Instruments:
McNally strumstick, Burke tin whistles, tingsha bells, sleigh bells, tambourine

The Hog & The Bog

Neustart

Nebelfahrt

One Tear Before Death

One Tear Before

low fidelity ditty about that ol' chestnut

Abyss

Aftermaths

Boson Spin - Cefounte [part 2]

Again, the Friday junto time prompts me to jump back in the past to recoup lost and found stuff. (this one's for Disquiet Junto Project 0466: [ ] Sound Machine)

This track has been mixed and edited today Friday 4th December 2020 in Paris, France. But the source audio comes from the last 30 years and from both Buenos Aires and Paris, my main two home towns.

You'll hear in this track what I remember from Buenos Aires(where I lived for 30 years):
The bandoneon sound as a subliminal soundtrack.
The subway revolving doors noise
The streets, loud with traffic noise and voices.
People playing football in the squares (or almost anywhere), this includes (that strikes me listening to my field recordings today)  children and adults playing, yelling, insulting and laughing together.


This mash up includes my recordings of:

Field recordings of Buenos Aires, DAT (Caballito area) 1990
Field recordings of Buenos Aires, DAT (Palermo Viejo area) 1994
Bandoneon (performed by Olivier Manoury) Paris 2010
Electric bass, tapping riff (direct to DAT) Buenos Aires 1992
Bowed upright basses, Paris 2006
Electric piano an drum beats: Paris circa 2005
Lead synth and additional keys Paris 2015


Photo, calle Corrientes by DD circa 1999.

more info:https://llllllll.co/t/disquiet-junto-project-0466-sound-machine/39014

Buenos Aires Sound Machine (disquiet0466)

“Dear Tom”

How’s the retirement, Tom?
Why now so quiet, dear Tom?
You’ve a cozy, small place here
Where a man could disappear
	Is that what you’re doing, Tom?

Do you get visitors,
Or only the odd, lost bird?
Friends are a blessing,
But even friendship’s passing.
	Do you have friends, dear Tom?

Where’re your pictures?
Don’t you have children?
Well, didn’t you marry?
Man, you’re just like a pilgrim!
Searching your life
Through the flowers and barbs,
Searchin’ alone under your very own star!

Did you get lonely?
What did you do then?
Did you have family?
Well, why didn’t you call them?
I’m sure they’d have loved
To hear from their uncle—
A family together
Lends old age a pleasure!

Listen’t’me blather, Tom,
I don’t mean to nag ya’, dear Tom.
The truth’s I admire you
And all that you’ve lived through.
	You’ve lived quite a life, dear old Tom

How did you do it, Tom?
What were you trying to prove?
Seventy years
And six careers
	I can understand why you’re so tired...


From a cop to an actor,
From a ref to a coach,
Have you ever considered
All the lives that you’ve touched?
Don’t be so modest
I speak from experience
An honest man like you makes a difference!

I should be going
It’s nearly past sundown
But I’ll visit again
Next time I am in town
Never you doubt it
I will return soon
As sure as I draw breath
And you lie in this tomb...

I won’t forget you...won’t forget you...won’t forget...

- - -
Music by Corey Ball
Lyrics by August Lysy
Mastered by Spencer Martin

Dear Tom

check out the music video :

youtu.be/XTyMVOgF3YY

chlorophyll heart

Thanks a lot 𝗦𝘃𝗮𝘆𝗮𝗺, it was my great pleasure to participate. M

https://soundcloud.com/joaomsousa/divagacao

Divagação 𝗦𝘃𝗮𝘆𝗮𝗺  ( NN edit )

i fear
crashing waves are near
(maybe you want it !)

gotta run 
no time to yield
(maybe you want it !)
there's no time to live
be very sure

i’m so ready
i've got an open mind
drifting

there’s no hope
so grab onto the rope
survival
oh wut the fuck is up with this song?
away into the depths we go!
i tried to wait

i’m so ready
i’ve got an open mind
drifting
drifting
it’s an broken day

    broken days

             broken days
         broken days
              broken days,  (Oh, River!)
                   it’s ok
let’s go home.
(Oh, River!)
it’s the same old thing that’s its ever been...

Broken Days

Original compositions played upon various acoustic instruments. 

At the moment, the majority of music I record is original folk tunes. Most of these tunes arise whilst out in natural ecosystems or shortly after visiting a natural ecosystem. The titles often reflect an aspect of the ecosystem I had noticed while the tune came about. Lately this is usually a species of bird.

Tin whistles and flutes appear the most often in my recordings; though mandolin, tenor guitar, lyre harp, jaw harp, dulcitar, and a handful of other instruments show up fairly often as well.

And here's some more music I've made along with my friend Dan Jones:
https://soundcloud.com/user-453898279

The Hog & The Bog

Zach Schneider