•¨∆

CREATURES AWAKENING

"On the way to the beach, the sultriness melted the buildings in front of our retinas. Distortion of metal, glass and concrete, naturally generated. Once we reached the coast, the impact of the wind required us an extra human effort to walk. The tide had risen excessively the night before, infesting the strip of sand with garbage and a type of dark-colored algae known as Hijiki. We were talking about the influence of the Earth's rotation upon the movement of the tides. We think that the rising and falling of salt water works more as a metaphor than in a vectorial sense linked to the flooding. On one hand, there is the relationship between the movement of the Earth and the waters. On the other, the dynamic dance of the moons, the suns and the other planets. All of this matters. Along the sandy zone, black algae merged with human waste. The viscous appearance of a piece of black plastic had mixed with one of the photosynthetic organisms, forming what looked like the most beautiful mutant creature we've ever seen. After successive heatwaves, these types of beings became more and more common. Plastic plant polymers that attached themselves to dead sea creatures, forming the monsters of our time. The creature remained motionless except when it interacted with the salt water, which tried to drag it into the infinite dark sea. Its tentacles clung to the ground like roots. It looked like the lung of a whale, the heart of a machine, a piece of everything." - Guilherme Ferreira

From my upcoming debut album "Coágulo".

Tides

Tides (ft. galen tipton)

Other version of SLIDING
Find the official release here:
https://soundcloud.com/t0nyp3re/ghostraid-x-tony-perez
@t0nyp3re

KING UNKNOWN TOOLS - B

TONY PEREZ & GHOST RAID - SLIDING (PT. 2)

PURCHASE

Sobre sueños, recuerdos y el deseo de sentirse vivo.
"Todavía no entiendo este lugar. Se que estuve aquí, el aroma es inconfundible. Pensé que solo traería mi cuerpo, y nada más. ¿Por qué cuando duermo aquí, sueño lo mismo que abajo? ¿Por qué cuando miro a las hojas, pienso en las primaveras eternas en las que quiero vivir? No hay recuerdos exactos de nada, todo es intento de corregir lo difuso. Quisiera saber, en donde se guardan los recuerdos."
Artwork y Visualizer by Pondus.
Escrita y Producida por Pondus.

Pondus - Xun Ciclo Rem

taken from "Yairku Part 2"
bffmusicbffmusic.bandcamp.com/album/yairku-part-2

。. 。☿ 。. 。

when u enter a crawlspace you feel humidity all around, from the wet walls to the ground. Yairku is a dark, yet textured place . . .

。. 。☿ 。. 。

Razmiel ( my master of a tactile, virtual soundscape ) conceived this dense, atmospheric journey that expands and collapses its sonic space without any warning. through thick, wet kicks and high-pitched textures, I find myself in club areas, spontaneous noise panoramas, or even cathartic guitar riffs 0_o
with all that in mind, the EP stays emotional and poetic, delivering unconventional climaxes, and moments of silence for a deep inhale.

i listened to it for the 1st time, then 2nd, then 3rd, and still was hungry for more. Razmiel always makes me want to stay in their world for way longer than I imagined . . . ♡

