту, стесняюсь

Отказался от низших удовольствий, как почувствовать высшие

Thunderstorm in Amazonia, Ecuado, a small selection from a longer recording.

Ecuador Thunderstorm Sample

Ecuador Thunderstorm

These recordings were made with deep respect in the country of the Ngarrindjeri peoples.

With respect, with sadness, with hope. Everything here has changed; except for the sound of the ocean. Where the waters meet, is where the sounds merge. The sound of the ocean, permeating all, remains the same.

Unprocessed excerpts from original recordings. (Listening with good quality headphones - preferably open-backed - with a flat frequency response is recommended.)

An Afterword: I am deeply pleased and honoured that the original recordings from which this piece was composed have found a perfect home in Megan Spencer's important and heartfelt podcast, 'Bringing His Spirit Home: Private Arthur Thomas Walker, Ngarrindjeri ANZAC', as immersive field recordings made in, and expressing the natural spirit of, Arthur Thomas Walker's home country. This educational podcast is one of four produced by Megan, commissioned by the Virtual War Memorial Australia, and can be heard here: https://vwma.org.au/education/bringing-his-spirit-home-private-arthur-thomas-walker-ngarrindjeri-anzac.

Some of my earlier Kurangk/Coorong recordings have also been happily woven into Megan's related podcast, 'Walking in Two Worlds: The WW1 Story of Ngarrindjeri ANZACs Cryril & Rufus Rigney', which can be heard here: https://vwma.org.au/education/podcast--walking-in-two-worlds--the-ww1-story-of-ngarrindjeri-anzacs-cyril-rufus-rigney.

@Bandcamp

2022.10.09 From the Mouth of Murrundi to Goolwa Beach. Kumerangk, Kurangk. Night to Dawn. Spring.

On Saturday, 12 November 2022, South Australia, including the whole Adelaide region, experienced an uncharacteristic extended storm of unusual intensity. Several storm fronts, arriving from the NW over St Vincent's Gulf, hit Adelaide and the Fleurieu Peninsula. The storm has been described as "one of the strongest thunderstorms in recent memory",* causing flash flooding, wind gusts exceeding 100 km/h that tore down huge gum trees (many of which crushed houses, cars, and electricity lines), as well as flattening giant electricity pylons, leaving around a hundred thousand people without power. 

This recording, made in the Adelaide Hills (near Norton Summit), captures a sample of the first and mildest storm wavefront that day. (The recording begins at 10:30 in the morning. This abridged version selects two excerpts from the longer recording, chosen because of the poignant presence of bird calls audible between the peals of thunder. The highlighted parts of the spectrogram in the track image indicate the passages from the longer recording that were selected for this abridged version.) The microphones sheltered from the fairly light rain underneath a 'sweet pittosporum' or 'native daphne' tree (Pittosporum undulatum), native to southeastern Australia, but a 'declared plant' in South Australia ('a woody weed invading native local vegetation', due to widespread ornamental planting).

Travelling farther south immediately after this recording, I was able to intercept the next two storm wavefronts, which were far more intense. Although the storm was utterly awesome and spectacular (lightning bolts plunging into fields, exploding thunder tearing the atmosphere apart), it was impossible to find any spot from which to record the storm, because it brought with it an abundant lashing downpour of rain and wild tree-tossing winds. All the shelters in the state forests had iron rooves: the rain battering the rooves was deafening, drowning out even the peals of thunder.

In the end, I could only just sit and experience it. Which, after all, is the very best thing to do, with Nature. (Most of the time, at least. Not recommended when it gets this violent. Although I have to say that this was truly a very beautiful and awe-inspiring experience; and, personally, I'm very glad to have been out there to witness it. I'm also contemplating possible recording solutions, in case this ever happens again... Enraptured by thunderstorms as a spatial music of nature. All that I have said, here, is the simple truth.)
__________________________________________
*https://www.weatherzone.com.au/news/why-the-adelaide-storm-was-so-intense/925471
https://www.sapowernetworks.com.au/data/313806/12-november-storm-update-from-sa-power-networks/
https://www.aljazeera.com/news/2022/11/18/australias-indigenous-people-call-for-seat-at-table-at-cop27
__________________________________________
Recorded with respect upon the land of the Kaurna people.

2022.11.12 Storm above the Hills. Late Spring. (Excerpt)

Written and produced by: Francesco Vitti
Label: EKOS records
Mastering: EKOS records
Artwork: EKOS records

FULL

Stoic

Composed for Wave Field Synthesis at Game of Life, Den Haag, NL, primarily with non-standard synthesis processes.

Textonics

Crystal Bowl Live edit
Ryukyu Folklore 20191116 
@Musubiya Nakijin vil. Okinawa

Yuko Nakai  Ryukyu Folklore Crystal Bowl Live 20191116 edit

Included in: Slow sketch vol. 1: Reflections of the ambient community
(El Muelle Records)

https://elmuellerecords.bandcamp.com/album/slow-sketch-vol-1-reflections-of-the-ambient-community

Slow sketch vol. 1: Reflections of the ambient community

Kurouzu

How about the sounds of CRYSTAL!!!

I play the crystal bowls and love recording & using the sounds of nature.
Then I collage and create my natural landscape.


Now on 
□https://www.instagram.com/yuko_nakai_/
□https://youtube.com/user/nijikokote2

contact→nijikokotetu@gmail.com


Now on Calamine Records!!
Please check out!!

Yuko Nakai Ryukyu Folklore Crystal Bowl Live 20191116 edit

YukoNakai

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