Texture In C

Strawberry chronic 121 bpm

YC-88 Alicja Maciejko 
composition, performance and  image 
for Marta Urbańska

Mieliśmy iść drogą wieczności 
Mieliśmy płynąć w dół rzeki 
Mieliśmy dopłynąć do morza
I poszukać na złotej plaży albatrosów wędrownych 
Unieść się z wiatrem nad fale
Rozłożyć trzyipółmetrowe skrzydła 
i nie lądować co najmniej przez pięć lat
Mieliśmy do dyspozycji 
Rydwany
Słowa poezji 
Sny 
Pegazy 
Feniksy
Otwarte drzwi do krainy czarów
Przestrzeń umarłych którzy wrócili żeby głosić prawdę śpiewać i grać
Mgłę nad jeziorami 
Nieskończone pola zachwytu
i kopalnie oświeconej wiedzy
Diamenty czasu
Olbrzymie fale czułości
Nieprzebrane bogactwa dobrych uczynków i dobrych słów
Nieskończone złoża troski 
Mogliśmy dać sobie nieśmiertelność 
Codziennie po trochu
Dbać o źródła miłości 
Otoczyć się pięknem 
Oddychać natchnieniem 
I tworzyć życie 

Ale starczyło nam czasu tylko na trzy kroki 
po schodach mozolnie kutych w twardej skale życia 
pierwszy do niespełnienia 
drugi do nieistnienia 
I trzeci donikąd...

Three Steps to Nowhere

A performance on video can be watched here:  https://www.youtube.com/watch?v=utMhbQQE-ZI

Floating In The Clouds

Marco Lucchi : piano (2012) and synthesizer (2021)

24 novembre 2021

Gloria [2012 ---> 2021]

César Manrique

Today

Jake Buzzard : vocals & lyrics @jakebuzzard

Mahan 💀 Mahan : instrumental track

Today (feat. Jake Buzzard)

Instruments:
dulcitar, tin whistle, tingsha bells, sleigh bells, triangle, egg shaker

Moon Glowing On The River Flowing

The Openess of the Landscape.

piano

Irish and Mexican deportees meet in  French Polynesia circa 1895.  

Words and Music Copyright 2019 
Scott Culver Thomson 

Lyrics
She's a Spanish colonial Chinese Mestiza
And I am an innocent man
We happened to meet here in French Polynesia
She said she was friends with Gauguin

I told her I wasn't quite sure what she said
But I'm happy for her just the same. 
She said he paints pictures and after  he's dead
Then the people will know him by name. 

She's a Spanish colonial Chinese Mestiza
And I am an innocent man
With Fenian sympathies none to profess 
So they turned me away from the clan
 
She said that she wasn't quite sure what I said
But she's happy for me just the same
I told her they all had been hanged until dead
So that people now know them by name.

She's a Spanish colonial Chinese Mestiza
And I am an innocent man
Her parents believed in Benito Juarez
And they fed her pan dulce and flan

I told her I wasn't quite sure what she said
But I'm happy for her just the same. 
She said,  "One is a custard and the other is bread,
And those are their Mexican names."

She's a Spanish colonial Chinese Mestiza
And I am an innocent man
Who bought her a dress like a new Mona Lisa
So now she can sit  for Gauguin

And it don't really matter what anyone says
We're staying as long as we can 
She's a Spanish colonial Chinese Mestiza
With a totally innocent  man.
 
I'm a totally innocent man

Mestiza

Original compositions played upon various acoustic instruments. 

At the moment, the majority of music I record is original folk tunes. Most of these tunes arise whilst out in natural ecosystems or shortly after visiting a natural ecosystem. The titles often reflect an aspect of the ecosystem I had noticed while the tune came about. Lately this is usually a species of bird.

Tin whistles and flutes appear the most often in my recordings; though mandolin, tenor guitar, lyre harp, jaw harp, dulcitar, and a handful of other instruments show up fairly often as well.

And here's some more music I've made along with my friend Dan Jones:
https://soundcloud.com/user-453898279

Moon Glowing On The River Flowing

Zach Schneider

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Philleann

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