。. 。☿ 。. 。

Razmiel
"𝘛𝘩𝘦 𝘢𝘭𝘣𝘶𝘮 𝘪𝘯 𝘵𝘩𝘦 𝘧𝘪𝘳𝘴𝘵 𝘩𝘢𝘭𝘧 𝘸𝘢𝘴 𝘴𝘶𝘱𝘱𝘰𝘴𝘦𝘥 𝘵𝘰 𝘤𝘰𝘯𝘵𝘪𝘯𝘶𝘦 𝘵𝘩𝘦 𝘵𝘩𝘦𝘮𝘦𝘴 𝘰𝘧 𝘱𝘢𝘳𝘵 1 (xxxglamourxxx.bandcamp.com/album/yairku-part-1) 𝘸𝘪𝘵𝘩 𝘢 𝘱𝘴𝘦𝘶𝘥𝘰-𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘧𝘪𝘤 𝘳𝘦𝘴𝘦𝘢𝘳𝘤𝘩 𝘰𝘧 𝘢𝘭𝘪𝘦𝘯 𝘦𝘯𝘷𝘪𝘳𝘰𝘯𝘮𝘦𝘯𝘵𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘴𝘰𝘯𝘪𝘤 𝘧𝘰𝘳𝘮 𝘢𝘯𝘥 𝘢 "𝘤𝘩𝘦𝘢𝘱 𝘕𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘎𝘦𝘰𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺" 𝘷𝘪𝘣𝘦 𝘭𝘰𝘭.
𝘉𝘶𝘵 𝘵𝘩𝘦𝘯 𝘵𝘩𝘦 𝘴𝘦𝘤𝘰𝘯𝘥 𝘩𝘢𝘭𝘧 𝘬𝘪𝘯𝘥𝘢 𝘦𝘷𝘰𝘭𝘷𝘦𝘥 𝘪𝘯𝘵𝘰 𝘢 𝘮𝘰𝘳𝘦 𝘧𝘪𝘳𝘴𝘵-𝘱𝘦𝘳𝘴𝘰𝘯 𝘱𝘦𝘳𝘴𝘱𝘦𝘤𝘵𝘪𝘷𝘦 𝘢𝘯𝘥 𝘐 𝘵𝘳𝘪𝘦𝘥 𝘵𝘰 𝘨𝘪𝘷𝘦 𝘪𝘵 𝘢 𝘮𝘰𝘳𝘦 𝘢𝘥𝘷𝘦𝘯𝘵𝘶𝘳𝘦-𝘭𝘪𝘬𝘦 𝘢𝘯𝘨𝘭𝘦. 𝘉𝘢𝘴𝘪𝘤𝘢𝘭𝘭𝘺 𝘢 𝘭𝘰𝘯𝘦 𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘴𝘵 𝘷𝘦𝘯𝘵𝘶𝘳𝘪𝘯𝘨 𝘢𝘸𝘢𝘺 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘨𝘳𝘰𝘶𝘱 𝘵𝘰 𝘦𝘹𝘱𝘭𝘰𝘳𝘦 𝘵𝘩𝘦 𝘥𝘢𝘯𝘨𝘦𝘳𝘰𝘶𝘴 𝘢𝘳𝘦𝘢𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘺𝘴𝘵𝘦𝘳𝘪𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘭𝘢𝘯𝘦𝘵 𝘰𝘯 𝘵𝘩𝘦𝘪𝘳 𝘰𝘸𝘯 𝘪𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘱𝘢𝘴𝘴𝘪𝘷𝘦𝘭𝘺 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘴𝘭𝘪𝘮𝘦 𝘮𝘰𝘯𝘴𝘵𝘦𝘳𝘴 𝘩𝘢𝘩𝘢.
𝘛𝘩𝘢𝘵𝘴 𝘬𝘪𝘯𝘥𝘢 𝘩𝘰𝘸 𝘪 𝘤𝘰𝘮𝘣𝘢𝘵𝘦𝘥 𝘵𝘩𝘦 𝘳𝘦𝘢𝘭𝘭𝘺 𝘭𝘰𝘯𝘨 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘦 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘢𝘭𝘣𝘶𝘮 𝘢𝘯𝘥 𝘮𝘦 𝘶𝘭𝘵𝘪𝘮𝘢𝘵𝘦𝘭𝘺 𝘨𝘦𝘵𝘵𝘪𝘯𝘨 𝘣𝘰𝘳𝘦𝘥 𝘰𝘧 𝘵𝘩𝘦 𝘪𝘯𝘪𝘵𝘪𝘢𝘭 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩.
𝘚𝘰𝘯𝘪𝘤𝘢𝘭𝘭𝘺, 𝘪𝘵 𝘦𝘹𝘪𝘴𝘵𝘴 𝘴𝘰𝘮𝘦𝘸𝘩𝘦𝘳𝘦 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘍𝘢𝘭𝘴𝘦 𝘕𝘰𝘪𝘴𝘦'𝘴 𝘍𝘭𝘰𝘳𝘢𝘭 𝘚𝘵𝘳𝘰𝘣𝘦 𝘢𝘯𝘥 𝘊𝘩𝘦𝘮𝘪𝘢 𝘕𝘰𝘸𝘦𝘫 𝘌𝘳𝘺 𝘖𝘚𝘛 (www.youtube.com/watch?v=xqcbxuQz-zQ) 𝘪𝘯 𝘮𝘺 𝘩𝘦𝘢𝘥, 𝘸𝘪𝘵𝘩 𝘴𝘰𝘮𝘦 𝘦𝘱𝘪𝘤/𝘩𝘰𝘳𝘳𝘰𝘳 𝘵𝘳𝘢𝘪𝘭𝘦𝘳 𝘮𝘶𝘴𝘪𝘤 𝘦𝘭𝘦𝘮𝘦𝘯𝘵𝘴 𝘵𝘰𝘰."

mood board:
🧠🦠🎐🦅⚡️🏔🧐

music by @razmiel
www.instagram.com/razzzmiel/

featuring @flagrastama

artwork by Matěj Boček
www.instagram.com/matej_bocek_/

master by @fausto_mercier
linktr.ee/faustomercier

♫°004

Razmiel - SYAH

FROM CLAM017 | TONYPEDIA

clam-pressure.bandcamp.com/album/tonypedia

out 04/04/2024

@t0nyp3re

TONY PEREZ - NATURE FRESH BOY

Performed live @ Q-Factory Amsterdam 29.2.2024
Performers: Iara Perillo, Waldorf 
Mastered: Waldorf
Cover Art: Waldorf

https://formforum.bandcamp.com/track/d-exp0i

Iara Perillo, Waldorf - D.Exp0I [live]

Tar is a new collaborative project between artist @bloodofaza from London, UK, and @falseprpht from Virginia, US. Tar's one goal is: create good music. The sounds are there, the words are "clear". It is what it is.

This debut EP is just the beginning of a trilogy, featuring contributions from @28082 @ghoztmakesmuzik @alparrmusic @ashrardj Shitney Queers, and Bug.

__ __

Blood of Aza is a Surrey-based artist, producer and DJ. Her sound ranges from soothing MIDI lullaby magic and speaker-blowing club edits, to hell-raising ambient soundscapes.

Warren Jones, also known as False Prpht, is a multimedia, international artist, one half of Prison Religion and founder of the Black Ether collective.

__ __

Production: Blood of Aza
Co-production: S280F
Lyrics & vocals: False Prpht
Remixes: Alparr, Ghozt, Ashrar
Featured Artists: S280F, Bug, Shitney Queers
Mixing & Mastering: Reba Fey @swanmeat
Artwork: False Prpht

TAR - ALPARR RMX (ft Bug)

YT BOY RUNNIN
SHOOTN UP THE CITY 
WHO THE FUCK DID IT 
NEED A FUCKIN MEDIC
YT EPADEMIC
NO COPASHTHTIC

YT BOY RUNNIN
SHOOTIN UP THE CITY 
SHOOTIN UP MY VILLAGE
SHOOTIN IN THE NAME OF RELIGION 
THEN LIKE WHO THE FUCK DID IT

WHO THE FUCK DID IT 
NEED A FUCKIN MEDIC
YT EPADEMIC
NO COPASHTHTIC

YT BOY RUNNIN
SHOOTIN UP THE CITY 
SHOOTIN UP MY VILLAGE
SHOOTIN IN THE NAME OF RELIGION 
THEN LIKE WHO THE FUCK DID IT

YT PRESENCE 
MY EPADEMIC 
YT PRESENCE 
MY EPADEMIC

THEY SAY
ANTI SEPTIC 
ANTI BLACK 
ANTI VAX
WHAT IS THAT 
WHAT IS THAT 
WHAT A MESS

Tar is a new collaborative project between artist @bloodofaza from London, UK, and @falseprpht from Virginia, US. Tar's one goal is: create good music. The sounds are there, the words are "clear". It is what it is.

This debut EP is just the beginning of a trilogy, featuring contributions from @28082 @ghoztmakesmuzik @alparrmusic @ashrardj Shitney Queers, and Bug.

__ __

Blood of Aza is a Surrey-based artist, producer and DJ. Her sound ranges from soothing MIDI lullaby magic and speaker-blowing club edits, to hell-raising ambient soundscapes.

Warren Jones, also known as False Prpht, is a multimedia, international artist, one half of Prison Religion and founder of the Black Ether collective.

__ __

Production: Blood of Aza
Co-production: S280F
Lyrics & vocals: False Prpht
Remixes: Alparr, Ghozt, Ashrar
Featured Artists: S280F, Bug, Shitney Queers
Mixing & Mastering: Reba Fey @swanmeat
Artwork: False Prpht

Tides (ft. galen tipton)

Yvu

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